シチュアシオニスト international
シチュアシオニスト international (SI) is an international organization of the social revolution formed of a vanguard artist, an intellectual, political theorists. I am known on dissolution of 1972 from organization of 1957 in Europe. [1]
The intellectual base of the シチュアシオニスト international is derived from an avant-garde art campaign in the 20th century in Dadaism at the start mainly. [1] Although I admit that Marx saw it different, I do the current capitalism when his analysis called the form of production of the capitalist is still effective. In addition, I expand the classic Marxism concept including the alienation theory. [1]In the broad interpretation of these Marxism theories, they already insisted on the dire disaster of the social alienation and product worship across a base element of the capitalism when they amounted to the domain of all such as culture and the life everyday. [1] They reject success of the altitude capitalism to be said to be progress saying that a social malfunction, everyday inferiority caused becoming it. [1]
In formed those days, the artistic side that established an important point in the concept such as Bupleurum Root geography and the uni-Tully urbanism was dominant. [1] It is gradually revolutionary and moves an important point to the political theoretical direction. [1] And I reach the top in 1967, 68. By the important text of following two. [do ball] the Guy Debord "society of the spectacle" Raoul Vaneigem "The Revolution of Everyday Life." Two writing mentioned above and text of the political theory proved influence from the rear with a riot with a publication of other シチュアシオニスト in French May, 1968. In the case of a revolt, quotation, the phrase from their text and publication and a slogan were maldistributed in an overall poster and graffiti in France. [1]
Main concept
ス ぺ クタル and the social
By Guy Debord, writing is a term used in "the society of the spectacle", and the spectacle is a central concept of the シチュアシオニスト theory. According to "[2]do ball for the mass media which is" sign "which is superficial in space most, the late 20s is assumed the arrival of the spectacle in the narrow sense. [3][4]
Criticism of the spectacles is fetishism, the concretization to a useful product, a concept [5] of Marx such as the alienation, an application and development of the methods presented again again in 1923 by カーチ ジェルジ. In the society of the spectacle, a product governs it on behalf of consumers with a worker. The consumers are passive objects expecting the existing front of the spectacle.
Explanatory note
This article is taken from the Japanese Wikipedia シチュアシオニスト international
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