Madrigal comedy

Portal classical music

The madrigal comedy (English: Madrigal comedy) sings マドリガーレ of a cappella in Italian entertainment music in succession (usually) in the 16th century (usually) and recites a story and is a word to point to the thing which sometimes has the line of the drama even vaguely. In one of the things which led opera, Alfred Einstein devised these words in the 20th century.

The collection of マドリガーレ music "pink tea of laundry women" that Alessandro ストリッジョ made in 1567 was the madrigal comedy which formed in total one funny story. While I was occasionally separated in the subsequent madrigal comedy by each curtain including the prologue, and opera had not yet divided a curtain, the madrigal comedy seemed to be played on the stage with the background where I described the picture which I devoted myself to in (with the background where I described just what of the town in behind the alone singer who the woodcut which I drew a prologue of) on as an example in "ランフィパルナーソ" (1597 of オラーツィオ Becky was left, and wore apparel). The instructions of Becky written to the score of the singer play it, and the audience takes what kind of reaction in imagination, or, not one, is. Becky calls the audience by a prologue in this way.

"

Please imagine spectacle をば which I talk about in a heart, everyone. Not eyes, please see it with an ear. Therefore please be quiet

"

The madrigal comedy won popularity only in Italy from the 1590s to 1602 through 1603, but opera came up in 1600, and the enthusiasm has retreated at a stretch. Similarly, I disappeared somewhere to マドリガーレ of a cappella. The music of the madrigal comedy was witty, and the talk was always funny.

Alessandro ストリッジョ, ad re-Arno van Kie re-Giovanni claw Che Giovanni Croce, composers such as オラーツィオ Becky are the main composers of the madrigal comedy.

References and reading guidance

• Articles "Madrigal comedy", "Madrigal," "Alessandro Striggio" in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2
• Gustave Reese, Music in the Renaissance. New York, W.W. It is 1954 Norton & Co. ISBN 0-393-09530-4
• The New Harvard Dictionary of Music, ed. Don Randel. Cambridge, Massachusetts, Harvard University Press, 1986. ISBN 0-674-61525-5

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