The string quartet third (Bartok)
String quartet third (げんがくしじゅうそうきょくだい 3 ばん) Sz.85 of Bartok is string quartet completed in 1927.
Table of contents
Establishment
I consist of a single movement. The percussive instrumental music method which even the piano concerto first and a piano sonata composed in this last year were seen in is required and features the violent rhythm using special ways of playing such as col レーニョ. On the other hand, the constitution of the music is written by the constitution that is extremely plain, and is close.
This work was submitted to the chamber music eisteddfod that it was hosted by association of Philadelphia music fund as an entry, and it was form to divide the first class honor and prize money equally four in Italian composer Alfredo カゼッラ Carlo unpleasant keno [1], Harry ヴァルド Varna [2] in October, 1928, the following day, and Bartok of the misfortune missed championship alone again [3].
I am presented to association of Philadelphia music fund at the time of the publication. Szymanowski submitted the string quartet second to this contest, too and fell in a qualifier.
Work introduction
The composition year
1927. It is September that it was completed.
Musical piece constitution
- Moderato
- Allegro
- Recapitulazione della prima parte (recapitulation of Part 1)
- Coda
Four の 緩 - immediate - 緩 - single movements which is comprised of a part to be rapid. Performance time is approximately 15 minutes in all songs.
Premiere
February 19, 1929 London. It depends on Val Toba well string quartet.
Contents of the work
In the part equal to the introduction, a small motive is, so to speak, connected with each other each other, and the in moderate time of Part 1 is constructed. Like the string quartet first, all 12 sounds in the octave are used for an opening motive, but do not depend on 12 sound technique of Schoenberg. The new motif of the ピウ andante is shown with スル pontil cello (special way of playing to rub near the piece with a bow). While a counterpoint part and the part that rhythm is superior mix, it becomes the Part 2 allegro. Part 2 is considerably irregular, but keeps sonata form. ピツィカート and the violin of the cello show the subject, and the subject of the cello affects the fugato by the subject of the violin and is the constitution that recapitulation follows. Some of motifs of Part 1 are recollected in Part 3, but the context of the music is totally different from that of Part 1, and it seems that it is not appropriate to call this "recapitulation of Part 1". I returned to an atmosphere of Part 2, and the last coder hit "recapitulation of Part 2" if I named it as expected, but it would be hesitated about, as is expected, calling this with recapitulation. I am considered to be a coda.
Reference book
- Paul Griffiths, work, Akira Wada, reason "Bartok - - life and work - -" 泰流社 1986 ISBN 4884705599
Footnote
This article is taken from the Japanese Wikipedia The string quartet third (Bartok)
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