Ittoku Tosa

The illustrator of the painter of The Tosa School who Ittoku Tosa (unknown とさいっとく, the straight year of a person's death) ran early in the Edo era from the Azuchimomoyama era, and played an active part. I am transcribed into Kazunori. I am said to be both a disciple of Kokichi Tosa and the younger brother, but am not sure.

Short biography

Generally, it is said that I played an active part for (from 1596 to 1615) in the Keicho era year ("Fuso masterpiece biography"). However, it is written down to "the description of Mt. Hoshino erection" when I described a painting on a folding screen and wall in a reception hall and the study of the Kita House of Musashi country Kawagoe in (1639) for Kanei era 15 years. In addition, Shinano country Iida feudal lord Yasumoto Wakizaka wants to write it down (1644) during a little over one year from April in the Masayasu first year when it was the local allotment of the lower palace which was an Imperial demesne, and an illustrator called "樗斎 (ちょさい) one advantage" appears in "the Shimodate diary" several times. It is thought that the real activity time is prolonged at least until this time if this is Ittoku Tosa. In addition, a Chinese classics eggplant form mark of "the Buddhism" is stamped some works including "林和靖図" with and understands that one advantage got Buddhism rank. It is unknown, but can suppose this with the prize of the House of former Kita painting on a folding screen and wall production when you obtained it.

Kazunori comes to Yasumoto in the article on "Shimodate diary" November 21, and Yasumoto writes down the state. As for the one advantage, the height did not arrive to 4 shakus in 容貌魁偉, and deafness and dumbness was illiterate ignorance, and hands and feet always used "覚 ざえもん" for a guardian briefly, too. However, I praise one advantage when the ability of the picture is equal to Tannyu Kanou, and it wears the technique of Chinese pictures enough while being an illustrator of the Tosa School, and Yasumoto describes the picture in a heart regardless of the strange figure, and it is splendid to excel in an art. The one advantage stays to Yasumoto as half month and often describes a painting depending on a request of Yasumoto, and they leave, and 100 silver and "覚 ざえもん" receive padded silk garment a suit of clothes at the verge.

Approximately ten points of works which is confirmed now. The realistic "quail figure" which I learned from "a figure of of institute of painting painter, 李安忠 of Chinese Soong quail" remains a lot, but the Shojo Shokadou-like light wonder gain the favor of the detached style and handles the emotional miniature of the Tosa School tradition.

Masterpiece

• "Figure of The Tale of Genji screen" 紙本著色六曲一双東京国立博物館蔵
• "Figure of quail dandelion" Tokyo National Museum storehouse
• "Figure of quail" paper on which a painting is painted monochrome painting in India ink pastel Tokyo National University of Fine Arts and Music University Museum storehouse
• "Figure of quail" complimentary copy work color Egawa Museum storehouse
• "Full court dress sky image of a deity" 尊純法親王賛 century culture foundation storehouse
• Product of the tribute to "林和靖図" paper on which a painting is painted work color Razan Hayashi individual storehouse Yamagata designated cultural assets (picture) Kanei era year

References

• In Toshio Tanaka "1, Tosa advantageous thought" "study work company of the early modern times Japan picture", March, 2013, it is ISBN 978-4 - 86,182-412-8

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