Technopop
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| Technopop | |
|---|---|
| The stylistic origin | Electronic music Synthesizer music Pop music Lock Kraut-rock Disco Post-flat Nu wave |
| The cultural origin | Europe of the 1970s and Japan |
| Use musical instrument | Synthesizer - Computer - Sequencer - Vocoder - Drum machine - Keyboard - Guitar |
| Derivation genre | Techno songs and ballads - House - J-POP |
| Subgenre | |
| Tip tune | |
| Fusion genre | |
| Future pop | |
| Item concerned | |
| Synthesizer pop Nu wave Fusion | |
The technopop (Technopop/Techno Pop) is popular music using the electrophones such as synthesizer sequencer vocoders. By a music term spoken in Japan from the late 1970s, it is original expression in Japan.
Table of contents
Summary
It features the SF-like sound that used many a synthesizer, synthesizer bases. The earliest hit that used many technology of the electrophone is hot butter of 1972 and "popcorn" of popcorn makers. The music rises to the ninth place in a billboard chart; made a big hit, and made smash hit in Japan. In addition, hit "Urashima's box (Sound of My Father) of 1972 of チッコリー (in Europe and America チッコリー tip) which Giorgio Moroder produced of the love" used the latest electrophone. Even if a term technopop was used in these hits, it was sound without the wonder, but the term was not used in Japan at the time. Then, techno sound in the German progressive rock of Kraftwerk existed by the album unit.
The popular music of the style similar to the Japanese technopop was called a synthesizer pop (Synthpop), an electropop in Britain and the United States [1]. The music that I produced using computer and MIDI apparatus was called "コンピュ music" in particular. There are many examples that the musician who visited Japan did not know the word "technopop". In addition, "the TECHNO POP" wants to be used in a different meaning and, in Europe, says [2].
It became the boom in form in parallel with a yellow magic orchestra (YMO) boom in Japan from about 1978 [3].
A style of the dance music that was popular worldwide from the late 1980s includes techno and a house. I was born from acid house, a series of flows (the origin) called the Detroit techno, and it is said that there is not is direct, being connected with Japanese technopop [4].
History of the technopop
The first boom
It is done with the first to go out that Yuzuru Agi of the lock commentator who published "a lock magazine" in Osaka in 1978 used the word technopop in a review of the album "human being dismantling" of Kraftwerk [5]. I am said to be it by Ryuichi Sakamoto who liked this coined word appearing to various mediums, and having used it when it spread out generally [6].
When YMO boom happened in about 1980, P-MODEL, Hika Shoo, plastic were introduced as "techno three branch families of the Tokugawa house" following YMO. The plastic has begun to hit "the lightness" that was ahead of Japan of the のちの bubble period against the belt formed by fashion designers [7]. Hika Shoo from drama field covered "a model" of Kraftwerk by the traditional Japanese music-like vocalism such as ability, the Noh comedy. Originally the Mende lake of the progressive rock band affected by Black Sabath and the King Crimson threw P-MODEL on the style that synchronized a bleep and band sound. It is "a point to lightness" as well as the use of the electrophone that is common to them. The technopop was one methodology to escape from darkness and weight (e.g., a comic with a realistic narrative is representative) of the culture of the 1970s for Japan [8].
As a technopop band of the boom period, ジューシィ fruit (Haruo Chikada produces it as well as Hika Shoo), 8 Kenzo Saeki boy home runs, Shingo Kubota and Koji Ueno and others 1/2 to lead to lead, boy home runs and 8 1/2 make full use of Hull men (Keiichi Suzuki produce of moon riders) which joined it, the Tokyo Bravo which Kan Takagi was registered at, the cakra which Mishio Ogawa was registered at, Interiors leading Daisuke Hinata, fair light CMI, and there are TPO called post-YMO, the one style temple where Masami Tsuchiya, the Midake chapter was registered at.
In addition, "the techno songs and ballads" by an idol and the entertainer are released much. Ryuichi Sakamoto, Haruomi Hosono, Yukihiro Takahashi produce these most [9].
The core label which took a boom includes \EN labels of Alfa Records where YMO and Jun Togawa and others were registered at.
Kraftwerk which visited Japan these days liked the word to be called "technopop", and it was in a directly-controlled fief of a feudal lord, and I changed a title with "an electric cafe" in 1986, and [10] titled "TECHNO POP" released a planned album title by release in 1983 [11]. Music entitled "TECHNO POP" is recorded in this. バグルス includes music called "TECHNOPOP" in a B-side of single "CLEAN CLEAN" which I announced in 1980 [12] and it is for remastering and is recorded more in 1999 of album "THE AGE OF PLASTIC".
Late 1980s
They have effect such as the second band booms caused in about 1985, and technopop and the techno songs and ballads disappear from the major music scene. PSY, S which made its debut in technopop at this time converts to "a music form to send the sound of the rock band to the front" hurriedly. The music that "made full use of a synthesizer, but was different from the technopop" namely TM NETWORK[13], a big beat and Kitaro such as access, New Age music such as Himekami were supported these days by the world public.
On the other hand, in the maelstrom of the indies band boom that was pulled for the same period by subculture magazines such as magazine "Treasure Island", and rose suddenly, a technopop-colored strong artist gave off big presence. The record of an affectation kid (Kimitaka Matsumae and others are registered) and mole cricket ecstasy and others to lead was introduced by the whole country by a captain record affiliated with Treasure Island company, and karate Bakabon (a mole cricket, Kenji Ohtsuki and others are registered) or the life (Takkyu Ishino, Pierre waterfall and others are registered) to belong to ナゴムレコード which a mole cricket very happy again established enlivened indies chart. Of the unit "long vacation" that very happy "べにくじら" and a mole cricket formed later "kiss sherry", and is major, and the technopop covers are released, and generally is known.
In addition, a video game and the TV game became the boom for the same period, and the people who devoted themselves to game music played by a game namely the instrumental music music utilized the synthesizer tone came to appear a lot. The music of the arcade game that was already called "an invader game" and "a circus" was featured with the first album "yellow magic orchestra" of YMO, but I produce first Japanese record "Video Game Music" where Haruomi Hosono recorded game music in in 1984, and the talented person of the technopop scene will be concerned from the days of creation of the game music scene. In Alfa Records which had \EN label in 1985, the G.M.O. record was established as the label which was specialized in the first game music, too. I establish a belt to play, and each game company performed life of company's game music on the occasion of a band boom, but Kimitaka Matsumae who participated in S.S.T.BAND of SEGA comes to be concerned with the game industry by the flow deeply, and the activity as the game music composer plays a key role in the 90s.
1990s
One of the genres that turn into technopop, and entered the mainstream of the electronic music is techno. It was prevalent worldwide after 1988, and Ken Ishii and Takkyu Ishino became famous in Japan [14]. The electric groove from the life devoted itself to a house or a lap in the early days, but I do a techno color clearly in the after 1990s when Ishino mentioned an acid movement and let "Shangri-La" make a big hit in 1997. In addition, Haruomi Hosono shifts to アンビエント which is a genre of the techno concerned, and "even technique Nodong" of YMO which reopened activity labeled as "reproduction" records a アンビエント-colored strong musical piece. The re-plan album to mix was released in a musical piece of YMO 808 ステイト, the Aube, techno artist such as the orbital. Techno became one tide of the measure music scene of Japan not technopop, and the confusion of both came to in this way get up by the existence of the musician who had technopop and both techno in the origin, too.
Although there was movement [15] that a musical instrument maker releases many synthesizers and reduces the cost, and to become the public, a revival of the technopop did not influence becoming it directly during until the end of 1990s.
2000s
It is the indies music scene mainly that technopop came to be treated again, and MOTOCOMPO and Overrocket, Sonic Coaster Pop, EeL come to deal with a pop quickly in technopop and future. Furthermore, I release dance music close to the technopop that KAGAMI made full use of a synthesizer and a vocoder in the techno music scene and gain popularity.
The influence of the overseas music scene accelerates a revival, too. After hit "One more time of ダフトパンク released at the end of 2000," the mechanical vocal with the voice filter [16] came to be taken in in Japan.
Unit, Perfume by the Yasutaka Nakata produce release a single in indies label of Tokyo in 2003, and a cover records "a bad mood in Jennie" a hit of the ジューシィ fruit in this. A re-appeal of the technopop begins to be outstanding. In addition, parallel to the same year being accompanied in commemoration of the Nintendo 20th anniversary, and the re-appeal of the model having been carried out led by the game industry, the attention to the tip tune using the game machine in the 1980s increased, too [the source required].
For the unit that album "GAME" of Perfume was named "a technopop unit" in 2008, I recorded the chart first place for Oricon week to try to be you since YMO in a quarter of century. The recent technopop movement depends greatly on Yasutaka Nakata, but the many followers to be naive in Aira Mitsuki advocating "technopop second generation", Sweet Vacation appear, and interest in technopop increases. In addition, various classifications including a "shiningly pro-" "pico pico system" "young girl house" "French (electro) house" are done, and unification, the subdivision of the genre are up.
Although an idea is different from these a series of trends, cross it to several times of the device glasses by indies band tie program "singing emotionally airing battle" of NHK; nationwide by broadcast and Kimitaka Matsumae "bite buttocks, and the hit of insect" [17] is one of the events that contributed to a technopop revival, too.
Specialized labels such as アーバンギャルド, FLOPPY, pLumsonic!, techno pop artists such as JaccaPoP, T4P records or ウサギチャンレコーズ play an active part by the further spread of synthesizer and PCs in the indies music scene.
I it about music around the technopop
Techno songs and ballads
It is Haruo Chikada "electric love story" that the musical piece using the synthesizer drum (en:Electronic drum) appointed "a yellow magic orchestra" as "arrangement" earliest in songs and ballads world in the reasonable early days that are Pink Lady "southpaw" (March, 1978) (1979). "The techno songs and ballads" that Kyohei Tsutsumi dealt with for the first time are Ikue Sakakibara "ROBOT" (arrangement Motoki Funayama, June 1, 1980). "The techno songs and ballads" appear from this neighborhood. The synthesizer drum at that time is SYN-DRUMS of American POLLARD company. And is machine parts such as ULT-SOUND (alto sound) made in Japan; sound effects-like rather than eggplant with the body of the real drum set to the last; was used, and did. The appearance of the electronic drum like "a drum set" had to wait for the appearance of the synthesizer drum (en:Electronic drum) of Simmons (en:Simmons (electronic drum company)) like the present electronic drum.
"The high school lullaby" of the potato 欽 trio who Haruomi Hosono composes it, and arranged it becomes the million seller; Kawakami and Nagashima "came; or a lot of musical piece is provided others さんまってた Don at first (a product, arrangement: in Hosono, 1983) super" by a comedian. A style to sing songs backed by technopop-like accompaniment in the musical piece of the idol is established afterwards. These were called "techno songs and ballads" later. I categorized a thing being aware of a nu wave and techno by implantation performance + live performance in particular at first, but this name was not used when implantation was commonly used afterwards.
pop in future
One of the derivation music that added the lyrics and the synthesizer lead performance that were melodia to dance music including the techno. "YUMEGIWA LASTBOY" (SUPERCAR, song of insertion of the movie "table tennis") is famous. Besides, famous RAM RIDER, cheerful Rockets [18].
Tip tune
One of the electronic music that used the sound source (PSG, wave pattern memory sound source) of a game console, the PC before the FM sound source including Family Computer for Maine. Techno songs and ballads by tip tune accompaniment such as Master Haruko Momoi (representative music ・" ワンダーモモーイ "you bark I bark daughter") and Takahashi (representative music ・" star soldier) are famous other than YMCK in Japan.
Footnote
- In ^, e.g., this site of ELECTRO is alias said.
- Than the interview that a keyboard magazine went to Kraftwerk in ^ 1981 (I reprint it in January, 2010 issue WINTER).
- The ^ source: Yuji Tanaka "electronic music in JAPAN" (aspect, 2001 ISBN 978-4,757,208,711)
- In ^ electroは hip-hop, the derivation dance music of the big beat, a connection with the anti-Establishment thought including the ghetto gang studio is deep.
- ^ Origin - All About of the technopop
- From corner "Domoto best hit たかみー" in ^ TV program "new Domoto brothers."
- I was received to assume a defiant attitude about notorious "Japanese indiscriminate imitation" in the music called ^ "copy" in Europe and America, and a live tour of the U.K. was swatted by press of here so as to be superabundant
- ^ Noi Sawaragi discusses it about "lightness" of the technopop in an article called "yellow magic" (I collect it in ISBN 978-4,087,741,292 in "world Noi Sawaragi where is full of techno Derrick - mirrors", Shueisha, 1996)
- The ^ source: Akiko Mima "techno pop" (THE DIG PRESENTS DISC GUIDE SERIES) (Shin Coe music, 2004 ISBN 978-4-401-61851-4)
- The ^ source: It is Shunichi Koyama 1988 "the first synthesizer" (Kodansha modern new book).
- I correct a title for "TECHNO POP" in the remastering redecorated version of ^ 2009.
- ^ Buggles* - Clean, Clean (Vinyl) at Discogs
- But the ^ early TM releases the music of the technopop.
- The ^ source: "YMO GLOBAL YMO disk guide who opens" (in SHINKO MUSIC ENTERTAINMENT, 2007 ISBN 978-4,401,631,162). In this book, Hideo Sakuma of the writer states, "the techno wants to say loud when it is a genre born in Japan".
- The EOS series made in Yamaha namely DTM sound sources made in "keyboard of Tetsuya Komuro" and Roland were popular among the public well at the time of ^.
- The effector which can utter by a fluent sound than ^ vocoder. "Talker" made in Digitech company is famous.
- ^ うるまでるび songwriting, Kimitaka Matsumae arrangement.
- I may be called so for the music that the person since ^ Yasutaka Nakata began club DJ deals with.
Allied item
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