Charles Lulu

Charles エドウアール Gabriel Lulu
Charles エドウアール Gabriel Lulu
The birth	1851September 13 France, Paris
Death	1926July 4(74 years old) France, Versailles
Occupation	Musician、Composer、Captain
Spouse	Narcissus Aimee Josephine OK

Portal classical music

Charles Edouard Gabriel Lulu [^{explanatory note 1}] (Charles Edouard Gabriel Leroux, 1851 (Kaei era four years) from September 13 to 1926 (1926) July 4) is a French born musician, composer, a French captain. 勲四等Order of the Sacred Treasure、勲五等The order of the rising sun、Cash register on ド = ヌール (Chevalier) decoration。 I contributed to spread of modern music development to Japan through instruction of the military comfort. The work "Fuso song," "the army march-past music" that arranged two of "the advance troop with drawn swords" is used in the inspection parades of the Ground Self-Defense Force and the Japanese police as a march now.

Table of contents

Career

I am born and learn music from the rich family running high-quality upholstery of Paris in 1851 from childhood. In 1870, I enter the House of Paris music and major in a piano [^{explanatory note 2}]. I study under circle mon Teru.

I am summoned in 1872 and enter the army and am assigned to the foot soldier 62nd regiment. I become regiment forces comfort soldier in the next year. I transferred a census register in the foot soldier 78th regiment in 1875, and I was promoted to regiment drum major in assumption of office [^{explanatory note 3}], 1879, and wind music and a product, the arrangement of the piano were published by a vice-drum major.

I visited Japan as (1884), a member of the third France military adviser in 1884. I composed "Fuso song" "advance troops with drawn swords" on receiving the back of Gustave Charles Doug Ron (Gustave Charles Desire Dagron) of the having taken up the post formerly, and teaching the Japanese army military band of the days of creation.

I received 勲五等旭日章 in (1886) in 1886. I returned home in (1889) in 1889 and was appointed a foot soldier 98th regiment drum major of Lyon. In 1897, I received officier ダアカデミー chapter. In 1899, I became a first-class master of court music (captain equivalency). I received cash register on ド = ヌール (Chevalier) decoration in 1900. In 1906, I retired from the French army and lived in mon so les ミーヌ. I was engaged in the instruction of the brass band of the ground coal mine street.

I announced the article of the first Japanese music study in France titled (1910), "Japanese classical music La musique classique japonaise" in 1910. In the same year, I received 勲四等瑞宝章.

I lived in Versailles City in the most later years and, on July 4, 1926, died at home of the city Magenta-cho. 74 years old.

Achievement

It revised a military band of the Japanese army which was like rapid completion, and was unpolished and the education radically till then. ^{[The source required]}

I examined field music, and organization did the core personnel required called "an education military band" and performed the basic education such as musical instrument how to play, music theory, the solfeggio based on the manual thoroughly and I established "a military band rule" and controlled a military band. ^{[The source required]}

The army military band improved a technique by such a drastic reform rapidly, and it became just that I announced two pieces of the "advance troop with drawn swords" "song of Fuso" in Rokumei-kan period in the next year when Lulu took up the new post. Furthermore, two years later, the Japanese army came to have an Imperial Guardsman, Osaka and three military bands (50 organization which is all up to professional standard as well as the French army) of the military comfortable basic unit [¹].

I energized for Japanese music without remaining in the instruction of the military band. I put the headquarters in Rokumei-kan Building in (1887) in 1887 and formed "Japan concert" with representative and others of Shuji Izawa, Marquis Naohiro Nabeshima, empire university professor, エッケルト, ソーブレー, Tokyo music school, army military band, navy military band, the Board of the Ceremonies court musician and participated in this as a leader and gave fame [²].

Lulu interchanges with music section and the gagaku drill hall and studies Japanese music and leaves composition [³].

The achievement that spread European music itself as the beginning in Japan was full of military comfort and greatly [the ^{source required}] tried for introductions such as the Japanese gagaku after returning home in France positively again. ^{[The source required]}

In article "Japanese classical music La musique classique japonaise," 考究 does an easy law of nature of the Japanese music such as one of the ancient court songs of Japan, the noh dance while referring to a Chinese classical music, and I map it with respect, and ancient Japan scale such as shrine, quotient, corner or strange 嬰 introduces all a tool for turn disk-shaped scale conversion that 通意 does Orient scale and West scale to a scale of the Western staff notation. In addition, 翻記 does Japanese ancient music of noh dance "Chitose" (せんざい) to the staff notation of the Western type, and a one of the ancient court songs of Japan "seat field" (rather) does 採譜 and introduces. These were the globally first trials [⁴].

The achievement that served as the important role as "a music ambassador" binding such West and Japan together through the study of the theory of the music is very big. ^{[The source required]}

In addition, I participate in arrangement of "Kimigayo". ^{[The source required]}

Work

I leave extremely much composition, arrangement through a life as well as "Fuso song" "advance troop with drawn swords" "army march-past music" known most in Japan and am published a lot in France [⁵].

• "LES SAISONS" SUITE DE VALSES POUR PIANO A 4 MAINS ("four seasons" waltz suite, piano duet music) 1881 (1881)
• "GRANDE FANTAISIE SUR LES MOUSQUETAIRE AU COUVENT" POUR MUSIQUE MILITAIRE ("the Horse Guards of the ground fantasy monastery") 1881 (1881)
• "PETITE MOUS'ME"POLKA POUR PIANO (with "girl" ("young girl")) 1886 (1886)
• "AIRS JAPONAIS ET CHINOIS"POUR PIANO, 1/2/3 SERIE (collection of "Japan for pianos and Chinese song" piano soli first ... 4) 1888 (1888)
• "KYMIGHAYO"AIR NATIONAL JAPONAIS ("Kimigayo" Japan national anthem arrangement) 1888 (1888)

In addition, there are many works.

such as styles

The style is easy and elegant and is the reliability that conformed to the tradition of the French classical music. ^{[the source required}] the abilities that commanded a brass band for many years are fully shown in the places where fully draw the characteristic of each musical instrument in arrangement. ^{[The source required]}

Other matter

• It is said that it was Minister of War Iwao Oyama of time to have overlooked Lulu of the military master of court music (second lieutenant position equivalent to), and Lulu is said to be it at other opinions again even if I was recommended as Doug Ron of the having taken up the post formerly, but does not become clear [⁶].

• There was the blank of around one and a half years before Lulu took up the new post after predecessor Doug Ron left Japan [⁷]. Doug Ron was, so to speak, "a musician of the spot rise", and an ability slightly had a problem to leave military comfort of the whole Japanese army [^{explanatory note 4}]. In contrast, Lulu was "the expert whom the Japanese army met for the first time from pure College of Music" and was invited with considerable expectation.

• I appreciated a koto, a samisen without studying Japanese classical musics such as the gagaku, and becoming during a stay in Japan and I really purchased it and took a lesson [^{explanatory note 5}]. It seems that I was going to understand Japan itself in its turn by pursuing Japanese music. ^{[The source required]}

Personality of Lulu

"I make property hardy resolution and I possess it and do a model of Takeshi, and, as for Lulu, it is said that it was person of the singular integrity" [⁸]. Next is left as an anecdote to introduce personality into. "The education that the person of having taken up the post formerly teacher it sowed that tried a professor of the music, and came to see today's 良結果 to you after all 余 developed for lower than military master of court music 4 yuan second lieutenant, and there was not what untied in fraction professors to the person who did not know the number either of any gain, or did musician you by 余 having taught it, and, in the occasion when the employ of Imperial Army was solved, and Lulu returned home, you instructed the thing of the place that the careless professor did a good result 克 く today, and 余 expected from 4 yuan forces master of court music because used time valuable idly, and 然 るに you advanced to the level of (ま) さに it with maintenance せられんことを in the future as if a place taught in former times by Fenton regular Dacron was maintained" [⁹]; [¹⁰] [¹¹].

I it about a report of Lulu

Lulu is having the term of office of eight months at the time of returning home, and employ of the Japanese army is solved. "The thing that is more serious on music lacks in a sense of pitch without being able to assert that a Japanese is not a musician good at all in the report which Lulu submitted to the Buddha Department of the Army after returning home in (1889) in 1889, and the at first nature turning in music, and [¹²] that is impossible as for imitating all and even military band at the time, disappointment about the in its turn Japanese musicality and a considerably severe review to be produced are spoken by score without what revise in it being impossible, and being a mimic like other matters in the music, and, unfortunately, this technique being established only in a form without distinguishing it even if there is an error." [¹³]; [^{explanatory note 6}]

However, on the other hand, it is such the analysis that 透徹 to a Japanese classical music in having treated the Ken Nagai child of the student who studied in France just before army military retirement carefully and again next writing "Japanese classical music La musique classique japonaise" did, and the love out of true feelings to be similar to the paternity for the young Japan empire which there is not can grasp the Meiji Restoration room in its turn unpolished army military band for the days of creation. ^{[the source required}], after army military retirement, hear about a Japanese military band being invited to the exhibition of London, and playing it, and having got a favorable reception, and the letter which is strongly pleased with the growth is left. ^{[The source required]}

Footnote

[Help]

Explanatory note

1. About overall this ^ item "referred to Rihei Nakamura "history of trace - Japanese modern Western music introduction - Chapter 10 of the person of Western music introduction". The ibidem chapter is the thorough primary investigation result that 浩瀚 wins most that I can obtain now.
2. It is not obvious whether ^ 普仏戦争, Commune de Paris graduated from the House of Paris music formally at the time of the disturbance.
3. In the French army at the time of ^, I put a military band every regiment.
4. ^ Ken Nagai child "make a cover, before Chen べし 如 く teacher Doug Ron puts out a lack in scientific profound knowledge not a person of the military comfort front gate, and see a wish, and do it an impossible thing, and と writes down perぎざれば, a definite plan in core course eternity in 俟 つは him to no engineer". "Music circles" 148, music company, p.31
5. Without there being a description that there is this article "(1886) in ^ Rihei Nakamura "history of trace - Japan modern times Western music introduction - sword water Publishing, p.587 of the Western music introduction person" and p.601 on February 18 in "Mainichi Shimbun" 1886", but "the Mainichi Shimbun" existing in this date; of "the Tokyo Yokohama Mainichi Shimbun" of the forerunner because I cannot see this article to a label on the same day either, need confirmation more.
6. ^ 。 In addition, it is only a military band, but is touched the report of Lulu about a series of rules violation including the labor strike that is equal to escape and evil ways, the strike of the military comfort soldier besides. From this description, as for the report of Lulu, it is the valuable historical materials that I can learn what kind of atmosphere the Japanese army between Sino-Japanese War, the Russo-Japanese War was.

Source

1. ^ depended on (blue bow company library Kanichi Abe / Shuhei Hosokawa / Yasuko Tsukahara / Mamoru Higashiya / 高澤智昌著, ISBN4-7872-3192-8) from "the social history military band of the brass band to a song attendant".
2. "It depended on a description of ^ booklet p.6 attached to the CD "~ Japan Western music starting farming for the year that I saw of the foreign employee in Japan".
3. It is quoted ^ from "the social history military band of the brass band to a song attendant" by (blue bow company library Kanichi Abe / Shuhei Hosokawa / mound Yasuko mound / Mamoru Higashiya / 高澤智昌著, ISBN4-7872-3192-8).
4. ^ M.Charles LEROUX, La musique classique japonaise
5. ^ Rihei Nakamura "history of trace - Japanese modern Western music introduction - pp.607-610 of the person of Western music introduction"
6. ^ Rihei Nakamura "history of trace - Japanese modern Western music introduction - p.559 of the person of Western music introduction"
7. ^ Rihei Nakamura "history of trace - Japanese modern Western music introduction - p.565 of the person of Western music introduction"
8. ^ "music circles" 148, music company, p.32
9. ^ Shun Miura Saburo "本邦洋樂變遷史" pp.174-175
10. ^ Tsunemitsu Yamaguchi "history of army military band" pp.85-86
11. ^ Rihei Nakamura "history of trace - Japanese modern Western music introduction - pp.621-622,p.637 of the person of Western music introduction"
12. ^ Rihei Nakamura "history of trace - Japanese modern Western music introduction - p.773 of the person of Western music introduction"
13. ^ Rihei Nakamura "history of trace - Japanese modern Western music introduction - pp.769-774 of the person of Western music introduction"

References

• Jun Eto "south bank vestiges" Bungeishunju Ltd. 〈 sentence spring library 〉, 2001 (2001), ISBN 4-16-353840-2
• It is (2001), ISBN 4-7872-3192-8 from "the social history military band of the brass band to a song attendant" Kanichi Abe, Shuhei Hosokawa, Yasuko Tsukahara, Mamoru Higashiya, 高澤智昌 in blue bow company 〈 blue bow company library 〉, 2001
• Rihei Nakamura "history of trace - Japanese modern Western music introduction - sword water Publishing of the person of Western music introduction", 1993 (1993), ISBN 4-88708-146-4
• It is October (1931) in Shun Miura Saburo "本邦洋樂變遷史" Nitto study, 1931
• Tsunemitsu Yamaguchi "history of army military band" three blue company, 1968 (1968)
• "Music circles" It is February (1914) in 148, music publishing company, 1914
• "- Japan Western music starting farming for the year that the foreign employee saw in Japan" (CD)
• M.Charles LEROUX, "La musique classique japonaise"

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