鶴澤探索
The illustrator of the Kano group that) played an active part (Meiwa August 21, 6) (Kyoho 12 years) in the middle of Edo era in Japan on - September 20, 1797 in 鶴澤探索 (つるさわたんさく) 1729. It is the third generation of 鶴澤派 in sons of 鶴澤探鯨. The name is 守煕. The search is 号.
Table of contents
Short biography
It becomes the second highest rank among Buddhist priests at 41 years old at 28 years old (1769) (1756) for Buddhism, Meiwa six years for age of an emperor six years. It was attached a command in "御月扇調進, 尤常式御用" in the next year and after that got "provisions" from the Imperial Court. 鶴澤家 was a personal illustrator of the Imperial Court, but I acted as temporary order and only got artists' materials until now. However, I came to get provisions as moon fan charges from now on, and the family status of 鶴澤家 improved. I was ordered an assistance of Mitsusada Tosa of the Tosas by illustrators who submitted an order application by the painting on a folding screen and wall production with the generous politics degree Imperial Court Imperial Palace building with the big fire of the dawn by court painter custody that there were not a defect and impropriety or checked it. I understand that 鶴澤家 was recognized as family status next to the Tosas and will in this way maintain the family status until the late Tokugawa period.
鶴澤探泉 of a son or the adopted child inherited the trace. To a pupil 吉村周圭, 山田索隠, Sakudo Hori, 土谷索進, 井上幽意, Obata sinus month, Yanagi, Ueda sentence, 片山墨随, 安良周篤, 河合索玩, Iba ball bank, 武田索駿, Yamada product bank, Sozo Kanou, 狩野蔵之進, Senkei Sasaki.
Work
| Work name | Technique | Shape, number | Owner | The generation | Signature and seal, seal | Remarks |
|---|---|---|---|---|---|---|
| Figure of flocks of cranes | Paper on which a painting is painted monochrome painting in India ink work color | Eight sliding paper-doors, four wall pasting, four normal paper-sliding door pasting | The House of garden castle temple Noriaki | It is the time (Meiwa two years) for 1,765 years | Description of subsection "鶴澤探索筆" | Shuun Omori, Takushu Katsuyama belonging to 鶴澤派 same as a search, pupil Oukyo Maruyama of Yutei Ishida equal to the brothers pupil, Taiga Ikeno and others produce the House of Noriaki painting on a folding screen and wall. Above all, the search is in charge of particularly important one room and understands that it was centrality of the production. The reason why great correctness not to belong to 鶴澤派 participates in is unclear. In the production year, I guess from 号 "仙嶺" which 応挙 used in the signature and seal in 応挙筆 "figure of hills and rivers" in a young one-year term [1]. |
| Figure of Uji processed tea | Paper on which a painting is painted work color | 六曲一双 | Daitoku-ji Temple | Description of subsection "鶴澤法眼探索" / "守煕" vermilion sentence mark | 右隻 closely resembles it with Morikage Kusumi writing brush "figure of Kamo horse racing, Uji tea picking screen". | |
| Cloudy weather sinter gidayu reciter's book temple painting on a folding screen and wall | Paper on which a painting is painted work color | The House of cloudy weather sinter | Description of subsection "法眼鶴澤探索画" | |||
| Figure of four seasons flower screen | Paper on which a painting is painted ground strewn with gold dust work color | 八曲一双 | The House of Kagawa, clear understanding (I deposit Kyoto National Museum) | A description of subsection "second highest rank among Buddhist priests search writing brush" | ||
| Figure of flowers and birds | Paper on which a painting is painted ground strewn with gold dust work color | Two fusuma-like wooden doors | Syoboji (Yawata-shi) | A description of subsection "second highest rank among Buddhist priests search writing brush" | ||
| Figure of hills and rivers screen | Paper on which a painting is painted ground strewn with gold dust monochrome painting in India ink | 六曲一双 | Isumi-shi native district museum | Isumi-shi designated cultural assets | ||
| It is a figure of peacock screen on a pine | 泉涌寺 | |||||
| Figure of Chinese and Korean people thing screen | 随心院 | |||||
| Figure of historical fact person screen | Daitoku-ji Temple | |||||
| It is a figure of horse screen in Yanagi | 六曲一双 | Individual [2] | ||||
| Inside of the capital city outskirts of Kyoto figure screen | 六曲一双 | Individual |
Footnote
- ^ Tatsuya Akita "illustrators of the House of Noriaki who drew a painting on a folding screen and wall" (on Osaka City published by art museum Suntory Museum Fukuoka-shi museum others editing "identification of intellect Great Teacher return home 1150 temporary exhibition national treasure Mii-dera Temple exhibition" NHK Osaka broadcasting station NHK planet Kinki Mainichi Shimbun, October 31, 2008 pp.244-247).
- ^ "sinter - screen festival exhibition Kyoto-shi art museum of the Gion festival", 1975.
References
- It is Kyoto University department of literature Museum, August, 1996 led by Johei Sasaki compilation Japan art research center investigation editing cooperation "Kyoto painting circles - - Tsurusawa group of 1996 spring plan exhibition pictorial record Edo period"
- Kyoto culture Museum arts and sciences section editing "Kano group exhibition Kyoto culture Museum of early modern times Kyoto", September, 2004
- It is "... "彩" executive committee, April, 2010 Hyogo Hyogo Prefectural Museum of History editing from 彩 - 鶴澤派 to 応挙"
- In Kyushu national museum supervision, sentence "Kyoto illustrator blue illusion building of 15 Wonderland of the beauty", July, 2012, it is ISBN 978-4 - 86,152-360-1
This article is taken from the Japanese Wikipedia 鶴澤探索
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