Foxhunting (art)

It is oil painting 96.5 centimeters *174 centimeter (*68.5 inch of 38 inches) Pennsylvania art academy on a canvas for Win throw home run "foxhunting" 1,893 years

"Foxhunting" (きつねがり, The Fox Hunt) is the picture work which I created by oil painting on a canvas of 1893 of the painter Win throw home run of the United States of America. This is threatened by hungry crow and others, and a Miyuki のなかを race describes the fox which there is. "The grandest Darwin-like picture of the home run, it is demonstrability, but, as his maximum, only work, this is described as his greatest picture even if it is any kind" [¹].

"The foxhunting" was described in the atelier of the home run of the State of Maine プローツ neck (Prouts Neck) during winter of 1893. The picture draws a fox searching for the food, and a fox is hunted this time by crow and others seized with predation for starvation [²]; [³]. A twig of the red bacca tears several of them or snow in the left and the ocean will be seen in the distance under a shoreline and the deep blue sky.

Table of contents

Work

According to the Nicolai チコフスキー youth (Nicolai Cikovsky, Jr.), the artist covered the barrel in the snow in the raw pelt of the fox to record color harmony exactly [²]. The home run wrote the body of the fox for the biographer Philip C beam (Philip C. Beam) of the home run from a certain hunter before describing this painting that I was given the crow which was several from a hunter called different Roswell stone gin (Roswell Googins) [⁴]. The home run let you put those crows on the snow outside the atelier and take the run posture in foxes with a string and a stick. The temperature experienced some trouble because the production was begun as for the home run in latter part of winter and to warm dissolved the crow and others which became stiff and did it limply [⁴]. He asked the home run what he thought of the picture to stationmaster L bridge Oliver (Elbridge Oliver) of State of Maine スカボロー (Scarborough) Station, and he met "やあ, Win, that with crow じゃねえな" ("Hell, Win, them ain't crows") when he did it. ^[4]. After having given a full-length portrait of birds, as for the home run, the two wound up corn with Oliver there in the ground at a station to draw a crow for three days, and the home run sketched birds on telegram paper [⁴]. I used sketching as reference, and he drew a crow again and then I demanded 喚 んで, an opinion in Oliver and got agreement [⁴].

Interpretation

When it was displayed in 1893, the Darwin-like side of the picture was recognized promptly by critics: "It becomes intense, and the different crow and others dance their starvation to swoop down so that -2 huge crows that a fox looks at snow のなかを progress, enemies keenly devour oneself, and to attack in a snowstorm to cover the usual hunting ground without far-off, being absent and one or two twigs of the field rosebush in the last summer are graces of the pictures and make up for the gloomy character of the scene enough." [⁵]

Some writing it about the work of the home run see evidence of the self-disclosure of the artist for "foxhunting". Judging from a mask Freud-like as for Thomas B Hess (Thomas B. Hess) with a picture "is small, and is agile, is small; when the inquisitive cunning" fox was a self-portrait, believed it [⁶]; [⁷]. "Was about to be depressed like a fox in Miyuki, and, in チコフスキー, the signature of the artist was careful about imitating the form and movement exactly" and the foxtail was copied by "R" of the signature, and added that was called a brush (brush) [⁶]; (the foxtail is considered to be memory, the prize of a trophy, the outstanding job by foxhunting). It is possible that a home run had a property and a sense of unity to be attributed to cunningness and 社会的超然 さ, a fox [⁶]. Besides, the crow is thought to be death-knell [⁶], and they show "the nightmare of the flying penis" for Hess putting the basics of interpretation for the Leonardo da Vinci study of Freud [⁷].

I am warned of the influence of the Japanese design on work of the home run widely and can divide a picture into three pieces of perpendicular drawing boards in "foxhunting" in particular and am warned with a record of observations therefore to create "perfect Japanese screen" ("a perfect Japanese screen") [⁸].

After it was displayed for display in the average year of the Pennsylvania art academy (Pennsylvania Academy of the Fine Arts), he/she purchased "the foxhunting" from an artist by an academy in 1894.

Explanatory note

1. ^ Cikovsky, 253
2. ^ ^{a b} Cikovsky, 236
3. ^ Downes, 168
4. ^ ^{a b c d e} Little, 46
5. ^ Cikovsky, 381
6. ^ ^{a b c d} Cikovsky, 254
7. ^ ^{a b} Cikovsky, 379
8. ^ Gardner, 112, 206

References

• Beam, Philip. Winslow Homer at Prout's Neck. 1966
• Cikovsky, Jr., Nicolai; Kelly, Franklin. (1995). Winslow Homer. National Gallery of Art, Washington. ISBN 0-89468-217-2
• Gardner, Albert Ten Eyck. Winslow Homer, American Artist: his World and his Work. Clarkson N. Potter, Inc., New York: 1961
• Little, Carl. Winslow Homer and The Sea. Pomegranate Artbooks, 1995.

Documents guidance

• Downes, William Howe. The life and works of Winslow Homer, Volume 3, Houghton Mifflin company, 1911

Outside link

• The Fox Hunt's entry at the Pennsylvania Academy of the Fine Arts

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