Octuple clothes
Folk song | |
---|---|
Title of a musical composition | Octuple clothes |
Read | やえごろも |
Classification | Support act thing |
Special classification | Three lines of a linked poem of Ishikawa |
Versification | Than the hundred poems of a hundred poets five poems |
Composition | Koto Ishikawa |
Koto deposit | Kengyo Yaezaki |
String-like in three stringed of early days | Normal condition |
String-like in the early days of the koto | Half court circles condition |
Constitution | Song - pillow - support act - handbill - latter song out of first singing segment - filler - support act three steps - handbill - |
The lyrics | Wiki source |
The octuple clothes (やえごろも) are music of the folk song. It is a support act thing. I was composed as music of the samisens by Koto Ishikawa, and the deposit of the koto was done later by Kengyo Yaezaki. It is called "three lines of a linked poem of Ishikawa" along with "new Aoyagi" "融". As for the koto, half court circles condition, three stringed are normal conditions. I am assumed Omagari with the personality that punished complicated constitution and art in a folk song.
Table of contents
Summary
As for the straight year of a person's death of Koto Ishikawa of the person of composition, it is unknown. I played an active part in Kyoto around Bunsei of the late 19th century, but it is informed that the talent is neglected and lived an unfortunate life. I lived in Shirakawa in the later years. It was about to be an out-of-date song without the work being very tall and stout, and an elaborate thing playing Koto Ishikawa of most because "eight folds of clothes" were too difficult pieces of music, but the Miyahara highest government rank of the blind in ancient times that regretted it thinks out a plan and lets you stir up Kengyo Yaezaki praised with the expert of the koto deposit in those days and do the deposit of the koto and is informed it when after that it will be played widely.
The constitution of the music was elaborate with song - pillow - support act - handbill - latter song out of first singing segment - filler - support act three steps - handbill - very much; make it. But there are many schools to call 後 handbill without calling a later support act the support act. The instrumental music part has elaborate gnarl of the song very much, too.
The instrumental music part pursues three stringed of art to the maximum and is extremely 高踏的 even if I see it musically. I describe the sound of the insect by the later support act each and, by the first support act, develop Kinuta. In addition, the later handbill is called 100 beats commonly, and is choked; become climactic.
It is Omagari with "the bush warblers of 1,000 generations", but I am on the way, and, judging from a scale of the music, "the dew of the bamboo grass" changes the tuning of the samisen for a modulation in these music "pine, bamboo, and plum" several times "融" "new Aoyagi". However, only octuple clothes cope all with a modulation to appear in music frequently in a normal condition till the last, and they do not change tuning. It is said that there is exquisite beauty with difficulty there.
Lyrics
The lyrics attracted five songs of the four seasons in connection with "clothes" from the hundred poems of a hundred poets.
While the snow falls to my garment which you save it, and you come over to the spring field, and you pick up Wakana
After spring, let reject it to come in the summer; an incense set heap of clothes ほすてふ sky of the whiteness
As soon as autumn wind Sayo of the heap of one of Miyoshi can boil over and a hometown is cold and hits the clothes
While a fault looks at Toma of the hermitage of one of an autumn field or Riho, and my garment gets wet openly
I spread のさむしろに clothes person in a frosty night as soon as a grasshopper chirps and do not sleep whether you are alone either
Performance example
Allied item
This article is taken from the Japanese Wikipedia Octuple clothes
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