The symphony third (Schumann)
Symphony third strange E major work 97 "line" (Sinfonie Nr. 3 Es-Dur op. 97 "Rheinische") of Roberto Schumann was composed in 1850, and I was given the first public performance in Dusseldorf on February 6, 1851 by conduct of Schumann. As the symphony which Schumann finished, I hit the last thing with the fourth substantially, but the second thing moved up to the third because it was published revision later and was said with "the fourth". The subtitle of "the line" is not the thing which Schumann turned on. Performance time approximately 35 minutes.
The premiere in Japan was carried out with Hidemaro Konoe with Japanese young man building by a new symphony orchestra on September 25, 1927. It was played in a symphony of Schumann earliest in Japan.
Table of contents
including the process of the composition
- I lost the eldest son in May, 1847, and, in November, Schumann received a blow by death of Felix Mendelssohn who was a sworn friend. However, I would command the male voice chorus of Dresden as a successor of Ferdinand Hiller and I spread in the mixed voices chorus, and Schumann did this and poured power.
- When a revolution revolt happens in Dresden in May, 1849, Schumann was in a position of the liberalism sentimentally, but there is it by the security of a mental disorder and the family and evacuates to マクセン. I compose music and a march revolutionary the other day. Furthermore, I pushed forward the composition of "the scene from Faust" for a memorial festival for Goethe birth 100 years of August and completed the collection of piano music "scene of the forest".
- In 1850, I am invited as the musical director of an orchestra, the chorus of Dusseldorf as a successor of Hiller again. Mr. and Mrs. Schumann who arrived at the ground in September received a grand welcome. Schumann strolled in the Rhine coast willingly and extended a trip to the cairn located in the upper Rhine in September and November. I am impressed with grand Cologne Cathedral, and it is said that doing it got a symphonic inspiration at the report of the cardinal inauguration ceremony of cairn archbishop John phone Gajser held at this time in an occasion. When Schumann completes a cello concerto in November, I start symphonic composition promptly and am completed in December. Even if the subtitle of "the line" is not the thing which Schumann turned on, Schumann is detonated by contact very much by environment surrounding punting and it of the Rhine, and it must be also the music that connection is deep, and the first movement (Lorelei), the second movement (from Koblenz Bonn), the third movement (from Bonn a cairn), the fourth movement (sanctuary of the cairn), the fifth movement (carnival of Dusseldorf) and relations are deepened.
Instrumentation
Flute 2, oboe 2, clarinet 2, bassoon 2, ヴァルヴホルン 2, natural horn 2, trumpet 2, trombone 3 (alto tenor bus for each one), timpani, string five copies.
Constitution
| Music, sound outside link | |
|---|---|
| I have all songs played before buying | |
 Schumann: 3. Sinfonie (»Rheinische«) - The performance by the Marek Janowski conduct hr symphony orchestra. From hr symphony orchestra official site. | |
| Robert Schumann: The performance by the Derde symfonie in Es-groot, op.97, 'Rheinische' - Philippe Herreweghe conduct Radio Netherlands room Philharmonic orchestra. AVROTROS formula YouTube. | |
| R. Schumann - Symphony No. 3 in E-flat major "Rhenish", a performance by Op.97, 1st Movement,2nd Movement,3rd Movement,4th Movement,5th Movement - Marcin Nałęcz-Niesiołowski conduct Opera i Filharmonia Podlaska (The Podlasie Opera and Philharmonic). Opera i Filharmonia Podlaska formula YouTube. | |
| Robert Schumann - Symphony No. 3 (Rheinische) - 1 Lebhaft,2 Scherzo: A performance by Sehr mäßig,3 Nicht schnell,4 Feierlich,5 Lebhaft - Kris Stroobants conduct Frascati Symphonic. Frascati Symphonic formula YouTube. | |
| The Schumann symphony third "line" first movement, second .3 movements, performance with .5 movements of fourth - Tokyo academy orchestras. Than YouTube, the orchestra person in charge (orchestra formula) account concerned. |
I it with the first movement vigor vigor (Lebhaft)
The instructions of speed, the expression depend on German. Strange E major. 3/4 time. Sonata form。 The first subject is exhibited like a brick. I give an interviewer an impression to be called off by the rhythm change using the syncopation fluently. The second subject took on the sorrow by the bobbin. The codetta is based on the motive of the first subject, and this exposition does not have symphonic repetition designation of Schumann only for the first movement. It is heroic, and the relatively longish development to begin with the 185th measure shows the extended form of two subjects and subject first using the motive of the progress phrase in the latter half the homophony of the horn and connects it with recapitulation.
It is extremely the second movement scherzo (Sehr mäßig) by moderation
C major。 3/4 time. A form of ABABA having two intermediate part. I am considered to be a scherzo, but the banter taste is light, and A is characterized by rhythm floating rootlessly. The gentle sound of the wind instrument shows a lot of B in A minor.
The third movement is not fast (Nicht schnell) and it
Strange A major。 4/4 time. I am almost seen with a form of ABCBCA, but the division of all parts is not clear too much if I see it finely. In A, in melody, B calling for with the close expression by the bobbin, a motive to drop adversely is characteristic of motive, C of the scale rise with the string. The brass almost remains silent and is played calmly from beginning to end.
I the fourth movement (Feierlich) solemnly
The key signature of the score is strange E major, but E minor strange as for the real sound. 4/4 time. It is written, "it is character such as the accompaniment of the solemn ceremony" at first, and it is admitted that I imitated the atmosphere of the ceremony of the cardinal inauguration ceremony with the cairn. The brass shows a choral-like long-standing melody, and this is repeated in a canon style [1]. I am comprised of approximately three parts that a short motive with the movement of the low string derived from there increases and comes back to the melody of the beginning again. Because the material of this movement plays an active part in the next movement, it is thought that I have the character as the introduction to the finale.
I it with the fifth movement finale vigor vigor (Lebhaft)
Strange E major. 2/2 time. The first subject with the vigor with the fanfare of the brass is shown by a string. The second subject is not accepted definitely. A race phrase of the brass is often inserted and enlivens the feeling of public holidays and festival days. The fourth movement subject comes up in the development and establishes a long crescendo for recapitulation. It becomes exalted using the fourth movement subject in a coda again and links the all songs brightly.
Change, revision of the orchestration
As for the symphony of Schumann, a change of various orchestration was carried out by various leaders once. The reasons include becoming it stack mistake ぎを thinning きするためや of the musical instrument, the melody of the passage by the performance enhancement of the musical instrument (mainly the brass). Above all, this music seemed to have more opportunities when a kind was increased by orchestration than other symphonies.
Representative examples include a Mahler version. The change of the musical instrument and a change of the how to play are accomplished in a part, and a turn of a trumpet and the timpani is reduced at the both ends movement, and the instructions of a change and the tempo change of the volume balance are added. Gee, Toscanini, cart, Chailly (new record with the Leipzig ゲヴァントハウス orchestra), スダーン leave the recording with the Mahler version. Acquisition of the score is possibility if I depend on ブライトコプフ ウント Teru Hel Corporation [2].
The leaders who adopted part of orchestration for Mahler elsewhere include Giulini, Rozhdestvensky, cell, Walter, Wand, meter, Paray, セムコフ, Muti (フィルハーモニア pipe). Giulini, Rozhdestvensky, the cell are considerably near a Mahler version in this.
Leibowitz leaves the recording that, as it were, it should be said with a Leibowitz version that increased a kind more while assuming a Mahler version a sheet of plastic elsewhere. Interestingly, Shoo Lihit does an about the same change with Leibowitz in the recording with the House of Paris music orchestra. This may have some relation with Leibowitz having taken the birch at the House of Paris music. By the way, Shoo Lihit records Stuttgart broadcast symphony orchestra and this music again and this performs the revision that is approximately similar to old recording, too, but returns a part to the original street.
While Klemperer assumes a Mahler version a sheet of plastic elsewhere, I add Klemperer's original revision partly.
Footnote
- It is said, and, as for the evaluation that orchestration of ^ Schumann is outdated, it comes out of old days to the reevaluation that the sound not to sound is rather individual in 指揮者泣 かせであるが late years that an orchestra does not sound. It is the choral with a horn and the trombone showing what are often mentioned as an example of the clumsiness of the orchestration of Schumann at the beginning of the fourth movement. An alto trombone is performed designation (was common) of by the first trombone; is referable, but the most high-pitched tone is E flat. I am known this is higher than a range used in the solo of the trombone of "the bolero" of Lavelle and to rise four times suddenly, and to reach the E flat by failing to often blow with the tenor trombone used with an orchestra of the modern normal. (references: to a written by Hidemaro Konoe "person hearing an orchestra" in revised edition, Ongaku no tomo sha corp., August, 1970)
- Is ^; Mahler arranging all four pieces, but a Mahler version being placed on a Web catalogue of ブライトコプフ only as for the symphony third. (February 6, 2010 confirmation)
Outside link
- Score - international score library project of symphony third work 97. I can obtain it as PDF free.
This article is taken from the Japanese Wikipedia The symphony third (Schumann)
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