2016년 6월 14일 화요일

Horn concertino (Weber)

Horn concertino (Weber)

The concerted work for a horn and the orchestral music that curl Maria phone Weber composed horn concertino E minor (Horn Concertino in e-Moll) work 45 (J.188).

I compose it during 1806 and the following year for Joseph ダウトレヴォー (Josef Dautrevaux) of ホルニスト which lived in Karlsruhe [1]. I adapt a play for ホルニスト of Munich, Sebastian Rauch (Sebastian Rauch) in 1815, and this becomes for an act [2].

It is a work written before which ヴァルヴホルン spreads out, but various art such as the range that 4 octaves are close in, various fast passages, double-stop how to play is required and are known as a difficult piece of music even now.

Table of contents

Formation

Solo horn (natural or valve type, E), flute, clarinet 2, bassoon 2, horn 2, trumpet 2, timpani 2, string five copies [3]

Summary

It is a single movement, but I am greatly distributed between three copies and have constitution similar to the concertino for clarinets written later. Performance time is approximately 12 minutes.


A horn sings Part 1 with andante, 6/8 time after adagio, a short introduction of the 4/4 time. A range with more than of 2 octaves is already used here.

After Part 2 throws it on E major, and the subject was shown with andante, 2/4 time, five variation continues, and various art is revealed. The fifth variation becomes the recitative-like adagio, and a required cadenza is inserted in double-stop how to play.

Part 3 is linked brilliantly at the rondo-like finale of ARA ポラッカ.

Footnote

Outside link

This article is taken from the Japanese Wikipedia Horn concertino (Weber)

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