As for director Mitsunori Miura of the King record, I had intention that I wanted to receive master supply of happi coat which second album "wind street ろまん" [note 1] not to be able to say from the art music publication (URC record) of the origin of production, but it was when I could not hand over the はっぴいえんどはどうしても URC side, and a new idea was taken there saying "you may start it from King if it was solo", and solo album production of Otaki was fixed as the beginning [note 2].
I released six pieces of single records since I heard the story that came to be called so it because Otaki saw the container that originally the name called "an album" bundled up an SP record like an album if oneself made it and told you that I gathered them and wanted to make it an album. And solo debut single "train ポッポ [note 3] of the love" was released. Just before release of the second piece single "flying whale" [note 4], Director Miura establishes "Bellwood" independently from the King production department culture section, and Otaki will participate in Bellwood from implication to continue solo. As a result, as for the first piece, "flying whale" [note 4] was released as a single person of the third piece of Bellwood in the irregular form called the Bellwood master from the second piece URC master [note 5].
"Six pieces of single designs" were changed to "the solo album design" by various circumstances, and, as for Otaki, in two pieces of singles, album production was started newly first of all afterwards from study and thought, April, 1972 [note 6]. Originally the title of this album was going to become "the omnibus" in the meaning of "the stagecoach", but the album title called "an omnibus" became extinct when six pieces of single designs collapsed, and it was the title of the debut album of Elvis Presley who was the origin of oneself that it was thought there. Because it was simple what's called "ELVIS PRESLEY" [note 7], this first album became "Eiichi Otaki" only for the name, too. But I am called "the first" generally to distinguish it from an artist name.
Artwork
"WORKSHOP MU!!" dealt with the design of the album, but, according to Yukimasa Okumura, the illustration of a jacket and the record label arranged the illustration of the catalogue in the 1950s of Sears which, by the way, I found such as the garage sale of Tachikawa or Yokota [note 8]. In addition, 野上眞宏 says that it is this product to symbolize "MU!!" after going to Sayama, and it is said, "an American pop feeling of the first of Otaki thinks that a pet would ask "MU!!" for the third piece [note 9] in it very much as for "all were surprised はっぴいの people" when the route of the American pop matched sound of Otaki so good, and that appeared". Furthermore, though "it is with the review of the jacket design, or Nobuhiko Yabuki writes it with a music magazine in those days and always takes up only a jacket of the Western music, I write, "a photograph is good" and remember that I was glad" about the portrait of Otaki of the jacket other side which oneself photographed and look back with [1]. The photograph of people that the bag out of the album was able to support this album and a photograph of Otaki at the age of around 2 years old that held a harmonica in a hand are touched.
Collecting music
Side I
It is heavy (1 '03 ")
When Otaki got to know Haruomi Hosono in 1968, it gathered in the home of Hosono in three people of Otaki, Hosono, Nakata in Yoshihiko Nakata (nephew of Yoshinao Nakata) every Sunday to have mediated two people, and a study session of the tea drunkard society and the pop music was opened, and it developed before long to the group called "LAMPPOST". Otaki had the time when I made Duo called Nakata and "EYES" afterwards when Hosono formed April fool. Nakata who heard a demonstration of this music liked it and did chorus arrangement. Otaki intended to mix it by beach Boys-like a cappella, but it is said that it was in this form by advice "to include a guitar even thinly" from Kinji Yoshino of the mixer.
それはぼくぢゃないよ (3 '13 ")
A base is replaced by a single version, and a riff adds the drum. Furthermore, when it was the greatest crop, it does it for Otaki that I do not have the time at the time of single, and there was the full version of the vocal who was predigestion, and it is said that a vocal listened to here came to think that it might be the best vocal of the lifetime for oneself later. Harmony is put in the center in the single, and the balance with the theme was around 6:4, but I am put to left 45 degrees in the album version and am done in the balance that is equal with a melody, and it is in a version, if anything, to play harmony for. The title that "it was not me" is changed to "それはぼくぢゃないよ" with the album in the single. "I was used for a theme song of angel じゃないよ" an indie of Morio Agata later, and Otaki appeared for a movie with a bit part, too.
Pledge by linking each other's little fingers (3 '34 ")
I scheme "let's stay トゥゲザー" of Al Green, and this music was made, but it does not seem to be just interesting, and it is said that I did it for "リスペクト ユアセルフ" wind of the stay pull singers to a base. "I felt it soulful like Al Green to sing, but I came, and if it still just began and is left, I am in trouble, and it was to ということで, a song case of truth once, and, oh, as a result, it might not be good, and, in Otaki, it is said, a song said to a falsetto, Yoshino "let me sing by the first one take slightly when "this is good" because it is soulful like Al Green from now on unwillingly and does it" when I sang in trace first of all without there not being it, and calming down if it is and do it because it is said, oh, to sing by the choice of the key for trial by mistake, and "I leave that this is good and sings again" with Al Green にはなりゃしないんだから [2] about recording of this music because "a pinkie square" is recording on June 5 even if I do it how". It is cut a record in the demo tape called "LF demonstration" of sugar Babe later [note 10] and is recorded in an of the 20th anniversary board of "SONGS" as a bonus truck.
Poverty (2 '10 ")
It was cut a CD on the occasion of becoming it, and a drum of the addition by Matsumoto who fitted ending with the original board was recorded as "poverty" (ヒマダラケ version) with a board in 95. This music was covered later as "poverty '94" by ウルフルズ, and the third lyrics by Otaki were offered newly.
Early summer rain (1 '54 ")
Because non-chorus was monaural mixture, the single version becomes the stereo mixture. But because in this situation a type was identical to "poverty", a guitar of Shigeru Suzuki is dubbed and adds beating time with hands and a chorus. Furthermore, I am changed to the style of some poppings in double vocals, and the balance in the album is taken. For a plan intention "what happens to a building medley of rye tea Brothers later if sing this music?" in album "NIAGARA CALENDAR" as a song of in May self-; was covered.
I received the story that a drum of the up tempo such as "poverty" and "early summer rain" from Tatsuo Hayashi who evaluated a drum of Otaki by "early summer rain" wanted to swat and entered the studio in forest and three people of Shigeru Suzuki and Otaki that were a band friend before, and a pre-professional was performed. Session in itself was the thing which easily only decided a chord progression, but wonderful rock'n roll was completed, and a melody was made only with a guitar and a drum on the drum of the forest in total while listening to tape of this time. According to Otaki, it is said that the title of a musical composition comes from that I heard it so that the drum phrase by the forest says "result of the thickness". This music has quotation from "shaikh" of Sam Cooke pointed out, but Otaki oneself is quotation from Delaware knee & Bonney, and it is said that mine from "shaikh" is added there. Because "茂 is strange to Wayne muslin from Jerry lead, and first Tatsuo Hayashi was, furthermore, to have to put a piano like Jerry Lee Lewis in an interlude with paste paste Otaki reason when I am embarrassed in it and put the phrasing of 1 string and 2 strings in Cass because, well, there was not this kind of music in the four Joe half, but he says, and a forest introduces, "a hand has a pain" in mantas as for Hosono there, and he does not know the rock'n roll, as for what he played with the rock'n roll piano of that type, what this music is not for the first time" [2]. This music became the first game music of "caramel mom" who appeared later in album "HOSONO HOUSE" of Hosono called the Hosono, Suzuki, forest, Matto Valley. Furthermore, singers three participates following "a pinkie square" in this music, but I thought whether there is the hard "fault of the thickness" because "a pinkie square" was soft in Otaki, but it is said that it seemed to be fun because there is not this kind of type in the popular song which I did till then. And this judged that there was the woman doo-wap and was connected in "train ポッポ second part of the love".
Late riser (2 '05 ")
The musical piece that I left which atmosphere that a happi coat could not say for. The totally different version that featured a piano called "New Orleans version" exists, but is not recorded to date.
Town (2 '18 ") of the watercolor
It was made a re-take later in best album "DEBUT" as "town '78 of the watercolor".
Disheveled hair (2 '17 ")
In music with Otaki work first strings, the arrangement is Yoshino. Because I did not play with music percent because it is the music that is Melo Dick most out of this product, it is said that it is the music that there is the least estrangement of the lyrics and the melody. According to Otaki, I say that it is saying "it was my first strings work, and the strings entering the introduction by advice of Yoshino had this as a coda of the ending by the original arrangement and, furthermore, had the ending of the measure, and this music cuts the measure ending and touches a coda in the introduction and connected it with the introduction of the piano and is to be a solo album because it was not the situation starting はっぴいえんどとしては strings music containing it in those days", and "it is the origin of "ロンバケ" in the meaning to have thought that, by the way, I agree, and to sing obediently that "cuts hair", and controlled a tempo a little, and it is for "a happy ending", and is great", and it is said with [2]. A vocal is the first thing as well as "a pinkie square". It was made a re-take later in best album "DEBUT" as "disheveled hair '78". The same name music that is lyrics-identical is recorded in this product and album "HIRO" [note 11] of Yanagita Hilo released on the same day, but, according to Matsumoto, it is said that it was simple businesslike mistake. It is a later interview, and when "I cut a record in はっぴいえんどが Los Angeles, Yanagita came to my house to take it, but apologized to two because it is that I have been lost together then, and there must not be it if I am sorry and contributes to the fact, and thereafter I became methodical very much" and answer it with [3].
Train ポッポ Part 2 (2 '35 ") of the love
The musical piece that was produced as an album version of "train ポッポ of the love" released as a single person. Part of lyrics and music at the rate of of the first part is different. "Train ポッポ of the love" is all trilogy constitution, and this Part 2 and Part 3 called "train ポッポ of the love to cross the sea" shown only by a live where a single version released in a single was recorded in Part 1, this product exist. Musical piece "Stay" of the Western music which a rhythm truck resembled on the way was mixed in Part 3 and was shown with a performance of sugar Babe.
Is cool; this love (2 '16 ")!
It is said that it was a matter of course for a debut album to get wet with Elvis Presley who is the origin for Otaki. So-called "insert pop music" [note 12] that the music attracted only titles of Elvis. Keiichi Suzuki and Otaki where the chorus appointed it as a chorus member when I appeared in the Hibiya outdoor concert stage which はっぴいえんどが had never met. I parodied backup signer "ジョーダネーヤーズ" of Elvis and was named "joke じゃねーやーず". I am recorded in an album by a cassette sound, but it is said that this is because it is open, and it still thought at time to use it for Otaki because Elvis is ace in the hole. Therefore there is what regenerate it at 78 rounds in the A side last of album "WOW" of the モビー grape, and listen to an SP-like sound, and it is said that I did it for a more secluded joke mimicking the joke. However, still I did not have you allow for only the last to make 78 rounds, and I was planned at least by a sound such as the SP to do it. いろいろ試行錯誤の結果、吉野から「カセット・プレーヤー（TC-1000B）をピアノの中に入れてマイクで拾えばそれらしい音になる」と言う提案があり、オリジナル・アルバム収録のこのような音になった。 さらに吉野からのアイデアで、モノラルは面白くないからどちらか左右片方にしようとエスカレート。 たまたま大滝が持っていたステレオ・セットの右のスピーカーが故障していたので左チャンネルにミックスされた。 さらに、曲が終わるとテープの消し残りの「あつさのせい」のイントロが始まり、「面白い」ということでそのまま録音していたら、カセット・テープの残量がなくなってオート・シャット・オフ機能が働いて「パチン」と止まる音まで入ってしまった。 この偶然性に着目した大滝はアルバム・カッティングの際、そのカセットが止まる音がレコード盤のエンドの引込み線に入る直前になるようにカッティング・エンジニアに要求した。 そのためエンジニアはラッカー盤を何枚も無駄にしてしまったという。 その後、アメリカで再カッティングを行ったマスターが使われたセカンドプレス盤は、大滝がカッティングに立ち会えなかったこともあり、現地のエンジニアがカセット音の直前でフェードアウトさせたため、カセット音が入っていない。 後に「烏賊酢是! 此乃鯉」と改題されてアルバム『LET'S ONDO AGAIN』でリメイクされたほか、大滝同様エルヴィス・ファンであった西田敏行によってカバーされた。
^野上眞宏写真集『HAPPY II SNAPSHOT DIARY：Tokyo 1970-1973』2002年12月10日初版発行（ブルース・インターアクションズ） pp.206-212 "Dialogue between Yukimasa Okumura and Mike Nogami 奥村靫正×野上眞宏"
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