2016년 6월 9일 목요일

Comic song

Comic song

The comic song (comic song) is a generic name of "the music of the funny characteristic".

Table of contents

Summary

A comic song and the boundary line with other music are not clear.
The music that the music that incorporates an intention "to be ridiculous" in the lyrics and product arrangement arbitrarily, and was made announced as a musical piece serious to the last at the time of many burrs may be classified as a comic song by a reevaluation in later years. The genre extends over classical music, a folk song, an enka ballad, a popular song, a folk song, a lock, techno, Latin, many divergences including the lap. Being managed including a theme song, the advertising jingle of a song, the animated cartoon that came out of the comedy show of TV and the radio varies.

Comic band and comics singer, a comedian, the comedian including the comic story teller often sing, but musicians writing serious music usually write comic songs (e.g.,: Masashi Sada, Nobuyasu Okabayashi, Masayuki Yamamoto), and a pop music singer, a folk singer, an idol, an actor do not rarely sing a comic song. For example, music (e.g.,: Eiichi Otaki) that took in a gag and a parody by the serious music (e.g.,: Beat Takeshi "Asakusa kids"), fork or rock which a comedian sings, the comical music (e.g.,: Momoiro Clover Z) to sing of the idol may be classified in a comic song. In addition, there are many comical musical pieces and announces it in a singer and the band classified by a musician, and the fun of the musical piece attracts attention, and there is the case becoming famous (e.g.,: Southern All Stars, muscle girl Zone, SEX MACHINEGUNS).

For the musician of the overseas famous comic song, there are Spike Jonze, the the Coe Stars, lei Stevens, Cheech & jun. "The Mr. jaws" of Dickeys GOODMAN which was parody of the movie "jaws" recorded the fourth place in billboard, Hot 100 [1] and shined to a gold record.

The contents last for a thing, mimicry, a gag, nonsense, satire, a poor joke, eroticism, parody and many divergences that are ridiculous by performance method and song. It is various from the easy thing which took advantage of the fashion to a musically superior thing, a novel thing.

It diverges into many branches with the comic song in this way, but it may be said that it is "music to feel "humor" somewhere" to be common.

I refer to "the list of comic songs"

In addition, "a comic song" is Japanese English and is called ノヴェルティ song in the English zone.

History of the comic song in Japan

It can date back to a folk song in the origin of the comic song. The folk song is the song which people of Ichii are popular, and is sung in each place. The folk song changes the lyrics and goes over the area whereas a folk song adheres to the land and is informed it in the same lyrics and I am made art by a singer or the geisha that it sometimes makes a specialty of it and am prevalent. Originally a folk song had many comical things which were satire and disorder. Even if it is a folk song, as for the tanka poetry, as for the lyrics thing, there are many examples that a newer thing is made even if I do not change it.

It is sung at the place where people gather in the Meiji era by the armed forces, the district including the dormitory of a worker and the student of the factory and a parody comes to be made and spreads out nationwide before long. It wants to be quoted in "a sailor's song" of Aki Yashiro, and, "the ズンドコ knob that is covered even if it is the 21st century "Dekansho song" and "a coal mine shaft knob"," "the ダンチョネ clause" is the song which assumes a folk song the origin.

The thing which was popular in the Meiji era has a desperado enka ballad (or I cannot do so it). I say the desperado clause. It is totally different from the postwar enka ballad in the desperado enka ballad and is the song which satirized politics and social conditions keenly. It was straightness to enlighten a movement for democratic rights formerly, but a person singing humorously appears and is prevalent. It is "オッペケペー clause" of Otojirou Kawakami to be above all famous [2]. "The ヨサホイ melody" (ひとつとせ clause) that has begun to be sung in Hiroshima from 1924 was a song serious at first, but open in the whole country; hit it, and was connected with a counting song, and was done by a parody, and it was in a comic song [3]. There are "shrine shrines" (トンヤレ clause) elsewhere. The student who came out from the district to the city when it was the Taisho era came to often sing an enka ballad by a part-time job from the middle part of the Meiji and was called a Student's Air. The figure to sing an enka ballad in in a street was seen until the early days of the Showa era, but disappears as disk spreads.

When the Otojirou Kawakami company performed European and American performance in 1900, the above-mentioned "オッペケペー passage" was released with recording, an SP record in British gramophone record Corporation [4]. Because it is a record recording immediate early sound by the Japanese, this music is often defined as "the Japanese oldest comic song". In addition, Tokunaga village morning records it to the を gramophone that the parody of "the knob that is relationship worth" "is mew worth" in 1903 [5].

I receive enthusiastic support to a youth as "the song of the croquette" which is the song during the drama of the Asakusa opera in the Taisho era and the western-style comic song that a conventional Japanese popular song does not have "おてくさん" [5]. This flow leads to early Sadaichi Nimura and Kennichi Enomoto of the Showa era. In addition, remade "パイノパイノパイ" (Tokyo knob) "black passages" are created through a later variety program.

When it is the Showa period, "I make a fashion song a record", and ようになり "letting songs be popular from a record" not one, a great variety of songs are made.

Representative artist

I refer to "comic band"

Footnote

  1. ^ Music: Top 100 Songs | Billboard Hot 100 Chart | THE WEEK OF OCTOBER 11, 1975
  2. It is white line company, 2003 from "roar of laughter king 100 Enoken of Japan to the issue of roar of laughter" ^ Noboru Saijo. ISBN 4592732111。
  3. ^ Takashi Arima "parody, thought humanities study to live in the times", 2003. ISBN 4-409-54065-3。 168-182 pages
  4. ^ Otojirou Kawakami company "reviving オッペケペー" EMI music Japan, 1997
  5. ^ a b Fumio Takada, Hiroyuki Suzuki, 吉田明裕 "comic song record perfection" nights with the midnight sun bookshop, 2002. ISBN 9784893677457。

Allied item


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