島琴陵
The illustrator of the Nagasaki group that 島琴陵 (しまきんりょう, Tenmei era April 8, 2 (May 19, 1782) - Bunkyu January 24, 2 (February 22, 1862)) was active late in the Edo era in Japan. The name is an Arabian bird.
Table of contents
Short biography
I do not understand the pre-half life well, but it is said that originally it was a southern clansman. Because it was said that the permanent domicile was Edo, it seemed to be daimyo and his retainers on duty in Edo. However, I run away to homicide めてしまい, Nagasaki in the people in the Edo era, and it is said that therefore I learned an image. But it is unknown how many years the teacher was in Nagasaki in ignorance. It is said that I came to Himeji at the invitation of Himeji feudal clan first on the list senior retainer, Hayato Takasu (号, book mountain) who liked grace later. From an another name for Mt. doctor "koto hill (岡) in the west of Himeji-jo Castle," I introduced myself as 琴陵. In Himeji, I seemed to live in these outskirts as waiting on customers of the tortoise Toku Yamamoto temple. I was missing at the time for Himeji, but there were 琴陵 and the record that I gave in (1829) for civil administration 12 years and if the anecdote mentioned above was reliable, it was about time when this and would live in the doctor mountain. But Hayato Takasu is still only a 13-year-old boy then. The cemetery is this virtue temple Imperial mausoleum burial ground. 島琴江 of the son becomes an illustrator, too, and the graves of two people form a line in the burial ground.
It is hard to say the illustrator with the nationwide popularity, but a lot of works stay in Himeji and the outskirts and are got close to "琴陵". Most of the works are sometimes seen in the Shan shui painting in a painting of flowers and birds, but there are not most of the person images.
Work
| Work name | Technique | Shape, number | Owner | The generation | Signature and seal, seal | Remarks |
|---|---|---|---|---|---|---|
| Votive tablet | One | Kamiyoshi Yawata Shrine | 1835（The Tenpo eraSix years) | An existence oldest work of 琴陵. | ||
| Figure of pine plum crane and tortoise screen | Paper on which a painting is painted work color | 六曲一双 | 圓教寺 | 1843（The Tenpo era14 years) | "63 old men" vermilion sentence Japanese yen mark | |
| Figure of dragon and tiger | Silk book work color | Pair of hanging scrolls | Itabashi Ward art museum | 1847 (Koka era four years) | Description of right width "琴陵寫" subsection / "琴陵" vermilion sentence mark ・" Arabian bird Chinese classics mark Description of left width ・" 琴陵 subsection / "琴陵" vermilion sentence mark ・" 66 old man Chinese classics mark [1] | |
| Figure of aronia peacock | Silk book work color | 1 width | Himeji City art museum | 1849（The Kaei eraTwo years) | ||
| Figure of group tortoise | Silk book work color | 1 width | Himeji City art museum | 1852（The Kaei eraFive years) |
Footnote
- It is pp.112, 177 ^ Itabashi Ward art museum editing, publication other than "Itabashi municipal art museum possession Kano group on all pictorial record" February 23, 2013.
References
- On committee editing "distinction cultural assets 1 March 28, 1995 specialized in Himeji-shi history editing in history of Himeji-shi Vol. 15", it is pp.225-226
- Kobe Municipal Museum editing publication Shoji Narisawa charge "painters July 11, 1998 of Kobe, Awaji, the Naruto early modern times"
- On 宇都宮大潔編述宮崎修二朗企画, footnote Masami Okuni revision, commentary Kuniko Sakano decoding "reprint Harima strangeness hearsay" "Manabu Harima bulletin" twelfth, Manabu Harima Institute editing, publication, December 1, 2006, it is p.62
This article is taken from the Japanese Wikipedia 島琴陵
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