We who are fickle
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| "We who are fickle " (NAUGHTY BOYS) | |||||
|---|---|---|---|---|---|
| Studio album of YMO | |||||
| Release | 1983May 24 | ||||
| Recording | 1982October - 1983March ALFA Studio "A" Sound house | ||||
| Genre | Nu wave Techno songs and ballads | ||||
| Time | 38 minutes 35 seconds | ||||
| Label | \ EN/ Alfa Records | ||||
| Produce | Y.M.O. | ||||
| Review by the specialized commentator | |||||
| Chart best order | |||||
| YMO chronological table | |||||
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| Single of "we collecting who are fickle" | |||||
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| Haruomi Hosono chronological table | |||||
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| Yukihiro Takahashi chronological table | |||||
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| Ryuichi Sakamoto chronological table | |||||
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The album of 7 items of yellow magic orchestra (YMO) where "we (NAUGHTY BOYS) who are fickle" is a Japanese music group.
I was released from Alfa Records (\EN label) on May 24, 1983.
Table of contents
Background
After the solo activity of the member or the musical piece offer to other artists, it is the album which greatly changed the route.
After previous work "techno Derrick" announcement, the member offers a musical piece to various musicians as solo activity and lets you make a hit. Those musical pieces were made as a popular song, but the synthesizer sound peculiar to YMO was used casually and had a great influence on the later popular song, idol song (cf. techno songs and ballads).
It is afterwards that it is influence from individual solo activity, or this album in the name of announced YMO was conscious of a popular song. I am seen for the conversion in prospect of the record sales to the "fickle" popular song route for the listener to a previous work definitely when I have a look, but the hit popular song at the time of the Haruomi Hosono reason is the musical piece group that marked a line and talks rather than a thing made as a popular song later when it is an album of the positioning second of "techno Derrick". In addition, it is the album which three characteristics appeared conspicuously as it was said with Ryuichi Sakamoto of Hosono of the solid musical piece, Yukihiro Takahashi of the pop musical piece, the delicate musical piece with influence of the previous solo activity or this album.
In addition, the album title was named at first when "cute".
Was used for CM of Kanebo COSMETICS;, to "you, collect chest キュン.".
Recording
I sound a phosphorus drum with an amplifier by the recording of the drum and I let a genuine drum be resonant and record the sound, and a production method to attach the ROM who printed a sound of Takahashi to a phosphorus drum, and to know a previous work is used.
Digital recording is carried out in product "BGM" before last and was returned to an analog recording in previous work "techno Derrick", but this album is performed by digital recording from a beginning. I am disposed with tape of "BGM" now because the machine parts which can reproduce this master tape do not exist in the world.
Professional Huet 5, Emulator, Roland MC-4, Roland TR-808, phosphorus drum, Simmons (synthesizer drum) are cited in the use machine parts.
As the foreign musician who cooperated with a work of YMO for the first time, building Nelson participates with a guitar. Originally it was an opportunity that a building participated in the concert of Takahashi who went in the last year, and Takahashi suggested it [2]. It is said that Sakamoto liked a performance to be famous for a pedal point using E-BOW of the building.
Member oneself will use a sequencer than a product, and Hideki Matsutake in charge of manipulating it comes off from production till then, and alone Takeshi Fujii of the young person staff participates as "technical assistance" now.
Sakamoto at the time comments on the pop route of this album saying "there was not a meaning to do in having been a joyride too much and, however, I was suffocating and was going to play that point in time forcibly when I do not appear like that" [3].
Promotion
I appear for a TV program frequently and appear to variety shows such as "quiz musical scale Don!" (for from 1976 to 1988 Fuji TV) or "we jocularity group" (for from 1981 to 1989 Fuji TV) at that time.
Collecting music
| All arrangement: YMO. | ||||
| # | Title | Words | Composition | Time |
|---|---|---|---|---|
| 1. | 「To you chest キュン.」 | Takashi Matsumoto | Haruomi Hosono, Ryuichi Sakamoto, Yukihiro Takahashi | |
| 2. | "A way of the EXPECTED WAY/ hope" | Yukihiro Takahashi | Yukihiro Takahashi | |
| 3. | "FOCUS" | Haruomi Hosono, Peter Barakan | Yukihiro Takahashi, Haruomi Hosono | |
| 4. | "ONGAKU/ music" | Ryuichi Sakamoto | Ryuichi Sakamoto | |
| 5. | "OPENED MY EYES" | Yukihiro Takahashi, Peter Barakan | Yukihiro Takahashi | |
| # | Title | Words | Composition | Time |
|---|---|---|---|---|
| 6. | "YOU'VE GOT TO HELP YOURSELF/ 以心電信" (preview) | Yukihiro Takahashi, Ryuichi Sakamoto | ||
| 7. | "LOTUS LOVE" | Haruomi Hosono | Haruomi Hosono | |
| 8. | "KAI-KOH/ encounter" | Ryuichi Sakamoto | Ryuichi Sakamoto | |
| 9. | 「River of the EXPECTING RIVERS/ hope」 | Yukihiro Takahashi | Yukihiro Takahashi, Ryuichi Sakamoto | |
| 10. | "WILD AMBITIONS" | Haruomi Hosono | Haruomi Hosono, Ryuichi Sakamoto | |
| Total time: | ||||
Perversion theory
A side
- For you, it is chest キュン. (fickle vacance)
- Refer to "chest キュン for the details to you.".
- Way of the EXPECTED WAY/ hope
- FOCUS
- ONGAKU/ music
- The music that I wrote for Miu Sakamoto who was a daughter of Sakamoto that was 3 years old in those days. Played various music without asking beautiful in the rain one's own other products, and Sakamoto at the time judged 良悪 of the music whether ノッ て danced it. The lyrics point at technique of the contemporary music of the 60s. Two kinds of tones are used for a bass. It is a snare not a high hat to chop 8 beats of the drum.
- OPENED MY EYES
- British verse and music.
B side
- YOU'VE GOT TO HELP YOURSELF/ 以心電信 (preview)
- Campaign music of "World Communications Year (WCY)" by the United Nations. For spot commercial use, time of the music was 30 seconds and remade this music for full choruses and was released a single the thing which touched the lyrics later.
- LOTUS LOVE
- According to Sakamoto, it is with something like brothers music of "the cue".
- KAI-KOH/ encounter
- The bell color is used for a theme of "Mary Christmas of the battlefield" by a sampling using "イミュレーター".
- River of the EXPECTING RIVERS/ hope
- Refer to "a river desired" for the details.
- WILD AMBITIONS
- British verse and music. The work which Hosono and Sakamoto made a coproduct at activity of YMO alone. As for the rhythm pattern of the introduction in particular, Sakamoto cooperated with Hosono. In addition, the tone of the toy which Takahashi purchased in Kiddy Land is used for the tone of the snare.
Staff credit
Yellow magic orchestra
Participation musician
- Building Nelson - Guitar
- Takeshi Fujii - technical assistance
- Akihiko Yamazoe - technical assistance
Staff
- Y.M.O. - Producer, mixture engineer
- Mitsuo Koike - recording, mixture engineer
- Akitsugu Doi (Studio "A") - Assistant engineer
- Takanobu Arai (sound house) - assistant engineer
- Tsuguya Inoue (Beans) - Art direction
- Eiichiro Sakata - photography
- Description of Honda three husband (Bijin) - Hair, make up
- Toshi Tsukui Nao - creative service
- The Yoichi Ito (オフィスインテンツィオ) - management
- Hiroshi Okura (B-2 Unit) - The management
- Kazusuke Obi - A & R coordinator
- Osamu Takahashi - A & R coordinator
Release history
| No. | Date | The name of a country | Label | Standard | Standard article number | The best order | Remarks |
|---|---|---|---|---|---|---|---|
| 1 | 1983May 24 | Japan | Alfa Records | LP, CT | YLR-20008 (LP), YLC-28008 (CT) | The first place | |
| 2 | 1984April 25 | Japan | Alfa Records | CD | 38XA-6 | - | |
| 3 | 1984 | The Netherlands | Pick Records which improves | LP | LPU 0014 | - | |
| 4 | 1987March 25 | Japan | Alfa Records | CD | 32XA-143 | - | |
| 5 | 1992March 21 | Japan | Alfa Records | CD | ALCA-293 | - | |
| 6 | 1992 | The Netherlands | Roadrunner Records | CD | LS 9152 2 | - | |
| 7 | 1994June 29 | Japan | Alfa Records | CD | ALCA-9045 | - | |
| 8 | 1998January 15 | Japan | Alfa Records | CD | ALCA-5222 | - | |
| 9 | 1999September 22 | Japan | TOSHIBA EMI | CD | TOCT-24240 | - | The Haruomi Hosono supervision, a remastering board, sleeve notes: Takashi Matsumoto X Hiroshi Ito (グルーヴィジョンズ) |
| 10 | 2003January 22 | Japan | Sony music house | CD | MHCL 210-1 | The 76th place | The Ryuichi Sakamoto supervision, paper jacket specifications, Class with "us (instrumental music) who are fickle" two pieces |
| 11 | 2004February 2 | Canada, the U.K. | Epic record | CD | E2K 91846 (CA) .513451 2 (UK) | - | Class with "us (instrumental music) who are fickle" two pieces |
| 12 | 2010September 29 | Japan | Sony Music Direct | Blues peck CD | MHCL-20108 - 9 | The 254th place | 1999 remastering sound source, paper jacket specifications, super picture CD Class with "us (instrumental music) who are fickle" two pieces |
Footnote
- It is page 74 for original コンフィデンス, 1,990 years for ^ "Oricon chart book LP from 1970 to 1989". ISBN 4871310256。
- It is the reason that thought that all which ^ is the time when YMO deployment has been already fixed at, and are worthless if there is not some new thing are not a chance to come to have a mind to do it.
- From ^ "compact YMO."
Outside link
This article is taken from the Japanese Wikipedia We who are fickle
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