ダモ Suzuki
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| ダモ Suzuki | |
|---|---|
 | |
| Basic information | |
| The birth | 1950January 16(66 years old) |
| Hometown |  Japan |
| Occupation | Singer |
| Joint worker | CAN |
ダモ Suzuki (だもすずき, the real name, Kenji Suzuki <sea bass Kenji>, January 16, 1950 -, Kanagawa native place) is a musician, a singer known as having been an avant-garde rock group of former West Germany, a vocalist of the perception (CAN). I play an active part in the residence in Germany worldwide.
Table of contents
Summary, person
ダモ Suzuki is world-famous as a vocalist of the cause, the perception (CAN) mainly, but while a tour does all the countries of the world with a session style after the 1990s throughout, I carry out an aggressive activity with a musician and the band of various genres of the field and establish the style of the live performance that the score performs without a rehearsal by original impromptu vocalism called instant コンポージング.
Although generally I am classified in a psychedelic lock and kraut-rock in Japan, activity and the music of ダモ do not finish being relieved in a constant genre, and perception (CAN) in itself receives リスペクト from a lock, a flat, jazz, noise music, エレクトロニカ, techno, artists of various genres including the hip-hop. I include in particular the Kanie waists which sampled "Sing Swan Song" where a vocalist of ダモ was put in for the fall announcing the music called "I Am Damo Suzuki" in the place to be known. In late years I compete with Omar Rodrigues Lopez of the guitarist of Mars Volta and I make collaboration rate product "Please Heat This Eventually" and am active with the recent artist positively.
On the other hand, it is a charisma having the many legends including the action that is anarchy in the freewheelingness as a person symbolizing an international group Japanese hippie generation from the 1960s through the 1970s. There were few a photograph and documents including the live image taken inside between seasons in CAN and was mysterious existence until the Internet spread.
Career
The starting point of ダモ Suzuki linked with the freedom's way of life as a Bohemian, the hippie for the state than I said a musician and an artist. It was Shinjuku in the late 1960s, and hippie (loafer) life was called "the youngest loafer" at 14 years old at the time of experience. In addition, ダモ at the time was fans such as jazz, James brown, kinks. I presided over a private fan club about kinks in particular [1].
In the late 1960s after the high school leaving school in midcourse, I jump out of Japan alone, and it is stowed away alone to the United States. I roam about all parts of the world as a hippie alone afterward. I went around the Southeast Asian countries via American 25 states and went over to Europe and continued a trip of the roam while doing the recital with a musical instrument of the guitar. About the opportunity when I intended to roam abroad, ダモ oneself raises its that I was brought up from the cause near having been a geography enthusiast, Atsugi base as a factor [1].
In a newspaper on this occasion European as for him whom there was not of the money of "the recruitment of patrons" put an advertisement, and a curious rich person will take care of him for a while. Got tired of the life, and ダモ Suzuki did the recital with a musical instrument of the guitar on a street in Europe, but improvised all music without knowing only approximately three cords of the guitar in those days (this is the beginning of the later vocalist style); [1]. And I repeated many eccentric conducts to set fire to long hair to attract the public eye, and to undress and roamed about European each place. The name of ダモ Suzuki comes from comics of Kenji Morita, "a circle appearance useless husband". Put oneself on top of one another to the chief character of comics not to go well even if I do anything and gave it with "no use husband Suzuki" at first, but, to European people, "the no use husband" is hard to pronounce it and I am corrupted all too soon and say to "ダモ" that it was.
Even if the live style of the perception (CAN) at the time was a district, I continued playing it consecutively more than 24 hours and ate with a nap in a shift while I played it and came back to the performance again. (e.g., "the you Doe light" is more than 20 minutes with the album, but it is said that it amounted by improvisation for several hours when it is a live.) What would you do to the next vocal of Malcolm Mooney who withdrew from perception (CAN) in the chat in the live cafe in the middle in April, 1970? ホルガー Shoo chi and fried リーベツァイト taking a short break in spite of being live average performed という consultation. I performed an audition many times, but a very ideal talented person was not found anymore (by the reason, it "sings a song too well").
On such one day, Shoo chi and リーベツァイト discover ダモ Suzuki whom I gave a queer cry to while playing the guitar on a street during a live break in Munich. ダモ stayed in Munich for musical "hair" appearance then, but I got tired of it and jumped out in the street [1]. ダモ Suzuki was employed on the same day and was made to appear for the live. The scuffle uproar between the audiences who assumed the German situation at the time a background then occurs, and it is such an uproar that dozens of are taken to the police [2]. However, this result is satisfactory very much, and, as a band, ダモ will be made an official member after this. However, ダモ did not have the interest toward music of perception (CAN) either and participated by an accidental encounter. I tell that ダモ oneself is, "I thought only in the people like the old person when it is a strange band" about this encounter. [3]
ダモ is registered afterward until 1973, and support the heyday of the perception; big; helped it. Particularly, a kind that vocalism of ダモ which impromptu, was not seized with a model well united psychedelic music of the perception and was not seen to other vocalists brought about the feeling that was anarchy in rare freaks. In addition, there are a lot of musical pieces that placed the lyrics with Japanese.
I withdrew from a band in 1973, but am informed it when I raise a queer cry during a rehearsal suddenly and jumped out. But the intention that ダモ says to talk about process, a reason of the withdrawal positively is uncertain about the circumstances that I included circumstances in without having [4].
ダモ was converted into Jehovah's Witnesses at one time and, by the teaching, backed away from the world of the music and served an office worker locally.
The weight decreases sharply by having refused a blood transfusion in the cancer treatment, and it is decreased sharply more by a cancer recurrence. The weight at that time is said to be the 30 kg.
In 1983, I reopen music activity and participate in the phantom band of ドンクルツィッファー and fried リーベツァイト. After the 1990s, I am active in ダモ Suzuki network doing a musician and a band and the session of various genres of all the countries of the world up to the present. At the time of the visit to Japan, I performed a big fight by the live broadcasting of Haruomi Hosono and the radio of YMO.
In late years I participate in a live of Omar Quintet of Omar Rodrigues Lopez of the guitarist of Mars Volta and announce collaboration rate EP "Please Heat This Eventually" with Omar in 2007.
Instant コンポージング
ダモ Suzuki calls one's original song-style in this way now. Is caused by the intuitive session between musicians without being the original style that ダモ proposes because a Prastabilierte Harmonie-like part distinguishes it from big "improvisation" even if this is improvising to be seen in free jazz, and performing what rehearsal in the ダモ Suzuki network series at all particularly, and is it from ensemble and the musical piece that are gradually built namely sound, a way of thinking mainly composed of the vibration; it is thought that original. Therefore there are virtually no lyrics and pitch, and it is done Compo for the inspiration of the literally place by the protean song that is not which of Japanese, English, German and the language with the connection.
References
- "Remix" A September, 2005 issue "special feature, perception legend" (Bungeisha Publishing Co.,Ltd.)
- "Record collectors extra number psychedelic & エクスペリメンタル" (music magazine company)
- The "cross beat" December, 2011 issue "world of the German lock" (SHINKO MUSIC ENTERTAINMENT)
Explanatory note
Outside link
This article is taken from the Japanese Wikipedia ダモ Suzuki
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