The violin concerto first (Szymanowski)
The concerto that Karol Szymanowski composed the violin concerto first in 1916. It is one of the early masterpieces as well as the piano sonata second, the symphony third.
Table of contents
Summary
I was composed with an idea on the night of May of ミチヌスキ, and sketching was finished in August of the year and, in 1916 when I completed the symphony third just after that, has finished composing score two months later. The premiere should have been carried out by a violin solo of コハニスキ, diloti conduct in Peterburg, but it came to a deadlock with confusion of the Russian Revolution, and it was performed in Warsaw on November 1, 1922 by violin solo オズィミニスキ, ムウィナルスキ conduct Warsaw Philharmonic orchestra. It was given the first public performance of the United States in New York in 1924 by violin solo of コハニスキ, Stokowski conduct Philadelphia orchestra.
Instrumentation
Solo violin, flute 3 (substitute paying a piccolo as for 1), oboe 3 (substitute paying an English horn as for 1), clarinet 3(A, B, Es or B pipe), bass clarinet (A), bassoon 3 (substitute paying a contrafagotto as for 1), horn (F)4 (or [E] 2), trumpet (C)3, tuba, timpani, triangle, tambourine, side drum, cymbals, large drum, bell, celesta, piano, harp 2, string five copies (12, 12, 8, 8, 6)
I it at performance time
Approximately 27 minutes.
Musical piece constitution
It is a single movement, but is comprised of three parts.
- Part 1 Vivace assai
After a violin showed the Orient-like subject, with a piano and the motive of the orchestral music, this and others are repeated. The melody of the orchestral music resembles the catalogue of the bird and is often used through all songs. After a solo violin played a certain dynamism subject before long, a sad motive is played. With the reproduction of the opening motive with the orchestral music, the new motif using tolyl and the octave emerges to a violin. After being climactic, a horn plays a bright melody and falls silent. And the motive with the orchestral music is played again and, with the arpeggio of a piano and the harp, shifts to Part 2.
- Part 2 Andantino
The subject to become the nucleus of Part 2 to a solo violin on a flute, a clarinet, a horn, the melody of the piano develops. After sound form of the latter half of this subject emerged in all musical instruments, a solo violin plays a motif of Lento assai, and the subject is played at a low tone before long. This subject plays it all-out and spreads, and the subject of Part 1 is reproduced in a pianissimo by a solo violin after it was developed and enters Part 3.
- Part 3 Vivace
I am led to Pizzi cart, the bassoon of the string, the melody of the piano, and a solo violin shows the subject. After a violin played a powerful melody on rhythm of 三連符 of the bobbin, this melody advances in a violin and the wind instrument main constituent, and the opening subject is played in recapitulation. After the subject that is well acquainted with a violin appeared before long, a solo violin reproduces the subject of Part 2, and the musical instrument which is different from the second violin repeating the subject enters this. And is a violin solo; of subject of Part 1 and shift to development through a quiet motif before long Part 3 the subject is reproduced, and shift to a cadenza. After it was recurred, the piece of three subjects enters into a postlude in the cadenza. At first after the subject of Part 2 was reproduced by an orchestral music, a solo violin repeats this subject, and the coda terminates in the pianissimo calmly.
References
- Latest famous tune commentary complete works 10 concerto III (Ongaku no tomo sha corp.)
This article is taken from the Japanese Wikipedia The violin concerto first (Szymanowski)
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