Kyuzo Hasegawa

The illustrator of the Hasegawa group that Kyuzo Hasegawa (Hasegawa rapid elephant, Eiroku era 11 years (1568) - Bunroku June 15, 6 (July 13, 1593)) was active in the Azuchimomoyama era. A child of Tohaku Hasegawa.

Short biography

As the eldest son of Noto country Tohaku Hasegawa, I am born between 先妻妙浄 (?for - Tensho era seven years in (1579)). As for history of image "collection of valve balls" or "the Hasegawas genealogy of the Edo era," there are a common name of Nobuharu Hasegawa (the name of 等伯若年時) and a thing to write it down in 久蔵, but this is denied by the progress of the study today. To an of the same mother younger brother to Sotaku Hasegawa (the back), a half-brother Soya, a Court Security Office (等重 ). In addition, two of the same mother sisters are and make study such as 等秀 thought to be the pupil of 等伯 a bridegroom.

『Description of father of the Imperial adviser』 If there was it saying "a figure does picture existence of the child, Heizo Hasegawa this during mountain village Goza" in the point that touched the Nagoya castle fusuma picture for winding 13 and was an error in writing of 久蔵 in this Heizo, 久蔵 would participate in painting on a folding screen and wall production among illustrators of the Mitsunobu Kanou and others Kano group. In "history of our country image," I am appreciated saying "I am superior to Kiyomasa さは father of the image and there is no person to be equal to in a Hasegawa group and protects the law of painting of father (omission) and grows to a person, birds and beasts, flower grass". It was thought that the future was expected much of as the leader of the Hasegawa group of the next era by the situation called the eldest son and high skill of painting, but died young at 26 years old to father first. The grave a fundamental law temple, the Buddhist name 道淳 (fundamental law temple death register).

Existence work

• 朝比奈草摺曳図 (Kiyomizu-dera Temple) votive tablet "願主信州諏訪休庵敬白天正廿年 (1592) 壬辰年卯月十七日" inscription important cultural property

I am known as a masterpiece of 久蔵 along with "a figure of Ohara going out screen" following than ancient times and often take away collections of votive tablets of Edo period. Because it is Kyoto that the maid of the textile shop of Kyoto Iguma to see this votive tablet pointed out, "a crest of Maizuru of the hakama ignores the fold and is described and is strange", and it was for reputation for collection of essays "finishing weaving" of Saikaku Ihara, the anecdote that minded this throughout the life appears in 久蔵. As for drawing a crest and a design in defiance of a fold and a wrinkle, Iehiro Konoe criticizes such a viewpoint with "a description of lump" by natural expression in those days in fact.

• It is the time among House of intellect product paintings on a folding screen and wall (1592) in four "figure of cherry tree" paper on which a painting is painted ground strewn with gold dust work color Bunroku first years
• Six pieces of figure of Ohara going out screen (the Tokyo National Museum) paper on which a painting is painted ground strewn with gold dust work colors one
• Figure of Gion festival (Ishikawa Prefectural art museum) paper on which a painting is painted work color museum piece, Ishikawa designated cultural assets biography Kyuzo Hasegawa

Reference materials

• For Masayuki Fujimoto "mystery Hirofumi Yoshikawa building <history culture library 206> of the Shingen Takeda image", 2,006 years, it is 165-178 pages. ISBN 978-4-642-05606-9

Exhibition pictorial record

• Tokyo National Museum Kyoto National Museum Mainichi Shimbun editing "posthumously 400 years Tohaku Hasegawa" February, 2010
• Nanao, Ishikawa art museum "painters April, 2010 around opening 15 周年記念等伯 commemorative after Tohaku Hasegawa death for 400 years"

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