Brahma the Creator Taro

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Brahma the Creator Taro (the first Brahma the Creator) (ぼんてんたろう, 1929 ^[1] from January 5 to June 30, 2008) is Japanese Rev. tattoo, painter, a drama painter, a designer, a comic artist.

I may transcribe it into Taro Bonten. When I create a girls' comic, I use a nom de plume of Kiyomi Ishii (I let you be and go and read and rarely transcribe it into Kiyomi). There is the time when I gave carving clean (ほりきよ) for Rev. tattoo. The real name Kiyomi Tanaka [²] (shelf or Kiyomi).

Table of contents

Achievements, activity

I wiped out the negative image called "tattoo = scoundrel" and made an effort to let the world recognize the tattoo as "the most primitive fashion" to give glory to skin with a painting. I called a tattoo "skin picture" "skin illustration" to improve the fashionableness of the tattoo and preached the historic distinction of "a tattoo, the tattoo mark as criminal record" as "the tattoo" as the penalty and the decoration.

In the 1970s, I studied the polychromatic carving that had been already carried out with the European and American tattoo and took it in for sum carving carved only with handed-down convention, blue (sumi) and cinnabar red two kinds positively. From the thought that shortening at time carving it is the only, I introduce technique of trace, the transcription of the sketch and machine carving quickly to minimize the pain that is one of the biggest obstacles for the generalization at the same time. I remodeled the machine for the tattoo which I was not able to carve and studied only a small area and developed the machine which could cope with sum carving after trial and error structurally. In addition, open a tattoo to the public from the world of the unsociable craftsman (the person called it "the popularization of the tattoo"); became the advertising tower by oneself, and showed exposure, the demonstration of the machine carving frequently in the media such as TV magazines to do it.

Traditional technique was treated like a heretic from a settling existing tattoo teacher thoroughly by the above-mentioned technical consciousness-like revolution act, but the now achievement that polychromatic carving, machine carving becomes mainstream is big, and the sum carving is a pioneer of the sum carving in the present age, too.

Person

Curiosity is excellent, and it tries to do anything to be interested. Other than a skin picture, even an act "describing a painting" in handles a picture-story show, a boy, a girls' comic, a comic with a realistic narrative, a cut, a Japanese-Western style picture, fashion design as a professional and has the faces such as others, a novelist, a stage director, a movie director, an actor, a singer, the restaurant manager.

• I study under Koji Kata of picture-story show - "gold bat". In addition, the picture-story show was called the image drama in those days. When story comics for adults making a clear distinction from comics for conventional children later appeared for the hint in this, there are "a comic with a realistic narrative" and the opinion that it is the ordinary sky that have begun to call with this genre.
• Comics, comic with a realistic narrative - masterpiece "bad girl biography child of mixed racial origins Rika" "deer butterflies of the bad boss's wife biography wild boar." A writer companion has Shigeru Mizuki, Sanpei Shirato, Taira Hara and others.
• I develop "a tattoo fashion" with the design of fashion design - tattoo as a motif. I hold a fashion show in Ginza, Mitsukoshi department store. Afterwards as for Kansai Yamamoto, Issei Miyake, Hanae Mori, the Junko Koshino and others and the vying. I deal with the design of the ring gown when Cassius Clay (のちの Muhammad Ali) played a game in Tokyo, a Japanese martial arts gymnasium in 1972.
• It is others (true story document serialization) novel - "constellation of the novel Jiro Yanagawa man".
• I led "theatrical company Brahma the Creator" from the stage direction -1980 generation and continued staging a play based on own special attack unit experience such as "gills colander youth" "青春散華" and accused unreasonableness of the war.
• For the study era of song - tattoo, the balladeer of the sink did it as a side business, too. "The charm of 彫清, land without a lot number enka ballad Taro Bonten announces the album in 1972, too".

In addition to curiosity, the flexibility that I introduced polychromatic carving, trace transcription, machine carving into and acting power not to be timid opened the friends and acquaintances first including European and American TATOOIST in Japan.

It was live-in and, by temperament of the good boss skin of the taking care, held more than 20 pupils for the Yokohama, raw wheat era. There was the meaning to raise the next generation about the tattoo, but was in condition to feed youths that it might be hardly said with a freeloader, the freeloader with the pupil of the others picture, the pupil of the comic with a realistic narrative, the pupil of the singer.

I leave 代 to the second generation to spend it as a painter purely for the rest of life in the early 1990s, and emigration retires in a Lady and two in Okinawa. I pose as "Japanese Gauguin" for a while and enjoyed southern country painter life, but youths of the Rev. local tattoo choice which knew the existence before long come to throng. In addition, the U.S. soldier wanting nature of the locality called Okinawa, "BONTEN" to carve it does not cut off the back, and an open private supplementary school will teach the next generation from born quality not to be able to decline when relied again at last in "ordinary sky skin picture private supplementary school". Because there was not the engraver who lived by sum carving before it in Okinawa, as a result, this was "to have brought in sum carving first in Okinawa" [³].

I drank the liquor like a fish in the days of the active play, but did not drink the drop after a certain plane after I went into retirement either. In addition, as a result of, as for the younger days, having drained a large number of women and rumor of a love affair; seven times of marriage careers. When she let the existing wife meet another person, "she often introduced me with my lucky seventh" proudly. In addition, (the person says) I receive a pipe cut operation taking advantage of there having been a long-cherished daughter between the existing wife because "a child is born just to have stepped over the woman". This was earlier than Kyosen Ohashi and Kinnya Aikawa and others.

Even if it is later years, the curiosity does not decline and I make 77 years old and usually acquire driver's licenses of the cars. It is said that I was popular with high school girls of "the classmate" very much at the training school where I went to.

Brief career history

• I am born in - Tokyo, Kanda on January 5, 1929 (there is the opinion born in Fukuoka, Fukuoka-shi, too).
• I apply for a special attack unit at arrival at military uniform たさに 15 years old of the button in -7 1943. I enter the Kagoshima navy flying corps as life (there is a 17th theory) for boy air force soldier, first grade system of training naval airmen 14 quarters. There was Takehiko Maeda for Noboru Ando, 13 quarters in the same period.
• 1945 - end of the war. I am disowned by father though I make up my mind to put up the body in painters "can you live on a painter?!". I am apprenticed to Koji Kata by a relationship that a cousin is a classmate. I begin to draw a picture-story show.
• I enter the picture technical school (existing Kyoto City University of Arts), foreign film department of - Kyoto (there is the Japanese painting department theory, too) in 1947.
• I go to see classified ad in - summer vacation in 1948, and to sell Shoichi Nagai of the literary coterie temple (のちの green wood temple) a comic and meet Osamu Tezuka.
• I am in favor with a profiler of - Kyoto in 1950, and comings and goings are permitted. The these days first marriage.
• After 1951-54 age - picture technical school graduation, Kyushu becomes the teacher of the girls' school at one time in Iki (there is Tokyo, the Ueno opinion, too), but returns to Tokyo without being satisfied (there is the opinion "which did a miner in Kitakyusyu" without returning to Tokyo). The tattoo which it is asked a fisherman and a sailor in the house of the uncle of Funabashi who sometimes went out to play these days and carved becomes the reputation.
• As about 1958 - book for lending girl comic artist "Kiyomi Ishii" in a smash hit.
• It is determination in being disgusted with the world of the girls' comic - suddenly in about 1960, and becoming the Rev. tattoo in earnest. I go for the trip of ascetic practices as Rev. tattoo "彫清" of the flow. I begin to give "Brahma the Creator Taro" gradually, but come to transcribe it into "Taro Bonten" to Brahma the Creator (God of = God) by oneself before long saying that it is dreadful [⁴].
• The marriage that I meet the existing wife in - Yokohama, raw wheat in about 1964 and am the seventh time. It is established "an ordinary shrine dedicated to the heavenly gods" by Tokyo, Kanda.
• I return to the world of - comic with a realistic narrative in 1965.
• 1968 - "deer butterfly serialization start (comics OK) of the modern bad girl biography wild boar."
• The - "deer butterfly series of the wild boar" is filmized as "a deer butterfly of the bad leader of the valets wild boar" in 1969. "Bad girl biography child of mixed racial origins Rika" serialization start (weekly Venus).
• I visit the United States for - tattoo circumstances inspection in 1970. I obtain a long-cherished tattoo machine in San Francisco.
• I meet Cassius Clay by an introduction of - Rocky Aoki in 1972 and design the ring gown that a tattoo is likely by the hope of the clay person. "Bad girl biography child of mixed racial origins Rika" filmizes it. Afterwards for the series.
• I publish - "skin picture Japanese tattoo" (立風書房) in 1973. The "bad girl biography child of mixed racial origins Rika" serialization end.
• I publish - "woman and skin picture" (shade storehouse publishing company) in 1979.
• I carve "花和尚魯智深" to - Ro Takenaka in 1981.
• I start - theatrical company "Brahma the Creator" at the mid-1980s and stage the play that wrote own wartime experience in the book. I deal with a script, direction, stage art.
• I come to go in and out of - Okinawa frequently in about 1990 and mind a residence and emigrate to Naha before long. I move to Ginowan later.
• I leave 代 to carving play water (second generation Brahma the Creator) and, with Okinawa emigration, go into retirement. I deal with an open private supplementary school, developing instruction some other time later in "ordinary sky skin picture private supplementary school".
• I die for - artery dissociation on June 30, 2008. Age at death 79.

Tattoo first generation Brahma the Creator school

• Carving wife (the first Brahma the Creator branch family)
• Second generation Brahma the Creator (the first carving play water)
• Himeji Brahma the Creator (彫東光改 メ)
• 彫保
• Carving beauty ogre
• 彫征

I appear on television and it

• 暗闇仕留人 (Episode 10) - The part of dreams and phantasms (1974)

Book

• It is - 初代彫清凡天太郎名義 "a tattoo of skin picture Japan" (立風書房 March, 1973)
• - Taro Bonten is belonging to "a woman and a skin picture" (shade storehouse publishing company July, 1979)

Allied bookm

• I interview a clause of - "Chapter 3 book for lending / garage system" (Ota publication) and am placed Takeo Udagawa "comics zombie".
• It is a talk publication with - Shoichi Ozawa "hearing it to - carving clean (Taro Bonten) to carve in body warmth" with / "Shoichi Ozawa conversation ① anthropology guide joyride and art" (Akifumi Corporation) (special feature of the story) (Tsukama bookshop) Shoichi Ozawa "rare Ozawa University photo studio of unequaled energy".
• Keiko Nomura "collection of DEEP SOUTH Keiko Nomura photographs" places - portrait (little more).

Footnote

[Help]

1. There is an opinion born in ^ 1928.
2. The ^ maiden name is Ishii.
3. For the same period, carving is almost good from Osaka, but ^ sets up "Ryukyu carving is good" in emigration, Okinawa-shi Koza.
4. I straighten ^, and the drawing that is clear at changing name time is impossible because "Brahma the Creator" notation appears afterwards. I assume the school "Brahma the Creator" without "ordinary", using の character other than the ordinary sky for the second generation. In addition, it was in "a Brahma the Creator school" including the second generation because the first person returned it to "the Brahma the Creator" in later years, but only the crest of the school still of "the ordinary sky" remain it.

Outside link

• Work - J Komi during the J Komi for free delivery

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