Fuyo Suzuki
Fuyo Suzuki (sea bass cotton rose, age of an emperor two years (1752) - culture May 27, 13 (June 22, 1816)) is a Japanese writer painter of the last part of middle of Edo era. I affected the establishment of the Edo southern school of Chinese painting style.
As for the name, 雍, the character are sentence Hiro, under an alias new soldiers of the Imperial Guard. 号 is a cotton rose, an old lotus. It may be described with a tree cotton rose to distinguish it from Fuyo Ko by the old documents. In addition, I was called the drunkenness cotton rose because I described it taking advantage of a freak.
Table of contents
Life
I am born in the Shinano country Ina county north village (長野県飯田市伊賀良北方) as the second son of Jinnai Kinoshita. I learn with painter Hohei Satake of the same town in a private elementary school of the Edo period of 高弟寒山永啄 of 白隠禅師.
I appeared in Edo in the Meiwa year and learned an image about Sosui Watanabe who was a step father of Gentai Watanabe. I become a house boy of Hoko Hayashi and work hard at study and acquire the quality as the scholar of Confucianism. I move to 深川三角油掘 and interchange with a scholar of Confucianism of the Ritsuzan Shibano, Bosai Kameda, Kinjo Ota and others current master of a home first rank afterwards. I make the Chinese poetry better and am related with Gozan Kikuchi, Nanpo Ota. In addition, I drew a cut to "the leisurely tour sentence grass" of Kyokuzan Hirasawa, but liked to be thought to be a scholar of Confucianism not a painter.
An image product becomes popular from the generous politics period. Person of completion Buncho Tani of the Edo southern school of Chinese painting is the teacher and is done with the pupil, but is guessed with the relations that rather I influenced mutually. It will be the relation that Gentai Watanabe and Kitayama cold are stern, and is similar. The work of the cotton rose reflected the temperament of the scholar of Confucianism, and Han culture became the subject, and the evaluation from a writer at the time was high.
I visit Kenkado Kimura in (1793), Naniwa for generous politics five years and push my way through Kumano with the foot and sketch Nachi cascade. I produce "那智大瀑雨景図" becoming the masterpiece later.
Artistic skill is accepted in (1796) for generous politics eight years and becomes an order illustrator of the Tokushima feudal clan Hachisukas. It is said that the cotton rose which wanted to be employed as a scholar of Confucianism felt sorry about the appointment as the illustrator. I am ordered a living-in-feudal clan by the hometown in the same year and draw "figure of Naruto 12 wins real scenery winding". Oldest picture "figure of Awa Bon festival dance" (personal storehouse, tribute to Mosen Nawa, Tokushima-shi designated cultural assets) which drew Awa Folk Dance is a work of these days. I assumed an atelier "a middle Zen cave".
Shoren Suzuki of the child dies young at 25 years old. I assumed Suzuki naruto an adopted child. A pupil has Unpo Ooka.
It is 65 (1816) in the death, the age at death for culture 13 years. Buddhist name, 老蓮院文煕日雍居士. The cemetery is Edo Asakusa Daisen temple and the Kinoshitas graveyard of hometown Iida. There is the grave of the son small lotus in the Kinoshitas graveyard, too.
A grandchild won 鈴木鳴霽 (I tear a niece) and succeeded to the order illustrator of the Tokushima feudal clan with Naruto.
Style of painting
The Sinicism that adopted north sect image and southern school of Chinese painting is basic, but, other than 南蘋派, a Nagasaki group, 琳派 and a Yamato-e painting, the Maruyama Article 4 group learn, too. I devote myself to Sesshu (culture four years) at the time in 1807 in particular and assimilate the Muromachi black-and-white drawing. The compromise style that I made such a various factions and the study was succeeded to later Buncho Tani, and it was one that it featured it of the Edo southern school of Chinese painting. When I described Confucius in particular because the motif learned Confucianism with Chinese hills and rivers and person, wandering servant widely, power seemed to enter. I drew the generic name of the subject of orchid, bamboo, plum and chrysanthemum in Chinese painting, but I like plums in particular and a work, a record are good together and stay.
Masterpiece
- "Figure of near a big river summering" individual storehouse 1788
- The "figure of red-and-white plum screen" capital silvery ground work color individual storehouse (I deposit Iida-shi art Museum) spring of 1790
- The "winter summer flowers and birds" Nagano Shinano Museum summer of 1790
- "Figure of east Hajime" 伊賀良小学校 1790
- This "那智瀑泉真景図" silk work-colored Iida-shi art Museum October, 1793
- "那智大瀑雨景図" silk book monochrome painting in India ink pastel stillness temple library Museum 1798 to praise
- This "figure of Naruto 12 wins real scenery winding" silk work-colored Tokushima City Tokushima Castle Museum 1796
- "Figure of sumi plum" silk book monochrome painting in India ink Iida-shi art Museum 1816
Publication
image main volumes
- "Mr. costs Shan shui painting type" Tenmei era seven years (1787)
- "Chinese poetry choice image book" generous politics two years (1790)
- "Description of Kumano play natural beauty spot drawing" generous politics 13 years (1801)
- "China grand mountain collection of pictures" generous politics 13 years (1801)
- "Illustrated map drunkenness cotton rose" culture six years (1809)
Cut
- Kyokuzan Hirasawa "leisurely tour sentence grass" Tenmei era seven years (1787)
Allied documents
- Bunzo Aoyagi "many houses person sequel to"
- Shonin Unshitsu "cloud room essay"
- Okisada Asaoka "old painting remarks"
- Unnen Anzai "by early modern times prestigious family painting and calligraphic work"
- Shuichi Kurokawa "Edo activity, painter cotton rose of the grace" with "Hohei Satake Fuyo Suzuki" Shinano Mainichi Shimbun, 1990.
Source
- 槇村洋介 "tide of Fuyo Suzuki and the Edo southern school of Chinese painting" with "pictorial record temporary exhibition Edo southern school of Chinese painting I- Buncho Tani, for Fuyo Suzuki -" Iida-shi art Museum, 1,999 years, is 112-115 pages.
- For Kuniyasu Atsumi village sentence publication, 2,001 years when "all now of copying tall building on the mountain Buncho Tani, 文晁 of the close clumsy writing are interesting", it is page 105, ISBN 4898061729.
- Tokushima City Tokushima Castle Museum editing, publication "outskirts October, 2004 with forgotten writer painter Fuyo Suzuki"
This article is taken from the Japanese Wikipedia Fuyo Suzuki
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