Mario フィリッペスキ
Mario フィリッペスキ (Mario Filippeschi, from June 7, 1907 to December 25, 1979) is the Italian tenorist who played an active part from 1940s through 1950s.
Career
I am born as four men of the farmhouse for the monte Foss stiffness (パラーイア) of the Pisa prefecture. It was not family interested in opera in particular, and it is said that himself spent the boyhood when it is not closely related to a song. It was the first point of contact of him and the music to have begun to learn a clarinet from 17 years old. In the military duties that I join it at 20 years old and acted as for three years, フィリッペスキ has an opportunity to sing popular songs for entertainment, and he starts a lesson of the vocal music after eye opening, discharge from military service in talent of for the first time own vocal music because it was popular with a co-worker, senior officers.
After having wandered several vocal music teachers from place to place, I succeeded in a contract of the part of Donizetti "Lucia エドガルド by the road performance of the orchid Mel lacing braid" in 1937 and I sang in コロルノ in the suburbs of Parma in July and succeeded. It was a late-blooming debut of 30 years old. While I continued the provincial tour in the local small theater, I enlarged a repertory in re-Rico pro-position such as the part of Puccini "butterfly wife" Pinkerton, the part of to agree with "la ボエーム" Rodolfo, the part of Verdi "Rigoletto" duke, the part of "La Traviata" Alfredo, and the part of advance particularly Verdi "Aida" Radames was very popular with re-Rico spinto system various positions such as the part of Cilea "ad Rihanna ルクヴルール" Maurizio or the part of Puccini "Tosca" カヴァラドッシ afterwards in about 1940.
I played an active part in Mexico for 1946 and the early 1950s after World War II and sang led by the position mentioned above. Some of songs in this Mexico City are left by the live recording (the sound quality is inferior), and, as for Greece system American soprano singer just after the debut, "Tosca" and "Rigoletto that acted in the same play with Maria Callas," the acquisition of the CD is possible even today.
フィリッペスキ was a good friend of 15 years old senior large tenorist Giacomo bamboo pipe-stem re-= ヴォルピ and was regarded as the successor again. Originally the part of Rossini "Guillaume Teru" (William Tell) Arnold, the part of that the 1950s began, and a repertory increased Verdi "Il trovatore" Manrico and the part of Puccini "two-run homer dot" carafe were representative suitable parts of bamboo pipe-stem re-= ヴォルピ, and フィリッペスキ put success even in these.
I withdrew from the front line while leaving surplus energy to be able to still sing in the early 1960s. I instructed much tenor as a vocal music teacher and died afterwards in the suburbs of Florence in 1979. 72 years old.
Evaluation
He of the heyday had a large range of voice, brilliance in the upper register and good growth. There is the opinion that it is tied to the good breath control to have been a wind instrument player.
On the other hand, it is reliable that it gives an "exaggerated" impression a kind of "antique-looking" that his song-style is common to tenor before World War II including bamboo pipe-stem re-= ヴォルピ and Gigli and differs from the style to hit feelings on more directly including Mario Dell = Monaco which gained power after the Great War, Franco Corelli. I can confirm this by Tullio Serafin conduct, two sets of all songs studio recording (for 1,954 years, I record it in 1960) of the ベッリーニ "quota" of the part of Maria Callas title.
This article is taken from the Japanese Wikipedia Mario フィリッペスキ
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