Hozuma Katori

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1953

Hozuma Katori (かとりほつま, from January 1, 1874 to January 31, 1954) is a Japanese casting industrial arts writer, poet. I established history of metalworking as the study and was superior as a researcher. I am presented with the first Order of Culture as an industrial artist of the art in Japan. Tokyo Bijutsu school (current Tokyo art university) professor, a member of the Japan Academy of Arts.
I successively hold a member of Imperial House Museum (the current Tokyo National Museum) art, a Managing Director at national treasure preservation society committee, a committee specialized in a council for cultural assets. As for the Hotsuma phonetic symbol, the real name is 秀治郎 in a pen name. Masahiko Katori who is living national treasure of the metalworking is the eldest son.

Table of contents

Life

It is the adopted child of chief priest of many hemp Shrine to congratulate of Sakura, the Shu Gunshi rope at 5 years old though I am born in Funao-mura, Inba-gun, Chiba (current Inzai-shi). I return to parents at one time, but spend ten years from 7 years old in Sakura. In around Sakura, a lot of remains and old temples had the interest to the ancient times towards the Hotsuma phonetic symbol since I was young. In 1889, I learn from Sakura collection school (current Chiba Prefectural Sakura Senior High School). In addition, I began to make a 31-syllable Japanese poem and I copied collection of books "Manyoshu tanka collection" of the Sakura collection school and learned versification. The interest from this time to the ancient times becomes stronger and come to want to make the Buddha statues which seemed to be made from old days with a hand of oneself. Therefore I applied when the Hotsuma phonetic symbol wanted to go to Tokyo in 秀綱. When a Hotsuma phonetic symbol appeared in Tokyo and became a master craftsman of Buddhist image, the person that it was to the chief priest of the many Shinto shrines which congratulated hemp following the back disappeared, but 秀綱自身 took the wish because the ability of the Hotsuma phonetic symbol admitted in people superior in study. Besides, the fund of Kamigyo sold inherited land from generation to generation and prepared. The Hotsuma phonetic symbol reviews it later saying it "depends on the benefit of the step father I go to Tokyo, and to have been able to study.". The hanging lantern which a Hotsuma phonetic symbol made is dedicated to the precincts of many hemp Shrine to congratulate now.

In 1891, I pass Tokyo Bijutsu school (current Tokyo art university) at the top, and I am graduated in progress 1896 to casting department. The graduation production "ancient times woman statue." The next year, the daughter たまと marriage of the inn in Sakura-shi. In the next year, eldest son Masahiko Katori is born.

It is "an association of Japanese art exhibition", and "a lion ornament" is the honorable mention first prize in 1898 and I receive a silver medal monument in Paris World Exposition in 1900 and play an active part globally. However, the work did not readily really sell, and severe life continued. I lived a life with some pupils without being alone, and it being possible because I made a model and a mold to perform casting and dissolved metal. The Hotsuma phonetic symbol sells the trousseau of the wife and is said to have fed them. I return to a wife, たまが, the hometown that could not be worthy of extreme poverty life before long, and the Hotsuma phonetic symbol is at a loss. It is said that I revealed of the heart that it cannot be said to the parents' house and a step father in such a case when I visit a friend living in Inzai-shi Yoshitaka, the house of Sonosuke Tomii several times. There is the Kaneko うしの cooperation that is mother of the step mother who took care of the Hotsuma phonetic symbol, and the Hotsuma phonetic symbol continues the effort of the comeback and marries again in 1903. I became a professor at Tokyo Bijutsu school in 1933 and brought up a lecture, much next generation in "history of casting" "history of metal engraving" as study in an old school. The Hotsuma phonetic symbol produces a work eagerly after this. I raise the technique and come to be recognized as the world first person of the casting with reality. In addition, I work on a study of the history of metalworking, and the academic books including "history of metalworking "metalworking historical story" "日本鋳工史" in Japan" exceed 40 and leave at the same time many theses. In addition, I made an effort with Nobuo Tsuda of the same town by the department of industrial arts setting of the empire art exhibition (current Nitten) and worked hard to let you recognize a metalworker (metalcraft) as art socially. I become a court artist on December 3, 1934 [¹]. In 1953, these achievements were accepted, and the Order of Culture was performed bestowal of an order of. I honor it as persons of cultural merits in the same year.

It was permitted that I played an active part as a poet of the Japanese yew group of Sachio Ito, Takashi Nagatsuka and others and the Shiki Masaoka Negishi tanka society of the same discipline, and 奏上 did 召歌 as a chamber-maid of the Imperial New Year Poetry Party in the Imperial Court New Year in 1954. I published several songbooks including "天之真榊" during the lifetime. It is said that there was friendship with Ryunosuke Akutagawa, Kyoshi Takahama of the novelist.

I die at 81 years old because of acute pneumonia in 1954 [²]. The cemetery Gotokuji (Setagaya-ku, Tokyo).

"A tradition group" Hozuma Katori

I produced a work of the utility serious consideration while the work of the Hotsuma phonetic symbol being called "classicism" "tradition group", and doing the Orient and Japanese old form, pattern with basics.

If because the industrial arts uses it, or is convenient or hold it in a hand to use it; 持 ちいいとかいふやうなことがある. ^[3]

I speak importance of the と practical use. Furthermore

Beautiful thing of the place that I looked at with eyes or いふことが, most important condition のやうに 思 swell up. ^[4]

I premise that I use it and am easy to use it and the feel is good and insists when, besides, a beautiful thing is important. I reflected what I learned from an old work in one's work and did the production based on the classic. It is the Hotsuma phonetic symbol of the tradition group, but it reaches to add form by the new trend of thought and new imagination characteristics to a work. For example, in "the Chinese phoenix incense lamp which is one of the works of the Hotsuma phonetic symbol," I put a face and the hands and feet of the realistic animal together in the form from the ancient times. The face of the Chinese phoenix is characterized by the form which was round in comparison with a previous Chinese phoenix. In addition, as for the leg of the dove, linear chamfering to remind you of are デコ is done while an old pattern being made on a wing in "a dove incense lamp", and keeping a classic image, and it is in the work which was conscious of a new claim.

Main work

Industrial art object

• Of the Showa era bronze, casting 1 go (Kyoto National Museum of Modern Arts storehouse) "八稜鏡瑞鳥文喰籠"; initial; (the 20th century)
• "雷文鋳銅花瓶" (Tokyo National Museum of Modern Arts storehouse)
• "瑞鳥銅印" (Tokyo art university University Museum storehouse)
• "A holy animal sentence size vase" (Chiba Prefectural art museum storehouse)
• "笑獅子香炉" (Chiba Prefectural art museum storehouse)
• "A mandarin duck sentence copper vase" (Sakura City art museum storehouse)
• "A dove incense lamp" (Sakura City art museum storehouse)
• "A gilt bronze lion leg" (valley storehouse of the metal Art Museum light) copper, plating 1 go 1925 (1925)
• Both ears three pairs incense lamp" (valley storehouse of the metal Art Museum light) 1 go 1928 (1928)
• "An arabesque sentence vase" (valley storehouse of the metal Art Museum light)
• "Kousanji temple bell" (Kousanji storehouse) bronze 1931 (1931) [⁵]
• "Ninna-ji Temple inner temple temple bell" (Ninna-ji Temple storehouse) bronze 1939 (1939) [⁵]
• "A lion peony sentence basin"
• "A lion ornament"

Academic book, thesis

• "History of Japanese metalworker"
• "A metalworking historical story"
• "A metalworking historical story sequel to"
• "日本鋳工史"

Songbook

• "天之真榊"
• After "the sixtieth birthday"

Reference program

SKY PerfecTV !CS342ch history channel "the third history Award" winning work wide area high speed net 296 "casting writer ～ of Hozuma Katori and Nobuo Tsuda - two"

I extract it than the narration in the program.

Footnote

[Help]

1. ^ "official daily gazette" 2378th, December 4, 1934.
2. It is page 8 the ^ Toshiro Hattori "death certification modern times appendix "list of of the modern celebrity of the encyclopedia celebrity" causes of death" (Hirofumi Yoshikawa building, 2010)
3. From outlook on industrial arts of ^ Hozuma Katori and Nobuo Tsuda (Kimihide Maekawa).
4. From outlook on industrial arts of ^ Hozuma Katori and Nobuo Tsuda (Kimihide Maekawa).
5. On the ^ ^{a b} "Meiji cultural assets art, industrial arts Kyoto cultural properties protection fund publication of Kyoto" Foundation and editing, April 30, 1970, it is pp.224-227. .

Allied item

• Metalwork

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