2016년 12월 18일 일요일

Anton ラマザレス

Anton ラマザレス

The painter that Anton ラマザレス (Antón Lamazares, 1954 -) is from Spain ポンテベドラ prefecture ラリン. ラマザレス is pronunciation of the Anglicism, and is Galician, Spanish; ラマサーレス.

I am known as a member of "the 80s generation" with Jose Maria シシリア, ミケル バルセロー, Victor Mira. ラマザレス developed the original medium and art expression that 彫琢 performed of a tree and a ball recto in materials such as the varnish. I leave from the expressionism with the sense of fun, and the style of ラマザレス gradually changes to Abstract Expressionism and abstract art itself and changes to a kind of minimalism to have a soul and memory, mind and a sense, poetry and the close talks between dreamlands recently. The work of ラマザレス is displayed in all parts of the world and is stored in Queen Sofia art center, Galicia contemporary art center, the many important art museums including Madrid Museum of Contemporary Art, and I am collected by many collectors and foundations.

ラマザレス (Berlin, 2005)

Table of contents

Life

Breeding and youth: A picture and poems

(Galicia, 1954-1977)

 
Than the Sueño e colorao series, the Titania e Brao series

ラマザレス was born in one of the villages Mase Ylla in local government ラリン of the Galicia district ポンテベドラ prefecture, Spain on January 2, 1954. The scenery of the country of Mase Ylla had a big influence on a process of an image of ラマザレス and the creation. ラマザレス went to the theological college of the Francisco society in Hel Bonn from 9 years old to 13 years old (1963-1969) and was devoted to literature particularly a classic of Latin Greece. I began to write poetry, and deepened アロバロ コンキエロ of the writer, the comfortable bamboo steamer of the painter, Manuel ペスケーラ and friendship and came under a great influence of the late 60s. As a method of the creation changed in a picture from poetry, ラマザレス did several times long-term trip (1972) to the European every corner to see art, Oceania art with one's eyes in Gogh, Paul Klee, Rembrandt, Joan Miro, Ann Toni Tapies, Manuel Mira reply, Alberto Giacometti, an old master to revere such as the Francis bacon and the Middle Ages. I appreciated the Romanesque art work of Male Museum, the Catalonia art museum while ラマザレス staying in Barcelona at the end of a trip for a short term, and working in the construction spot when I found time. In Madrid that got down next, I warmed the friendship with the comfortable bamboo steamer which was a teacher again and got to know Carlos オロサ of the poet, and, after this, the friend with オロサ became very important. In a work of ラマザレス, this is because a picture and talks of the poetry are always carried out. In 1973, ラマザレス has begun to exhibit a picture for a group exhibition and a private exhibition at only 19 years old. In 1975, I entered the navy by the draft system in フェロル. On September 27, ラマザレス knew that the last execution of the Franco autocracy era was carried out and was shocked. As a result of Burgos trial, 24 years old from executed ポンテベドラ prefecture, Umbelto バエナ are because it was his friend. ラマザレス which heard news of the execution dropped deeply and was admitted to the mental hospital at one time. During this time, I finished writing a book of verse called "Adibal".

"The painter of the 20th century was going to draw a mysterious part hidden most of the human being existence, and, however, then they come, and it used the always white canvas, and it is thereby one at all that I say that I am dyed, and one can express oneself in the null space that there is not almost, and the painter is the existence that can create the world and relations of a collision and the respect to surround oneself not existence to show off power for a certain aspect, and I describe a picture in cardboard and a tree for me to recall the importance of the sacred domain"

—ラマザレス "Enter.arte" 2007

I am to by Freon Tess by expressionism, arte povera

(Madrid - New York, 1978-1989)

 
Than Mauro, the Gracias vagabundas series (Jordan National Gallery

In 1978, ラマザレス moved to Madrid and deepened Santiago Amon and the friendship that were Alfonso フライレ of the painter, Juana Mold [1] of the art dealer, the art critic and poet. In addition, I deepened neurologist Alberto ポルテーラ and friendship to become the part of filler with the group of artists consisting of a writer, a movie director, a musician, painters. Artists gathered in the villa of his マタボリコス every weekend. In a villa of ポルテーラ, ラマザレス will hold an outdoor exhibition in 1979. In the same year, I met Joan Miro and took a trip to Provence and dipped the body into Gogh, Picasso, Cezanne, the scenery that Matisse described. In the 80s, the width of the creation spread in the times of the intense fictionization, too. I made 30 years old, and ラマザレス came to incise one's space in the international world of art with the Spanish world of art. As for his work at the time, a color describes a happy dreamlike person in a touch unique wealthily using an expressionism-like form. I displayed ラマザレス with gallery of Juana Mold in Madrid, gallery of Belgian Elizabeth Frank, Sarah gas pearl of Barcelona. [2] ラマザレス which caught the Fulbright scholarship immediately moved a base to New York and stayed afterwards for two years. I displayed it in Bruno ファチェッティ gallery [3], and, in New York, the work went to the direction that was pure, and was material. For 1:00 period, I went back and forth in New York and Salamanca. For 1,988 years, ラマザレス visited the Anatolia to visit the shrine of ディディマ as hommage to "ヒュペーリオン" of the Hel darling. In Istanbul, I was impressed with the church of the Byzantine era deeply. His impression of this time is vividly expressed by the picture which crossed a tree and can see those works in galleria Miguel Marcos. [4] In 1990, ラマザレス began to prepare for the work series that was designed to appreciate it from both sides and named them "by Freon Tess" (there is two front).

A myth and the form shown than an equidistance of the dusk by Anton ラマザレス show incomprehensibleness of this world clearly, and it is to a dimensional eyewitness called the incomprehensibleness because ラマザレス is a true artist, and, not the thing more than boundary lines to another world, only a great artist rouses this dimension, and "they are what they can convert into a myth"

—Santiago Amon "La pintura de Lamazares y la luz crepuscular" 1986

A picture of engraving it and large-scale image

(Paris - Madrid, 1990-2003)

 
Atelier of Anton ラマザレス and him

For 1990-91 years, ラマザレス caught the scholarship from protagonist デ Saar and was based in Paris. In 1991, I established the big atelier in Madrid and have begun to work on the series of "Gracias vagabundas" (good will of the roam) "Desazón de vagabundos" (uneasiness of the wanderer) [5]. Long shot interviewed Tapies just after the receiving a prize, and ラマザレス which met Tapies in 1993 published a gold lion prize by Venice Biennale. I spent it in Galicia at the invitation of contemporary art Galicia center from May, 1996 to November and produced "Gracias do lugar: Eidos de Rosalía, Eidos de Bama" (the charm of the place of him: a field of ロサリア, a field of バマ) [6]. From June, 1997 to November, I perform an outwork of "Bés de Santa Baia" in サンタバイアデマタロボ. In the same year, they got to know Jorge オテイサ of the sculptor, and the long talks with him were photographed by チュス グティエレス. In 1998, I wanted to praise the summer of the Castilia district in Madrid and created the "Titania e Brao" series, the "Pol en Adelán" series. [7] At this time, a series of etching to five texts by グスターボ Martin ガルソ of "El Canto de la Cabeza" (Galería Sen, Madrid), "Itinerarium" by エヘリア created many graphic works including a cut of - - chosen as book of the Year in - - "Le Monde ディプロマティーク" paper (Raiña Lupa, Paris) and the lithograph that it was. In 2001, I performed large-scale display entitled "Un saco de pan duro" (bag of the hard bread) in a port of a コルーニャ. [8] The work of ラマザレス was chosen as an object with other Spanish artists such as Antonio Saura, Martin チリノ, Joan Fernandez ピフアン, Mira reply, Pablo セラーノ, オテイザ, Tapies in Spanish art foreign countries promotion program by Spanish Ministry of Foreign Affairs. This time, ラマザレス appreciated renaissance art and traveled in Florence, Assisi to know the world of St. Francisco. His next series "Follente Bemil" [9] was given to St. Francisco.

"His work is often compared with the concept called Jean Dubuffet and Gaston シェサック and his are ブリュット, but, actually, ラマザレス is what researched the small beauty while it is always exposed to reality and a strong wind of the identity"

— グスターボ Martin ガルソ "Jonás y la calabacera" 2000

I am from abstraction to poetic minimalism

(Berlin, 2004)

 
Display (Santiago デ コンポステーラ) of Domus Omnia

Since 2004, ラマザレス is based in Berlin. After death of father, I have begun to start production of the "E fai frío no lume" (cold in the fire) series. The large-scale display that featured the theme of ラマザレス in Slovenia, キシュツェッリ Museum of Budapest, Hungary was carried out. [10]

 
ラマザレス exhibition (2009) of New York

ラマザレス concentrates on the "Domus Omnia"[11]series [11] and is "Un sentimiento ingrávido recorre el ambiente" which provided "Deseo sin trámite" (Aguatinta, ビーゴ) and five pieces of lithographs which provided - - serigraphy that participated in two writing of オロザ afterwards (Raiña Lupa, Paris) [12].

ラマザレス announced "Horizonte sin dueño" (the unknown horizon) in Jordan National Gallery (Amman) in 2008 and, in Cervantes Cultural Center of Damascus (Syria), displayed the treasury of the graphic work, and his poetry was given by タヘール Riadh. In 2009, I displayed it in Queen Sofia スペインインスティテゥート [13] of New York, a local Cultural Center of オウレンセ (Spain). [14] I participated in movement display given to poet Vicente Aleixandre, and a work and the international popularity were evaluated and won comfortable bamboo steamer Prize. In 2010, display was carried out at a church of the Santiago デ コンポステーラ University. And documentary film "Horizonte sin dueño" [15] was shown in international film festival play docs with the display of the work in トゥイ. The supervisor photographed a picture, the poetry by the viewpoint of Anton ラマザレス, a trip of nature in naira, Javier サンツ brothers (リノセロンテ Firmus).

"It is usual, and Anton ラマザレス is, so to speak, "innocence", but it is that ラマザレス is the artist who is very complicated in intelligence, a technique that I pour the love that is extraordinary for material and the gesture that are different again "to be like impulse", and must not forget, and, for example, he uses the poor material such as the cardboard, but, as for "the graffiti of him who imitated the primitive touch of the painter who luster such as the ground wood is born, and does not receive the natural posture of the child or official education," the motif is filled with, whatever it is, delicate polish when I am compressed well by his hand, and varnish is put"

—・カルボ cerarail "Casa de la pintura" 2007

References

  • AMÓN, Santiago, "La pintura de Lamazares y la luz crepuscular", Lamazares 1978-1986, La Coruña, Durán, 1986.
  • CALVO SERRALLER, Francisco, "La musa en cueros", Madrid, Montenegro, 1986, "Casa de la pintura", Domus Omnia, Madrid,Álvaro Alcázar, 2007.
  • CASTRO, Fernando, "Fragmentos de un texto que no pude escribir", Antón Lamazares. Un saco de pan duro, La Coruña, Ayto. de La Coruña, 2001.
  • CASTRO, Luisa, "Alma en lunes o la noche de las estrellas que brillan poco", Antón Lamazares. Alma en lunes, Orense, Museo Municipal, 2002.
  • FUENTES FEO, Javier, "Inventar y divulgar nuevos secretos. En torno a la pintura de Antón Lamazares", Lamazares, Madrid, SEACEX, 2005.
  • GABILONDO,Ángel, "Del verde llover", Antón Lamazares. Gracias do lugar, Santiago de Compostela, CGAC, 1997, "Una conversación entreÁngel Gabilondo y Antón Lamazares" (entrevista), Lamazares, Madrid, SEACEX, 2005.
  • LOGROÑO, Miguel, "Todos los ojos del mundo", Reconocimientos. Colección Miguel Logroño, Santander, Museo de Bellas Artes, 2007.
  • MARTÍN GARZO, Gustavo, "Jonás y la calabacera", Antón Lamazares. Iles Quén, Madrid, La Caja Negra, 2000.
  • MIKUŽ, Jure, "La imagen original bajo las capas del palimpsesto de la conciencia", Lamazares, Madrid, SEACEX, 2005.
  • MOURE, Gloria, "Antón Lamazares", Artforum, Nueva York, mayo de 1987.
  • MURADO, Miguel-Anxo, "Hermana carne", Follente Bemil, Madrid, Metta, 2003.
  • RIVAS, Manuel, "La leyenda de Antón Lamazares", Antón Lamazares, Murcia, Palacio Almudí, 1995.
  • SANDOVAL, Michael, "Antón Lamazares. The Vagabond Shaman", Antón Lamazares, Nueva York, Queen Sofía Spanish Institute, 2009.

Footnote

  1. ^ "Juana Mordó, una vida por el arte español" (Spanish). El País. May 20, 2010 reading.
  2. ^ "Antón Lamazares: "Cuando pinto trato de expresarme con cosas mínimas, y tocar el alma" (pdf)" (Spanish). La Vanguardia. May 20, 2010 reading.
  3. ^ "Chirino y Lamazares exponen en Nueva York" (Spanish). El País. May 20, 2010 reading.
  4. ^ "Fieles a su propia sangre (pdf)" (Spanish). ABC. May 20, 2010 reading.
  5. ^ "«Utilizo la pintura a bofetadas»" (Spanish). El País. May 20, 2010 reading.
  6. ^ "Lamazares presenta un montaje "poseído por el hábitat" de Galicia" (Spanish). El País. May 20, 2010 reading.
  7. ^ "Antón Lamazares: "A mi pintura hay que acercarse a gatas, con mirada de niño"; Territorios de la emoción (pdf)" (Spanish). ABC. May 20, 2010 reading.
  8. ^ "Apoteosis del exceso"(Spanish). El País. May 20, 2010 reading.
  9. ^ "Canto de la carne"(Spanish). El País. May 20, 2010 reading. "La carne no es triste (pdf)" (Spanish). ABC. May 20, 2010 reading. "El Kama-sutra de Lamazares" (Spanish). El Cultural (El Mundo). May 20, 2010 reading.
  10. ^ "Los demonios interiores de Lamazares asaltan el museo Kiscelli de Budapest" (Spanish). El País. May 20, 2010 reading. "The exhibition of the painter Antón Lamazares" (English word). Museum Kiscelli. May 20, 2010 reading.
  11. ^ "Antón Lamazares expone en SCQ la serie«Domus Omnia»" (Spanish). La Voz de Galicia. May 20, 2010 reading.
  12. ^ "Carlos Oroza reaparece con un libro ilustrado por Antón Lamazares" (Spanish). El País. May 20, 2010 reading. "Un sentimiento ingrávido entre Lamazares y Oroza" (Spanish). Faro de Vigo. May 20, 2010 reading.
  13. ^ "Filmando a Lamazares"(Spanish). El País. May 20, 2010 reading. "Anton Lamazares at Queen Sofia" (English word). Village Voice. May 20, 2010 reading.
  14. ^ "A construción da alma de Antón Lamazares" (Galician). El País. May 20, 2010 reading.
  15. ^ "Un documental sobre el pintor Antón Lamazares levanta el telón de la sexta edición del festival de cine de Tui" (Spanish). La Voz de Galicia. May 20, 2010 reading.

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