Quarrel shade

"A quarrel shade"
Single of Yukio Hashi
B side	Deep red sign ゆる
Release	April 15, 1966
Genre	Popular song
Time	Three minutes three seconds
Label	Victor (SV-387)
Words, composition	Takao Saeki (words) Tadashi Yoshida (composition)
Yukio Hashi single chronological table
Port to dream of (April 15, 1966) Quarrel shade Two people in the sea breeze (1966 six a year a year 15 days a month)
I display a template

As for "quarrel shade" (a quarrel makes it), it was released last duet music "port to dream" of and two pieces with the 79th piece single (SV-387) Sayuri Yoshinaga of Yukio Hashi released from Victor on April 15, 1966 at the same time [¹]. "A quarrel shade," it was released production to the Kabukiza performance of the bridge with "deep red sign ゆる" of the B side (later description).

Table of contents

Summary

• The single of the bridge of the August, 1964 release if "was in love," after that the specific gravity of the present age-like musical piece including rhythm songs and ballads and youth songs and ballads increased. The wandering life of a gambler thing which I released while a-like musical piece continues in the present age including "two people in the rain" and "a port to dream" of even if 65 begins is this musical piece.
• The opportunity of the musical piece production. Kabukiza special performance of March includes it. Kabukiza special performance is planned backed by a performance having succeeded with the crowdedness day after day for one month at the Osaka new kabuki seat in August and depends on "quarrel shade" "rouge sign ゆる" having been produced as a program in the previous year.
• A tragic love melodrama [²] to be over even if the bridge becomes the son of the Eigoro Omaeda boss with Genzo Murakami product, and "the quarrel shade" is dumped from a woman without suitable part to run after it, and to turn, "rouge sign ゆる" being Yoshikata Yoda products, and the innocent love of a Mitaka student and the maiko of the bridge being bound together on the stage of in the middle Kyoto in the Taisho era.
• Murakami writes "a quarrel shade" with a novel and a film script until now, but writes it in the beginning saying "it is different from both the novel and the movie with the script which I have a bridge from the beginning and wrote a new newly this time". ^[3]
• To this performance, a musical piece was produced by Takao Saeki words, Tadashi Yoshida composition. Therefore, this single becomes the combination with a wandering life of a gambler thing and the modern thing.
• It is written clearly that Kabukiza performance is commemorative on a jacket.

Collecting music

1. Quarrel shade

   Words: Takao Saeki, a product, arrangement: Tadashi Yoshida

2. Deep red sign ゆる

   Words: Takao Saeki, a product, arrangement: Tadashi Yoshida

Kabukiza, Yukio Hashi special performance (from 1 to 28 on March in 1965)

• Matinee

  "Maiko elegy rouge sign ゆる" two 5 ground

  Yoshikata Yoda product, 巌谷槙一演出

  Yukio Hashi, Chieko Baisho, 曾我廼家明蝶, Noboru Kiritachi, Kichiya Bando et al.

  Elsewhere the Yukio Hashi "hit parade of the flower" "mountain pass ざくら"

• Evening performance

  Three "quarrel shades" 6 ground

  Genzo Murakami product, direction

  Yukio Hashi, Akemi Misawa, Yaozo Ichikawa, Hanshiro Iwai, 曾我廼家明蝶他

  Elsewhere the Yukio Hashi "hit parade of the dream" "Edo っ characteristics of young women"

• I take up "Kabukiza advance of Yukio Hashi" in "history of drama Vol. 3 in Japan".

  Which "the girls who grandmother whom a grandchild seems to be is crazy about it, and swat a hand when Yukio Hashi lets the crowdedness do a seat of Kabukiza by the performance of the play, and a bridge comes out to an elevated passageway leading to the stage, and are young make noise with Kurtz and boast of the bridge even if so popular and there are not a sea bream and taste, and the performance is obedient and can have a good feeling, and it cannot be said that it is forward, but the play is gathered up as an entertainment product for the time being." says with "I let 120, a lower grade actor of Kabuki appear to the performer generously briefly, and is it unemployment relief?". ^[4]

Source

[Help]

1. Cf. ^ "single record disco graffiti" Yukio Hashi, Zentaro Ono joint work "Yukio Hashi songs and ballads soul" ISBN 4-948735-16-7 Wise publication (Tokyo) 1993/6 168-209 pages
2. ^ Kabukiza publicity department "Yukio Hashi special performance" Shochiku drama club (Tokyo) March, 1966
3. ^ Genzo Murakami "play "Yukio Hashi special performance" previous citation page 1 of a bridge"
4. 640 pages of ^ "Kabukiza advance "history of Shinnihon modern drama three" ISBN 978-4-12-400164-8 Chuo Koron new company (Tokyo) October, 2009 of Yukio Hashi"

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