Gunter ヘルビヒ
The German leader that Gunter ヘルビヒ (or ヘルビッヒ, Günther Herbig, November 30, 1931 -) is from Czechoslovakia. The アウシヒ Ann デア Elbe (Aussig an der Elbe, Czech name Usti nad Labem) birth of the ズデーテン district.
Career
I studied under Hermann Abendroth by cheironomy in Franz List ヴァイマル College of Music in 1951. Furthermore, I repeated studies in Hermann Scherchen and Arvid Jansons and received the discipline of Herbert phone Karajan. I took office as a master of court music of the ヴァイマル Opera including activity as an opera leader in Erfurt and Potsdam in 1956. I act as the leader of the Berlin symphony orchestra from 1966 through 1972 and am promoted to a top leader in 1977. I took office as the art supervision of the Dresden Philharmonic orchestra orchestra from 1972 through 1977. I explore escape to the west with what made a the guest appearance in Dallas symphony orchestra and BBC Phil harmonic from the loathsomeness to the East Germany system each before long in 1979 as a start.
After having gone to the United States as a top leader of the Detroit symphony orchestra in 1984, I took office as the musical director of the Toronto symphony orchestra from 1988 through 1994. I do a birch of the cheironomy in Yale University in the 1990s. I take office as the musical director of the Saarbrucken broadcast symphony orchestra from 2001 through 2006. I was apt to hide behind the popularity of スクロヴァチェフスキ of the guest appearance leader globally, but the achievement that improved the standard of the performance technology of the orchestra as an orchestra builder is big. Duty, the present are laurel wreath leaders in the art advisor of the Taiwanese national symphony orchestra, top guest appearance leaders from 2008 through 2010.
It is the leader of the type to let you talk by work itself and avoids the direction that made a show of eccentricity and is known for a serene faithful performance style. It is congenial to Haydn and Brahms, and a pleasant tempo of the fastness and natural emotion stand out among other things. While I carry through a similar performance style in the work of Bruckner and Mahler, and the heaviness that I lean against after having listened does not remain, it is easy to be said to be it even if nothing is often individual and is short in fun. For such a characteristic, it has not been paid attention very much until now in Japan in spite of 3 degrees visit to Japan career whereas it was a popular leader in the United States.
This article is taken from the Japanese Wikipedia Gunter ヘルビヒ
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