ABC acid movie theater

"ABC acid movie theater" (I get A B sea acid and feel a burr) is movie information, an expectation program of the ABC radio (Asahi Broadcasting) company production broadcasted on the middle of the night of every Saturday.

ABC acid movie theater
Genre	Cinematic review, introduction program
Broadcast period	From April, 1993 to November, 2009
Broadcasting station	ABC radio
Production	Company production
Network	Kansai is local
Personality	Hideaki Hirano, Mutsuko Torii
Official site	Official site
I display a template

Personality

Hideaki Hirano (ひらのひであき) - broadcast writer. A person of movie expectation self-styled in Class same order "owners." The name in the program "teacher" or "Mr. Hirano." Other than criticism, I am in charge of an opening call, the reading aloud of the contribution, the notice of the program event, the coverage of the movie-related event and interview, the editing of the interview.

Mutsuko Torii (I take it and am, and Mutsu comes) - free announcer. The name "Torii" or "むっちゃん." I am in charge of a call, the contribution of an opening and the jingle and the reading aloud of the address. A fan of Brad Pitt.

Other performers, staff

The mystery character whom a voice closely resembles to the first director appearing only in the group of ぼんちゃん - public performance. I appeared in the program only at the time of the first broadcast and fired a false charge and the criticism of irresponsible remarks as I was at a loss in personality for a movie because real nature was unclear every year. It is fade-out from early 2000.

Mayumi Miyamoto (みやもとまゆみ) - free announcer. I act as a regular for a short term for approximately three months from April, 2006. Pair with Torii with a program-limited unit called "PUFFY for mu Para" in the past; the relationship of the friend.

It is the program founder in Director Akihiro Itai - first generation. Itai names the program title it. I am separated from a radio by transfer in the company in 2000.

D Ito - program director. "Ito" is called "けんちゃん" from the torii from the plains. The director who supported the framework of this program as a successor of Itai for a long time. I digested a mixer from a way of queue alone, but, by personnel changes, left the program by broadcast of March 28, 2009 last. I am known as a Korean moviegoer as I make tears unconsciously when I hear the sound track of "the last present", and the one chooses Korea movie as best 3 in the every year year by all means.

Program summary

Entering lines version during the drama that there are no lyrics of Robert Palmer "Addicted To Love" in from a sound track of the movie Grand blue on an opening theme
On an ending theme Vangelis "Love Theme"

In April, 1993 as 45 minutes program broadcast launch. It was reduced for 30 minutes from October, 1996 by a program, but has been broadcasted as a program for from 26:00 to 27:00 of every Saturday for one hour from December, 1998. In April, 2007 when I greeted the program start 15th year, I receive the blast that largely changed the program (broadcast frame) of the midnight time zone and move back the broadcast launch time at 27:00. I returned to the broadcast of from 26:00 to 26:30 for three months from July, 2009 when I carried out exceptional large-scale reorganization for the summer. By the way, from the broadcast first time, it is not done a net in a local radio station except Kansai.

Because it was a local of the company production, and the budget was suppressed by the broadcast of the late-night frame low, it was produced by two personality and constitution by the director one. Still, in 2008, the Kansai director grand prix of the degree confers a prize on the same year in particular from the association of Japanese broadcast writer Kansai Branch (branch manager, Giichi Fujimoto). Just before the exhibition of movie "Ponyo", I received the direct nomination from the distribution side and reached it before I realized an independent interview with only Manager Hayao Miyazaki by a program of Kansai.

For three months from April, 2006, a torii is closed by medical treatment due to the pregnancy. Meanwhile, I appointed Miyamoto as the substitute of the torii. In July, 2009, I leave a program by the reason of plains entering during "a charge period to spread the judgment of the movie". Only Torii came to appear after changing a broadcast time from July 14, the same year, and having shortened it.

It becomes basic that Torii chimes in properly after Hirano spoke statement by the movie introduction of this program. In addition, I conveyed the summary of the movie with an impression, subjectivity and objective information based on own experience to be easy to be identified as plains, the torii to a listener.

On the plains in particular, I tended to dig down the contents of the movie to introduce for one feeling, "it reached the listener more" in the level that was a common saying. Therefore Torii responds when Hirano issues excessive subjectivity and severe criticism. Still when a topic, the lower evidence that is a groundless suspicion, a common saying as cannot respond is emitted from the mouth of plains; a torii "the worst" and "a minimum" and "a fool" it became classic to leave off a topic while "already swearing with ええちゅーねん" (already stop it).

Process until a program start

Hirano participates in the midnight broadcast "ABC radio city" of the ABC radio as a member of student staff "ADs" (A D). By broadcast of Wednesday when Yoshikazu Takeuchi and Mayumi Chiwaki acted as personality, I am in charge of a movie information corner. The corner is broadcasted as "a cinema Chinese restaurant" on Wednesday when Takeuchi, Chiwaki is in charge in a succeeding program "ABC radio paradise". I stood, and Akihiro Itai who was a director of Wednesday gave this program in form to inherit the corner taking advantage of what Class same order finished at the end of 1992.

In one torii, the wide program of the morning appears at the の broadcast corner that "is nice 9 Akihiko Nagasawa" as a reporter on ABC radio weekdays until I start this program. I bring on the atmosphere that is hard to approach the neighborhood as "a beautiful woman loss", and the plains that were a burr, the director of the corner determine will, and fear るおそる will act in the same play by this program taking advantage of having been called out to with "do you not do a movie program with me?" in a low voice.

Film review

The few work performed program's original frank criticism interestingly generally even if it was the movie with the name for a cinematic review if the interesting work which was not interesting was interesting, and the news to go to visit the movie theater in reference to the opinion of this program was put to the listener of the light layer except the movie fan by criticism (talking) that brought laughter into a listener clearly. Even if it was a biting evaluation and trashy work near a false charge, I lumped it together with a word of "the love to a movie" and almost reviewed it.

The severe criticism of the movie which adversely affected box office in the medium which an interest produced between the industries such as production, a distributor and advertising agency, the movie theater was ignored and the person who went to visit the movie theater was Ryosaku, or a lot of things which remained in a superficial passable introduction in the criticism were fine works or were a trashy work or were poor to the materials which the visitor could judge before paying an entrance rate once. I hung "a trashy work with a trashy work", and this program raised it and sent warning to the listener who should consider a movie, or hesitated only over an advance billing.

The detailed introduction that revealed an ending became NG in the custom of the industry and this program established the summary because of one after the fashion of it basically between time for around ten minutes in the early stages including the preview and introduced. However, even anyone abandoned custom with the case that an ending was talked all about in a preview by the highlight of the main volume and the foreshadowing that was cheap, and was a fixture beforehand when it was difficult even classic ending that an ending could expect, that I was on the way and crossed it in the forcible scene development that woke up a deviation intensely that overturned a story, the movie whole book, and constitution, direction introduced about the work which failed and might introduce from scene development to an ending while growling. I stood on them, and, other than a review from the front, a work drew a viewpoint from the production side what kind of positioning was or covered intention and ulterior motive loaded with in a work up by a personal viewpoint and groundless suspicion because Hirano was engaged in program production of a radio and TV and I took in a work and a comparison, interpretation, they all kinds of matters in talking and reviewed the mos of the personality individual and a sex ethic, outlook on love at the same time.

In addition, of a reaction and a listener contribution, the movie theater of an advance billing and advertising development, the audience which rolled up various industries in Japan which was main in megaflick without remaining only in a movie introduction get; information, word-of-mouth communication, a movie event, the information of the receiving a prize expectation of the movie Prize festival are picking up, too. I performed a review and the impression that I saw from performance side such as box office and profit, the number of the audience mobilization and spoke "I do not balance with the income and expenditure without the number of customers lengthening although I cast a large amount of production costs and advertising cost only by the force of the name" をといった opinion that "public information is weak though it should be the good movie which was able to pull in customers depending on invention of the advertising" that neither "the preview nor the main volume has a wide margin" and the reverse praise for distribution, an origin of production.

Corner

New Cinema liner latest movie introduction
It was a saucer of the excavation such as the rare works which were not commercialized even if there were the work which short-term, was finished publicly before opening by a work and the word-of-mouth communication that were not taken up by the program by a rental movie theater numerical limit, personal contemplation. An irregular corner.
I provide violent conduct and the blunder of the celebrity whom I picked up from a Hollywood scandal gossip magazine of persimmon plains a little, leak article, industry circumstances.
There is not the sound track decided section name, and plains select music from an exhibited work mainly. As for the music during the drama of the latest movie which Hans Zimmer was in charge of, it was selected music each time.
During sound track house petit plains charge, it is the corner that began after it is broadcasted only at a torii. It is selected music in a request form in music used for a movie with the contemplation by a listener.
I present present movie goods or the complimentary ticket of the preview by lot. I am announced by the program end game. I might be brought in by the business of the distributor saying "it is an acid because I was not able to deal".
The interview to the actor whom a lot of people concerned with supervision and production for an interview interview mainly appear is rather less. It is interviewed a representative thing by west Fuyuhiko and Toshio Suzuki, George Lucas (interpreter, Natsuko Toda). An irregular plan.

Special plan

For the regular broadcast era, I held "the acid cinema grand prix" which touched the order of the movie in the year by the vote of the listener on Saturday on 30th from December 24 to become the last broadcast every year from the beginning of program start. It is the same as point system of the F1 and I divide 2 points in two in 3 points, the fifth place in 4 points, the fourth place in 6 points, the third place in 10 points, the second place in the first place and, about five best movies that listeners usually chose this ranking for first run movies until the end of November in the previous year in this year from December, calculate it each and announce the marking result. I announce the worst work in total. The ranking result was elected by expectation and the size other side, the worst of the advance billing to be megaflick and turned out specific when I attracted attention because I was criticized severely by a terrible trashy work, and a ranking became you.

In addition, I broadcast "best 10 that an acid chooses" to touch order for the movie which plains hit the year before the year on Saturday in a week in the first in first broadcast and January to be in the year. I announce each best 3 that "the Ito director" who is a torii and the program staff chose at the same time. Itai appeared by the name of "ぼんちゃん", too, but was not able to appear by transfer in the company. To unusually look back on the last year in a general program in the beginning of the New Year; performer reason "backward broadcast."

Special program

Other than time of the regular broadcast, I broadcast a special program "acid sound track house" based on an introduction, a request of the soundtrack at several times of paces in a year from 1998. Taking advantage of the musical piece of spy kids (unit of a movie and the same name) that it was made a movie with "acid sound track house episode 2" of the broadcast for campaigns of "Yumenoshima lost spy kids 2" in Japan in 2002 having introduced "the failure is not permitted", I came to use a part of the music as a jingle for "a sound track house".

In addition, as extra of "the sound track house", I broadcast the special program called "an acid sound track house annex" at any time. From 2005, I might broadcast the special program such as "the acid movie industry backs". いずれの番組も、テーマや放送枠が放送直前まで決まらないため、直近のレギュラー放送で告知を実施することが多かった。

レギュラー放送でのエピソード

平野の呼称である「先生」とは、「水野先生とぼんちゃん」から役柄を拝借した時の名残で、単なる通称に過ぎない。ちなみに、「ぼんちゃん」は板井が名乗っていた。

1995年の阪神・淡路大震災の直後には、自宅で被災した板井が、平野の住んでいたアパートで1週間程度生活を共にしている。平野は後の放送で、「自分のアパートに帰ると、ヘッドホンをして踊っている板井さんを見て暗鬱になった」と回想している。

平野が番組内で映画「北京原人 Who are you?」を酷評した直後に、同映画配給元の東映から報道関係者向けの新作映画試写やイベントにまったく招待されなくなった。そのため、同社配給の作品については、一時自腹を切っての取材・観劇を強いられた。

スタジオジブリ役員の鈴木敏夫が平野を懇意にしており、平野の取材に際しては、主要メディアのインタビューより一足踏み込んだ内情を打ち明け、ついでに平野にジブリ入社を勧めている。

スタジオジブリには細田守版「ハウルの動く城」が存在するのではないかという噂が存在するが、「時をかける少女 (アニメ映画)」の取材時、「インタビューにてジブリの名前を出すのはNG」との事前通告を無視して「細田守版ハウルの動く城、観て見たいですね」と平野が話題を振ると細田は大笑して「まぁまぁ」と制し、話題を切り上げた。

平野が『探偵!ナイトスクープ』の製作に携わっている縁もあり、三谷幸喜が「ザ・マジックアワー」のキャンペーンも兼ねて番組にゲスト出演。三谷が出演待機している目の前で、平野が「ラヂオの時間」を「ラジオを製作する現場の描き方が安直」とコキ下ろす。当の三谷は「たった3人で、本当に番組が放送されているのか」と少人数体制の方に驚いていた。

映画「ハンサム★スーツ」監督の英勉が公開に合わせた平野の取材を受けた際に「うちの弟がこの番組のリスナーで『先に平野さんに話を通さないと関西での広報活動は行えない』と脅され、身構えてインタビューに望んだ」と明かし、その場の勢いも手伝い、機会が合えば一緒に食事でもという話にもつれ込んだ。

映画「崖の上のポニョ」公開時における宮崎駿監督への単独インタビューでは、配給サイドからのオファーがあった直後に、平野が「なんでウチなんですか？　関西でのキャンペーンなら、視聴者数の多い『ちちんぷいぷい』や『ワイドABCDE〜す』に出た方がいいのでは？」と問い掛ける一幕があった。しかし配給サイドは、映画「もののけ姫」のヒットと日本アカデミー賞最優秀作品賞の受賞の際に受けたテレビ取材で、インタビュアーからの同じ内容の質問に宮崎が辟易していたことを理由に「テレビ取材を一切受けない」と説明。平野が「同じラジオに出るのなら、（『おはようパーソナリティ道上洋三です』の）道上洋三さんがいる」「ウチは深夜のラジオ番組だからリスナーが少ない」と食い下がっても、「関西で映画に詳しい平野さんだからこそお願いしている」との一点張りで、宮崎の来阪時に単独インタビューを実現させた。

番組イベント

1998年より年に1回のペースで、「電影特殊講義映画学概論」と銘打ったトークイベントを開催。平野・鳥居に加えて、竹内義和も長年参加してきた。イベントでは、映画制作やキャンペーンの裏話、珍しいネタなどが紹介されるほか、竹内が持ち込んだ「秘蔵映像」も公開されていた。学園祭のイベントや特別講演会として、関西学院大学や神戸大学などでも実施。関西学院大学では、現在でもに開催されている。

また平野は、千里セルシー（大阪府吹田市）にある映画館「千里セルシーシアター」の支配人から本番組に届いたメッセージをきっかけに、2003年から不定期で同館の一日館長を務めてきた。館長を務める日の前後には、シネマグランプリ（前述）に選んだ作品など、平野お勧めの映画を2本立てで上映。館長を担当する日には、平野によるトークイベントも開かれた。

番組存亡と生き残り策

番組初期にはリスナーからの投書がなかったため、とにかく番組を盛り上げようと、他番組への投稿を拝借し「本番組宛ての投稿」として読み上げていた。また、かつて催された公開イベントにおいて、関連業界向けに番組の好印象と認知度を上げようと画策。平野がイベントの来場者に対して、会場近くにある企業のショールームに行ったうえで、展示中の商品を絶賛するように指示を出したことがあった。

本番組では、朝日放送が出資する映画に対しても、「出資しているからこそ」とのスタンスであえて批判することがあった。その際には、会社上層部が放送を聴いていない事を願いながら、上層部に向けて番組を賛辞する投稿を紹介していた。

番組開始当初は確かに「お兄さん、お姉さん」であった平野・鳥居の両名も、放送の経過と共に、「おっさん、おばはん」と呼ばれる年齢に到達。それにつれて、「リスナーとの間で、映画の見方が少しずつ乖離しているのではないか？」と、放送やイベントで一抹の憂いを示すようになった。

平野は、職業柄キナ臭い情報にも接することから、「迂闊な事を喋れば番組ごと抹殺される」と吐露。インタビューの際に、インタビューイが放送できないような裏話を言った場合には、「恐ろしくて放送で流せない」と呻きながら編集で泣く泣く該当コメントをカットしていた。リスナーに確実に受けるネタを仕入れても、伊藤ディレクターへの事前確認で「（放送）出来んに決まっとるやろ。何を言うとるんや、お前大丈夫か」と真顔で制されたために、放送でそのネタを封印したこともある。

関西ディレクター大賞特別賞を受賞した際にも、受賞によって初めて存在を知ったという社員がいたほど、朝日放送の社内における本番組の知名度は低かった。そこで平野は、数週にわたって受賞報告を告知。この結果、「平野君、頑張ってくれたまえ」と、同局の社長直々に握手を求められるまでになった。もっとも、平野が放送でその顛末を語っても、鳥居は「まだ言うてるで」と雑に扱っていた。公開イベントにおいて、番組の存在を社にアピールすべく、来場者全員で同局の社屋に向かって手を振るよう平野が指示を出したこともある。

平野の降板と番組の終了

近年は、番組改編直後の放送で、平野が改編を無事に乗り越えたことを報告、聴取者らに向け感謝の言葉を送るのが恒例になっていた。放送開始時間が深夜2時から3時に繰り下げられた2008年の途中からは、早朝番組に近い番組と化したため、平野・鳥居ともリスナーの番組離れを危惧。それまで生放送で聴取していたリスナーからも、予約録音に切り替えるなどの対応を取る。その一方で、早朝に目が覚める年齢層がリスナーに加わったため、ニューカマーに向けて番組をアピールするようになる。

2009年7月4日の放送で平野が「充電期間に入る」との理由で降板。同年7月11日の放送からは、26時開始の30分番組として鳥居1人で3ヶ月間パーソナリティを務め、同年10月3日の放送を最後に、レギュラー番組としての放送を一時終了し、特別番組として月一回放送の継続を発表。以後、ABCラジオの公式サイト内「メール＆お便り」では、レギュラー放送終了直後から本番組を「終了した番組」と告知。

阪神タイガース戦の結果如何によって直前まで放送の有無が不明だったが、2009年10月に『ABCアシッド映画館スペシャル』として平野が3ヶ月ぶりに復活。放送するにあたり枠内で許す限りの映画紹介を行うという慌しい放送となった。公式アナウンスでは概ね月1回のペースで土曜日の21時台（特別番組枠）に放送するとされたが、11月放送分はスケジュールの都合で平野が欠席、再び鳥居一人での30分番組となり番組内で存続が全くの白紙である事を鳥居が打ち明けた。新作映画の紹介と、鳥居による映画関係者へのインタビューを中心に放送、このスペシャルとしての2回目の放送を最後に12月分の放送は行われず、年末恒例シネマグランプリの公募も開催も行われなかった。結果的に16年8か月の放送に幕を下ろした。

ABCの放送においてアナウンスも無く、パーソナリティ本人らによる告知も無く、同年12月中頃、番組公式サイトにてサイトの閉鎖を告知。これにより自然消滅に近い形で途絶える事となった。

外部リンク

アシッド映画館 - 番組公式サイト。閉鎖（2009年11月14日時点のアーカイブ）
誠のサイキック青年団 - 「誠のサイキック青年団」公式サイト。閉鎖（2009年2月28日時点のアーカイブ）

ABCラジオ土曜26時（日曜2時）前半枠
前番組	番組名	次番組
?	ABC acid movie theater	Club JONR (2時間枠)

「https://ja.wikipedia.org/w/index.php?title=ABCアシッド映画館&oldid=60526445」から取得

This article is taken from the Japanese Wikipedia ABC acid movie theater

This article is distributed by cc-by-sa or GFDL license in accordance with the provisions of Wikipedia.

Wikipedia and Tranpedia does not guarantee the accuracy of this document. See our disclaimer for more information.

In addition, Tranpedia is simply not responsible for any show is only by translating the writings of foreign licenses that are compatible with CC-BY-SA license information.

TranPedia

Wikipedia Translation from Japanese to English

2016년 11월 12일 토요일