2016년 12월 15일 목요일

Love, Day After Tomorrow

Love, Day After Tomorrow

"Love, Day After Tomorrow"
Single of Mai Kuraki
Collecting album delicious way
B side Everything's All Right
Release
Standard Single
Recording Cybersound Recording Studios (Boston)
Genre J-POP
Time
Label GIZA studio
Words, composition Mai Kuraki
大野愛果
Masanao Kitaura
Produce KANONJI
Authorization such as gold
Chart best order
  • The week second place (Oricon)
  • The February, 2000 degree monthly fourth place (Oricon)
  • The March, 2000 degree monthly eighth place (Oricon)
  • The 2000 annual fourth place (Oricon)
  • 30 times of appearance number of times (Oricon)
Mai Kuraki single chronological table
Baby I Like
(1999)
 Love, Day After Tomorrow
(1999)
 Stay by my side
（2000）
I display a template

On "Love, Day After Tomorrow" (love D after tomorrow), a debut of Japanese songstress, Mai Kuraki in Japan is single. It was released on December 8, 1999 by GIZA Studio.

Table of contents

Summary

A member of Cybersound such as Miguel SáPessoa deals with Perry Geyer, mixture by sound produce. The recording was pushed forward from summer of 1999. Other than a single, the analog board which increased re-mixture of the title music exists.

I lengthen sales from the 18th place of the first appearance steadily and am ranked the up to second place. I run more than one month and record 1,400,000 pieces of sales. In addition, I acquired a degree most power play in December, 1999 of each FM, AM radio station. Substitution of the promotion video is carried out just after a debut, and PV broadcasted only at this time exists. Most of the contents were PV of normal specifications recorded in "FIRST CUT" afterwards, but there was the scene that some faces improved and was deleted all this scene by substitution.

For a million seller released in the 1990s, this product is the most late departure. (as "an achievement work last in the 90s," the achievement dated November 22, 1999 of Hikaru Utada "Addicted To You" is the last.)

The monochromatic person sings PV in a white studio. A proper plan was not thought about at first, but the need of PV increased, and it was photographed in a hurry by the hit of the musical piece.

NHK gave the title music later in 2005; with "all スキウタ - red and white was ranked the 56th place of questionnaire ..." and was sung by "the 56th NHK Red and White Singing Contest".

It was terrestrial, and, in "a music station in September, 2009 of best album "ALL MY BEST" Asahi National Broadcasting where I appeared by promotion of the release (the Oricon's first appearance first place) origin," it was shown life by release only after I did it in the tenth year.

Collecting music

  1. Love, Day After Tomorrow [4:05]
    • Words: Mai Kuraki composition: 大野愛果編曲: Cybersound
    The lyrics were made on a theme "to have a pain by oneself who was informed it properly when it was no use today and met you this time".
    When it is sung live, it is annual to make a letter of "L" "O" "V" "E" with a finger.
  2. Everything's All Right [4:09]
    The lyrics were finished writing during Boston stay.
  3. Everything's All Right (Remix) [5:10]
    Remixed by Perry Geyer
  4. Love, Day After Tomorrow (Instrumental)

Participation musician

Collecting album

It is acquired by "https://ja.wikipedia.org/w/index.php?title=Love,_Day_After_Tomorrow&oldid=60910594"

This article is taken from the Japanese Wikipedia Love, Day After Tomorrow

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