宮川長哉
The ukiyoe artist who is told to have been with 宮川長哉 (unknown みやがわちょうや, the straight year of a person's death) in the Edo era.
Origin
A vermilion sentences mark stamped for "figure of relationship beautiful woman" (the paper on which a painting is painted coloration) of the Kamakura national treasure building possession is read with "宮川長哉" and, as for the author of in this way this picture, has been said with "宮川長哉", but, in fact, "哉" is the misreading of the character in "spring", and it is pointed out that, in other words, you should originally read it with "Choshun Miyagawa". There is not the signature and seal. I described "the relationship beautiful woman figure" in the left hand when the woman with the long pipe sits on relationship ahead of the building and takes a rest, and am done with a product in the days of Kyoho. It is commented that the description can ask designs drawn on the clothing about reliable ability. The woman turns to the right towards a screen, and the woman turning to the left seen in "figures of of Changchun harlot incense smelling" is composition suitable for it reversely. As for the features, the hairstyle, a work of Kyoho period of Changchun resembles a harlot described in "a harlot and the hairlessness of two people" of "shadow of the screen" and Choki Miyagawa belonging to the same school.
References
- "Ujiie ukiyoe print collection" public interest Ujiie ukiyoe print collection Foundation, 2014 ※ 107 pages
Allied item
This article is taken from the Japanese Wikipedia 宮川長哉
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