Underground play
The underground play (あんぐらえんげき) is a tide of the stage expression (mainly a drama) happened in the smartness in Japan from the mid-1960s through the 1970s. "Underground" is an abbreviation of the underground. I took in the element of the show booth and I let the thing which was like the folk customs that a previous modern drama rejected as vulgarity, and was スペクタル reinstate and built up the unique world [1].
Table of contents
The contents
Thought of anti-establishmentarianism and the anti-commercialism was in the root of the exercise, and there was the thing which did 通底 with the thought of a student movement and the citizens movement in the 1960s and I marked a line with the previous business play and new school of drama and made the unique world with experimental stage expression and gave it and had a big influence on the next Japan drama.
Akihiko Senda divides the change that an underground play caused in the Japanese theatrical world into nine next items and explains it. (the "60s drama reconsideration" 所収 "trace and influence of the 60s drama")
- Primarily it is a change of drama structure, the dramatic structure.
- Second it is a body and the change of the performance to perform.
- Third it is a change of the theater space.
- Fourth, it is an increase of the laughter.
- Fifth, it is introduction of the music.
- To the sixth, it is the change of the point of contact with the traditional drama.
- To the seventh, it is work of the theorization in the drama.
- To the eighth, it is a drama campaign.
- To the ninth, it is the increase of the overseas performance.
The term underground play was a derogatory term at first, but, by achievement of huge result of people concerned, is used as an extremely normal drama term today.
Main theatrical company
I can greatly mediate it in a student drama native place and the new school of drama native place.
The student drama native place situation theater of Juro Kara, Waseda small theater of Tadashi Suzuki, Minoru Betsuyaku, Tokyo kid Brothers of Yutaka Azuma.
The new school of drama native place a free theater of Kazuyoshi Kushida, black tent 68 / 71, modern people Theater of Yukio Ninagawa of Noboru Sato, a change form theater of Shogo Ota, or other people of Tadao Kanasugi.
The peanut gallery of Shuji Terayama belongs to neither.
For the actress who has belonged to the underground theatrical company, there are Hideko Matsuda or Meika Seri.
When it is the 1980s, such a theatrical company comes to be recognized socially, too and it increases drama that the person concerned is major and to appear for movies and comes to occupy the position in a public drama. Underground theatrical companies moving into action include Class Tang (a situation theater reorganizes it), SCOT (Waseda small theater reorganizes it), a revolution group (they rename it from "a theatrical company Japan revolution group"), a lunar eclipse opera company and universal gravitation, the theatrical company such as the fur group now.
References
- "A drama and a dramatist pass Yoshio Ozasa at the same period"; drama Publishing, 1980
- "Drama - new school of drama was got over Takayuki Kan after the war" [the enlargement]; or social criticism company, 2003
- Minako Okamuro, Itsuki Umeyama edition "60s drama reconsideration" murmurs of a stream company, 2012
- Itsuki Umeyama "underground dramatic theory" work company, 2012
Footnote
- Reach the ^ theatrical company foundation 30th anniversary, and the second "let in folk customs or civil society shudder more!"; theatrical company-like diagonal representative Tasuku Kusakabe law of nature, Kobe-shi "other side" 2010.12.20
This article is taken from the Japanese Wikipedia Underground play
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