シルヴァーノ ブッソッティ
シルヴァーノ ブッソッティ (I may be transcribed into -, ブソッティ or ブゾッティ on Sylvano Bussotti, October 1, 1931) is Italian composer, pianist, painter, designer, writer, poet, movie director, actor, illustrator, stage director, choreographer, director.
Table of contents
Brief career history
I am born in Florence.
It entered to tell him the violin as one of the wishes of the woman who entered the monastery which was an acquaintance in childhood of ブッソッティ. I began to learn music triggered by this and have begun to already write a work of the violin solo immediately. After having learned at the House of Florence music, I study under max Deutsch in Paris.
Style
It is after the war to begin full-scale activity, and it is to the regular customer [1] of the contemporary music class immediately in the Darmstadt summer and absorbs vanguard idioms such as the total Serie rhythm. He of the 50s was predominant in a generation by an original graphic score and became the topic in the same way along with long novel ハウベンシュトック = ラマティ and ボグスワフ シェッフェル which took the possibility of the graphic score seriously. In addition, in the creation of the stage work, he meddles with all specialties to affect presentation and shows da Vinci-like talent.
There is "put it on top of one another" in one of the technique that he uses with an orchestra work, and compose each musical instrument block beforehand like (a-b-c-d-e-f-g), and let rotate it with a turn such as (a-c-d),(a-d-f-g); and last all; play it, and answer it. This musical instrument method is one of the things which are the most unique in the modern Italian music and affects the technique such as Haruyoshi Nogawa or the Kawashima bare fine weather.
As for the boyfriend who felt incommodiousness in the appearance of the score although I returned to traditional musical notation after the stagnation once of the vanguard, the form of the note suggested the new musical notation that it was into a branch form. This musical notation reflects it in his style of painting, and Hidehiko Hinohara of the pupil succeeds to the same musical notation, too.
It was very unique in the generation of the vanguard, and, as for the tone beauty as if I extremely expressed for human greed, there was the evaluation with "the inner の nobody who wrote the music that was the most complicated in Italy" before the new complexity appearance. In late years there are many autobiography-like works. I had much romantic poetic sentiment like the consonance from the beginning of activity, but came to insert a tonality-like piece after stagnation of the vanguard moderately. The tone aesthetics that the eroticism that festered even if I use any instrumentation overflows is recognized for all creation period throughout.
ブッソッティ and piano
The piano is the most suitable media to convey good quality of oneself and, for ブッソッティ, writes many works for this musical instrument including "the music for friends" for "five piano short pieces for David Tudor" and "piano". David Tudor, Frederick Jeff ski, Jean Carlo Cal Dini, Carlo Levi ミンツィ, マッシミリアーノ ダメリーニ, イヴァ ミカショフ, マルチネ ジョスト, マウロ カステラーノ (the only existence that made all piano works a repertory), Hidehiko Hinohara and the eminent members became his one arm. In addition, I often deal with one's own piano part by oneself and may play it of my own even if over 70 years old.
Present condition
The state that an introduction in Japan did not completely do continued, and, after a visit to Japan (as for the commission product "H3") for the Suntory international commission series, the recent work of ブッソッティ flew even about 断筆説. The acquisition of the work extremely became difficult, and because of bad that I had some Italian Mafias give financial support or many factors are thought about after a copyright break of Ricordi, but it is a main cause that this squeezed activity in Italy, and, as for the creation will, late years are higher. By the renewal of the formula WEB site, the acquisition of the work became somewhat easy.
I visit Japan again in January, 2008. The concert mainly on the work by the graphic score was carried out. By the encore of the case, of Puccini by the ブッソッティ arrangement "and the small bird" were shown by the song of the が ブッソッティ person. In addition, the design of the concert of this time is made a CD and is released than stradivarius label. The update of the official site reflects his character and is apt to be late, but in late years a lodger is in charge of update. The new work is composed every year.
Publication
The new work is published by RAI TRADE, and a relatively recent work is available. As for the past, the acquisition of the work of the RICORDI era is relatively easy in RICORDI. I shifted to a private press called BUSSOTTIOPERABALLET after the contract expiration, but the acquisition of the work after the shift is difficult.
Major works
Stage work
- La Passion selon Sade (mistero da camera, 1965)
- Raramente (mistero coreografico, 4 febbraio 1971 al Teatro Comunale di Firenze)
- Lorenzaccio (72 al Teatro La Fenice di Venezia con Mirto Picchi, Elisabetta Terabust, Luigi Mezzanotte, Bussotti e Paolo Graziosi)
- Bergkristall (balletto, 1973)
- Nottetempo (dramma lirico, 1976) con Oslavio Di Credico al Teatro Lirico di Milano
- Oggetto amato, balletto in 1 atto (1976) con Cathy Berberian e Claudio Desderi al Teatro Lirico di Milano
- La rarità. Potente (1979 al Teatro Regio di Torino)
- Phaidra/Heliogabalus (balletto, 1981 al Teatro Regio di Torino diretta da Bruno Bartoletti)
- Le Racine, (Pianobar pour Phèdre) (opera da camera in 1 prologo, 3 atti e 1 intermezzo per voci, pianoforte e percussioni, libretto del compositore, diretta da Massimo de Bernart con Alessandro Corbelli, 1980 alla Piccola Scala di Milano)
- Le Bal Mirò(balletto pantomima, 1981 al Teatro La Fenice di Venezia)
- Nympheo (Scartafaccio per opera video e/o lettura da concerto, 1984)
- Fedra (tragedia lirica, 1988)
- L'ispirazione (melodramma in tre atti, 1988)
- Bozzetto siciliano (opera in un atto, 1988-1989)
- Tieste (La Tragedia, 1993)
- Silvano Sylvano. Rappresentazione della vita, opera da camera in un tempo su testi di Sylvano Bussotti, per soprano, tenore, basso, voce recitante, ballerini e ensemble strumentale (2002-2007, work in progress). Opera autobiografica cosìdefinita dal compositore: "Spazio scenico vasto e articolato in prospettive, superfici, scorci dove molteplici figure possano apparire, risuonare in eco, essere ombra o accento, luoghi del canto, della danza, della recitazione, degli strumenti musicali con uno, a volte più, interpreti ciascuno, raccontano in maniera fantasiosa, imprevedibile, sempre rinnovabile un'Esistenza nell'Arte"; ultime rappresentazioni dell'opera: Roma, Auditorium Parco della Musica, Sala Petrassi, 4 luglio 2007. Stoccolma, 2008.
- Ceneraccio (per voce recitante e orchestra, da antiche favole norvegesi, testo di Fabio Casadei Turroni)
Work with instrumental music or the vocal music
- Due voci per soprano, onde martenot e orchestra (1958)
- Five Piano Pieces for David Tudor per pianoforte (1959)
- lettura di braibanti per voce sola (1959)
- Sette fogli per pianoforte (1959)
- Pièces de chair II per pianoforte, baritono, voce femminile e strumenti (1960)
- Tableaux vivants per due pianoforti (1964)
- Solo per numerosi strumenti a tastiera e un solo esecutore (1966)
- ancora odono i colli per sestetto vocale misto (1967 al Teatro La Fenice di Venezia diretto da Ettore Gracis)
- Marbre per archi e spinetta obbligata (1967)
- Rara-Requiem per voci soliste, coro e grande gruppo strumentale (1969 al Teatro La Fenice)
- I semi di Gramsci poema sinfonico per quartetto d'archi e orchestra (1967-70)
- Musica per Amici per pianoforte (1971)
- AUTOTONO pittografie per un numero indefinito di strumenti e interpreti (1977)
- Dai, dimmi su! per 11 strumenti (1978)
- Danza di bufera per orchestra (1980)
- Il catalogoèquesto, ciclo di quattro lavori sinfonici (1981-1988)
- Rosso per orchestra (1983)
- in memoriam Cathy Berberian per attore, flauto, viola e pianoforte (1984)
- La Fiorentinata per orchestra (1984)
- Qu'un corps défiguréper viola, oboe, fagotto, trombone e percussioni (1986)
- Nuit du faune "concerto per orchestra con poemi e figure" (1990-91)
- Calendario Giapponese per 12 strumenti (1992)
- Madrelingua per coro maschile, arpa obbligata e orchestra (1994)
- Quarto Quartetto per quartetto d'archi (1995)
- La cellula di Luigi per clarinetto basso, tromba, violino e pianoforte a quattro mani (1997)
- L'INFINITO per attore, due bassi, flauto, clarinetto, violino, violoncello, percussioni e pianoforte a 4 mani (1999)
- PoésiesàMaldoror per otto violoncelli (2000)
- Signore non son degno per piccolo coro maschile (2003)
- Te Deum per coro e orchestra (2004)
- Orchestre mozartiane I "nel Nome" per orchestra (2005)
- Orchestre mozartiane II "REBUS BENE GESTIS" per orchestra con tromba in Re concertante (2006)
Work using the sight
- I miei teatri, Il Novecento editore, Palermo, 1982.
- Letterati Ignoranti, poesie per musica, Quaderni di Barbablù, Siena, 1986.
- Sylvano Bussotti, nudi ritratti e disegnini, con testi di Romani Brizzi, Trucchi e Bussotti, Il polittico editore, Roma, 1991.
- Non fare il minimo rumore, Edizioni del Girasole, Ravenna, 1997.
- Disordine alfabetico, Spirali edizioni, Milano, 2002.
- La calligrafia di un romanzo uno e due, racconto in Peccati veniali, a cura di A. Veneziani, Coniglio editore, Roma, 2004.
- L'acuto, postfazione a Angelo d'Edimburgo di Fabio Casadei Turroni, edizioni Le Mondine, Molinella, 2006.
- I Mozart vanno vanno, interludio in La notte delle dissonanze, a cura di Sandro Cappelletto, EDT, Torino, 2007.
- Corpi da musica. Vita e teatro di Sylvano Bussotti, a cura di Luca Scarlini, Maschietto Editore, Firenze, 2010 (Catalogo della mostra sulla grafica di Sylvano Bussotti al Museo Marino Marini di Firenze).
Discography
- S. Bussotti - Autotono 2011 [2], stradivarius
- S. Bussotti - Fragmentations 2006, stradivarius
- S. Bussotti - Echi Danzanti 2007, stradivarius
- S. Bussotti - Piano Works 2003, stradivarius
- S. Bussotti - Four Pianos 2014, stradivarius
- S. Bussotti - Album Leaves 2004, stradivarius
- S. Bussotti - Passion Selon Sade 2000, ricordi
- S. Bussotti - Nympheo 1999, ricordi
- S. Bussotti - II Catalogo E Questo 2009, timpani[3]
- S. Bussotti - Rara Requiem 2008, col legno
- S. Bussotti - Rara Requiem 1993, Deutsche Grammophon[4]
References
- ATTINELLO, Paul: «Bussotti, Sylvano» (2002) entrada en la enciclopedia glbtq.com
- BARLOZZETTI, Ugo: «Suono Segno Gesto Visione a Firenze»
- A cura di Bruno Di Marino, Marco Meneguzzo, Andrea La Porta, Lo sguardo espanso. Cinema d'artista italiano 1912-2012, Silvana Editoriale, 2012
- LOMBARDI, Daniele: «La musica in Toscana dal 1945 ad oggi». Texto publicado en la página oficial del autor.
- LOMBARDI, Daniele: «Attraversamenti, La musica in Toscana dal 1945 ad oggi 2002» .
- Maehder, Jürgen. 1992. ""Bussotti, Sylvano". The New Grove Dictionary of Opera, 4 vols., edited by Stanley Sadie. London: Macmillan Publishers.
- Osmond-Smith, David. 2001. "Bussotti, Sylvano". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
- Stoïanova, Ivanka. 2005. "Sylvano Bussotti: B. O. B.-Bussottioperaballet/Stratégies dissipatives dans Questo fauno et Tieste". In Musiques vocales en Italie depuis 1945, edited by Pierre Michel and Gianmario Borio, 29–60. Collection Recherche, edited by Sophie Stevance. Notre Dame de Bliquetuit: Millénaire IIIÉditions. ISBN 2-911906-11-X.
- Fabio Casadei Turroni. 2011. "Uccidere Bussotti", edited by ilmiolibro.it.
Footnote
- In the case of ^ open call for participants, it is Karlheinz Stockhausen to have scouted
- Live recording of ^ Japan performance 2008
- Class ^ two pieces
- Class ^ two pieces
Outside link
This article is taken from the Japanese Wikipedia シルヴァーノ ブッソッティ
This article is distributed by cc-by-sa or GFDL license in accordance with the provisions of Wikipedia.
In addition, Tranpedia is simply not responsible for any show is only by translating the writings of foreign licenses that are compatible with CC-BY-SA license information.
0 개의 댓글:
댓글 쓰기