2016년 11월 23일 수요일

アディオス ノニーノ

アディオス ノニーノ

"アディオス ノニーノ" (Adiós Nonino) is an Argentine composer, an early work of bandoneon player Astor Piazzolla (1921-1992).

Process of the composition

In 1958, peer SORA felt mannerism for previous activity and I left Buenos Aires and emigrated to New York. However, there was not the promised work, and the activity was totally disappointing. Peer SORA poor economically accompanied the tango dance show at a nightclub to eat.

In October, 1959, father Vicente (nickname ノニーノ) received late news during a provincial tour in Puerto Rico in a hometown with a Juan Carlos コーペス dance group. However, peer SORA did not have the travel expenses to return to Argentina. It comes back to New York, and it is "アディオス ノニーノ" I give it to late father in disappointment, and to have composed.

Performance, arrangement

In "アディオス ノニーノ," a performance by various arrangement is left. The first recording is the performance that is considerably orthodox by studio recording (1961) by Kyn Tate (quintet). Arrangement for Kyn Tate who featured the cadenza of the piano for the next 1,969 years was announced. Besides, arrangement for various formation is seen. The thing of the 1980s is said to have rewritten a cadenza part for シーグレル (piano) based on arrangement of 1969.

Astor Piazzolla who liked improvisation on the stages unusually leaves a lot of live recording and pictures for a musician of the Argentine Tango.

  • "ライヴ in Tokyo" (1982 recording)
    • 16 pieces including "アディオス ノニーノ" "winter "la クンパルシータ" (a song: Ranko Fujisawa) of Buenos Aires."
  • "ライヴ in Vienna" (1983 recording)
    • Eight pieces including "アディオス ノニーノ" "summer "re-bell tango" of Buenos Aires."

Outside link

This article is taken from the Japanese Wikipedia アディオス ノニーノ

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