2016년 9월 21일 수요일

Hiroshi Inagaki

Hiroshi Inagaki

Vagueness evasion In this item, I explain a Japanese movie director. Please see "Hiroshi Inagaki" (labor campaigner) about the labor campaigner of the same reading.
Hiroshi who is, and is long
Hiroshi Inagaki
Hiroshi Inagaki
Hiroshi Inagaki of the child's part era
The real name Hiroshi Inagaki Jiro
The other name Akihiro Azuma
Kajiwara eight (combination name) Kim
The date of birth 1905December 30
Date of death May 21, 1980 (74 years old death)
Birthplace Japanese flag Japan, Tokyo City Hongo ward Komagome Sendagi-cho
(current 1, Sendagi, Bunkyo-ku, Tokyo)
Occupation Movie director、Scriptwriter、Actor
Activity period From 1922 to 1970
Activity contents 1922： It is entered the company by Nikkatsu Mukoujima studio
1926： It is entered the company by the Tsumasaburo Bando production
1928： I enter the Chiezo Kataoka production and make my debut as a supervisor
1934： I form Narutaki group
1935： It is entered the company by Nikkatsu Kyoto studio
1955： "Musashi Miyamoto" wins a prize for Academy Award reputation
1958： "The Rickshaw Man" wins a Venice International Film Festival gold lion prize
Well-known family Father: Jiro Tomei (new school actor)
Main work
The "Musashi Miyamoto" series
『The Rickshaw Man』
『The children who tie a hand』
Receiving a prize
Shozo Makino Prize
1981
Indication

Hiroshi Inagaki (Hiroshi, from December 30, 1905 to May 21, 1980 that are, and are long) is Japanese movie director, scriptwriter, actor. Honna is Hiroshi Inagaki Jiro. I bring about the masterpiece of Mansaku Itami, Sadao Yamanaka and others and the historical drama in earlier period of war and am one of the excellent supervision that made the basics of Japanese movie. I made a historical drama not to depend on a sword fight for and was called "the modern drama that I added a chignon" to. I take 100 movies throughout a life, and the evaluation in foreign countries is extremely high, too.

Table of contents

Career

Father was born in Hongo, Tokyo ward Komagome Sendagi-cho (existing 1, Sendagi, Bunkyo-ku) as a son of new school actor, Jiro Tomei. I leave the elementary school because of a disease of mother in one year and it becomes the child's part with a stage name of Akihiro Azuma from 7 years old and stands on the stage. Mother dies at the age of 8 years old and went for a trip performance with father, but I learn the reading and writing by self-education during this period, and it is a reader as I aim at a novelist, the dramatist. I become an opera fan of the Asakusa gold dragon building since I heard "Carmen musical selection" and begin dramatic writing. It is said that after hanging it in the company of father, I won a favorable reception unexpectedly. In addition, it was the fan of the Shochiku Kamata movie as I went to the Asakusa Shochiku hall every week.

In 1922, it is entered the company as an actor by Nikkatsu Mukoujima studio. For 12 years, I achieve parent and child appearance in the silver screen in "night" of Manager Kenji Mizoguchi. I watch "woman and pirates" (Manager Daisuke Ito) of this age and am interested in a historical drama and participate in the Institute for Ito movie and learn a scenario.

I act as the third assistant director in "sun" (Manager Daisuke Ito) which father appears in 1926.

I am to a 阪妻 pro

In the same year, Tsumasaburo Bando production cooperates with American Universal Corp. and hears it with a modern drama production start, and it is an executive actor of salary 150 yen in 阪妻 pros. I get to know Ureo Egawa of the assistant director and am starring in those days in "the ninth warehouse" with the script of Egawa. I played a supporting role in the first supervision product "night mysterious gentleman" of Egawa.

I am to professional player Chie

In 1927, the following day, I leave the 阪妻 pro, and it is entered the company by the Shochiku Kyoto studio of Shimogamo. I become an assistant director of salary 25 yen. Through the third assistant director of Teinosuke Kinugasa, I participate in the foundation of the Chiezo Kataoka production with Mansaku Itami by an introduction of Ito in 1928. Of same year Chie storehouse leading actor, make the debut as a supervisor with "a description of perfect peace" afterward Chie storehouse lead such as "absorption in dissipation" "Genji boy" "picture book study" "Genroku era 13 years" of the Itami script was cheerful, and did it, and was called two pillar of the professional player Chie storehouse with many cheerful historical dramas with cliff, Itami. "The picture book study" and the work such as "Genroku era 13 years" were supervision charge that they took place of sickly Itami.

They regret a plan of "mother of eyelids" whom Nikkatsu rejected in 1931 and they assume the name of the Chie storehouse to author Shin Hasegawa and take filmization consent and angered Chie storehouse, but they hang a neck, and completion, the movie make a big hit as a contract update first product of professional player Chie and Nikkatsu through a plan. If this work is no use, Inagaki who intended to come again by different work establishes a policy with this work clearly, and it is said that I decided supervision with the work of the life.

As for a lot of stories of wandering gamblers such as Kan Shimozawa original "Yataro shades", good a product "a wandering gambler sumo wrestler's ceremonial entrance into the ring" in professional player Chie elsewhere; is described as and is often remade later.

Organization of "the Narutaki group"

In 1932, "the trip supervises a blue sky" Torquay trial product. In 1933, I spread nursery rhyme and form a meeting and receive support of Ujo Noguchi and work on a movie theme song. In addition, I formed the script writing group Narutaki group beyond the fence of young person cineaste and others and the movie company which lived in these year, Shintaro Mimura, Sadao Yamanaka, Eisuke Takizawa, Narutaki of Fuji Yahiro and others Kyoto, and Manager Yamanaka "pot "河内山宗俊" of 1 million Tange left low dining table episodes" wrote a scenario of Manager Takizawa "description of father of the Imperial adviser" "Musashi Miyamoto" in a joint nom de plume of money of Kajiwara eight and transferred a hit each.

I am to Nikkatsu

1935、Nikkatsu Kyoto studioに entering a company. I supervised "the God of War Pass" of the Kaizan Nakazato original jointly with mountains, and, "弥太 ッ ぺ of Seki," a progress seat supervised "the wandering life of a gambler 1,001 night" when a unit appeared. When Sadao Yamanaka was killed in action in 1938, I formed "mountains meeting" in friends. It is still production with a masterpiece and the topic product of the historical drama such as "the days in the Edo last" of the Tsumasaburo Bando lead "a festival across the sea" in "Musashi Miyamoto" trilogy of the Chiezo Kataoka lead in 1941 in 1940. After the Pacific War outbreak of war, I act as the culture chairperson of the studio.

I supervise "The Rickshaw Man" that Itami of the sickbed wrote a script in 1943. The work by the same author was said to be the masterpiece which represented a prewar Japanese movie, but a scene that a rickshaw-man, an injustice pine confessed the love to the widow of the officer was cut by censorship by the situation saying that it was not correct.

In 1944, a sun collaboration movie produces (Daiei Motion Picture, Chinese film) that "the beacon is fried in Shanghai" in 阪妻主演. It was the masterpiece which went the location for eight months in Shanghai, but it is said that both Japan and Shanghai are air raids and had no room for the theatergoing.

In 1945, I greet the end of the war with 阪妻 in Press and Information Office of the studio. It is said that 阪妻 grasped a hand with Inagaki in silence. I started activity quickly after the war in "the last exclusion of foreigners party".

It is を supervisor like the modern drama "heart moon" which became the first product of Toyoko Eiga Co., Ltd. in 1947. "The Fujiki bow" of the script is a nom de plume of Inagaki [1].

I am to Toho

I play an active part mainly in Toho from 1950, and "Musashi Miyamoto" of Toshiro Mifune who produced it in 1954 wins Academy Award Foreign Language Film Award. Furthermore, the story that sent a telegram of "トリマシタナキマシタ" is famous in the own country at this time to put back the point where one's own "The Rickshaw Man" was cut all over the wartime in 1958, and to be the Toshiro Mifune lead, and to filmize it again, and to shine in money of Venice international film festival lion Prize.

It was done with a masterpiece of Toho and the representative supervision of the historical drama route with Akira Kurosawa and produced movie "Chushingura" of the 30th anniversary of Toho in 1959 by the Toho 1,000 memory movie "Japan birth" of Mifune appearance, Eiji Tsuburaya special effects in 1962 and put success for performing it each afterwards. I took office as the representative of the のち 東京宝映 pro and performed instruction and the theatrical activities of the talent. I published comic with a realistic narrative "nonsense three lordless samurai" serially in daily publication sports in the later years.

On May 21, 1980, I die of cirrhosis. Age at death 74.

Person, episode

The nickname "Kan Ina" (abbreviation of Manager Inagaki). "Perception Taro of Ina" was the aerial person who parodied this "Kan Ina", but, after a movie exhibition, there was the land which called itself "the ground of the perception Taro birth" to Ina and has been built the chief character who played Kazuo Hasegawa of "perception Taro (Manager Eisuke Takizawa) of Ina" of 1943 to a monument [2]. Popular, and what's called "stones of the perception Taro chair" had only it or "perception Taro rice cake" and "perception Taro boiled rice in tea" and was not able to move the existence. Actually, the creator of perception Taro is Shintaro Mimura [3].

It was small, and President Masakazu Nagata of Daiei Motion Picture had Coleman mustache in Harold Lloyd spectacles as well as Inagaki and was often mistaken for Inagaki when Nagata was inexperienced. To "you the face 売 れとるんだな ア but admire it now you me it is said that was said to be mistake えられるようになってみせるよ ッ て" well in Nagata. I might sometimes shave a mustache, but it was always surprised around and was made fun to Mikio Naruse with "ナ which was good because you could disguise" yourself [4].

Yoshiyuki Kuroda of the Daiei Motion Picture Kyoto studio acts as a relative. Though oneself belonged to Toho when "large malevolent deity" (1966) that Kuroda acted as special effects supervision in the times when "a special effects movie" was said to be a specialty of Toho was completed, I was delighted with "guy, びっくりするやろな of Toho" [5].

Inagaki became an assistant director in "the sun", but the position was "third" when I said closely [6]. Kuroda states without "passing through an assistant director in a Japanese studio that it is Inagaki to have supervised suddenly" [7].

It was the person of "the チョビ drink" to accept little by little about the liquor [8].

Yoshio Tsuchiya calls Inagaki "the knight of the town of the small mustache to sunglasses" as a movie director to love and respect and describes it as it saying, "indeed, it was the feeling じのくったくのない big shot such as the activity shop". In the studio, called the Class Inagaki with "Inagaki family" for Class Kurosawa of Akira Kurosawa called "Kurosawa family", and Inagaki was admired equally with "a great master" for "the Emperor" of Kurosawa. The photography spot is quiet friendly, and play may enter by performance instruction, and it is said that it was different from Kurosawa group at all. When Tsuchiya addresses you as "a great master", it is said that Inagaki of the gentle character answered "what is it?". There was "a mysterious habit" and marked it with "several points" just after a public performance by the performance of the actress by all means. I invoked 阪妻 immediately again saying "I did not yield to 阪妻" only to Tsuchiya all the time for some reason [9].

Masterpiece

Category: Supervision movie of Hiroshi Inagaki

Footnote

  1. ^ "winding Makino Masahiro biography of the movie earning a livelihood, ground" (Makino Masahiro, Heibonsha Publishers Ltd.)
  2. ^ "weekly Sankei extra edition great fight scene sword fight movie special feature" (Sankei publication)
  3. ^ "mustache and topknot" (Hiroshi Inagaki, Mainichi Shimbun)
  4. ^ "mustache and topknot" (Hiroshi Inagaki, Mainichi Shimbun)
  5. ^ "Daiei Motion Picture special effects collection malevolent deity very much" (Tokuma Shoten) than Hisashi Okuda interview
  6. The ^ chief assistant director is made to have カチンコ, but the third is almost a junior
  7. ^ "large malevolent deity counterattack DVD" (Daiei Motion Picture video) than Yoshiyuki Kuroda, a talk of Fujio Morita
  8. ^ "my movie life 60 camera man lifetime" (PHP Institute Office) from Kazuo Miyakawa text P158
  9. ^ "Kurosawa さ - ん!" (Yoshio Tsuchiya, Shinchosha)

Allied documents

  • Hiroshi Inagaki "film history Mainichi Shimbun that a mustache and a topknot live", 1966 first edition Nakakou library, 1981
  • Hiroshi Inagaki "days Mainichi Shimbun when the Japanese movie is young", 1978 first edition Nakakou library, 1983
  • Masahiro Takase "Hiroshi Inagaki Wise publication 2000 of my heart"　
  • "The professional player Chie era Chiezo Kataoka, Hiroshi Inagaki, Mansaku Itami is detached entertainment"
    　Mika Tomita edition, film art company, 1997

References

  • "Days (Hiroshi Inagaki, Mainichi Shimbun) when the Japanese movie is young"　

Outside link

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