Thomas Beecham
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| Thomas Beecham Thomas Beecham | |
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| Basic information | |
| The birth | 1879April 27 The U.K.LancashireSt Helens |
| Death | March 8, 1961 (81 years old death) The U.K., London |
| Educational background | Oxford University leaving school in midcourse |
| Genre | Classical music |
| Occupation | Leader |
| Activity period | From 1899 to 1960 |
The second associate baron Sir Thomas Beecham (Sir Thomas Beecham, 2nd Baronet, CH, April 27, 1879: St Helens (Lancashire) - March 8, 1961: London) is a British leader.
Table of contents
Life
A circle true in the family who is rich as a son of a noble family of the Beecham medicine manufacture (existing: GlaxoSmithKline). I learned various musical instruments and composition from the musician who learned a piano, and came to the house and I was again by father and appreciated domestic and foreign concerts and opera presentation, but did not receive the specialized education of the music in the school after all (I learn from Moritz Moszkowski and others later again). It was a substitute of Hans Richter and commanded a fine weather orchestra through the leaders of the amateur orchestra after being on the register roll (leaving school in midcourse) for a short term in Oxford University in 1899 and gave glory to a debut as a professional leader. I am that it really rose to a podium when a musical bandman recommends it with half of the jokes because there was not a suitable substitute for another view [the source required].
Beecham cast vast property without a regret, and at first I formed a provincial tour opera group, and, after a sudden professional debut, this lasted several years. I found some independent orchestras next. In addition, I get to know Delius at this time. I rented Royal Opera House for an own pocket from 1910 and started opera presentation as oneself thought. The above was the London premiere, and the hit or miss was big, too and for loss filling ran a debt to father when worth although a substantial fruit did not become containing at all it and half exceeded it somehow. I found U.K. opera company in 1915 and was active as an opera leader for a while, but found London Philharmonic orchestra orchestra in 1932. In addition, I take office as a musical director of Royal Opera House in the same year and may devote myself to one's wished-for opera presentation again. The conduct activity in the foreign territory was made to a podium of New York Philharmonic and the Salzburg music festival (1931) the beginning from this time, too.
I was active during World War II in United States and Australia and became the regular customer of the metropolitan opera house. On the other hand, it followed that I parted with London Phil by having gone to the United States. I founded the Royal Philharmonic Orchestra newly in postwar 1946 and did great contribution over a life in the British music circles.
In 1960, I nominated Rudolf Kempe for a next top leader of royal Phil and retired virtually and died in 1961, the following day.
Repertory
Beecham is proud of a wide repertory, and it is said that the number of 69 people and the recording music counted 477 pieces as for the number of composers who took up even regular recording. Performances of Beecham always did the performance that I did lively and delighted audience very much. John Elliot Gardiner comments, "the jewels such as the ball seem to overflow as for his performance" in "art of コンタクティング".
Main repertory and recording
A place such as composer of the Romantic school including Handel and Haydn, Mozart, Berlioz and Schumann, Russian Nationalist School, Puccini, Grieg, Sibelius and Delius is the nucleus of the repertory of Beecham.
- Handel, Haydn, Mozart
"Messiah" (Eugene Goosen's version) of Handel, symphony 104th "London" of Haydn are good at a place such as symphony 38th "Prague" "The Magic Flute" of Mozart in particular and carry out the world's first recording (in 1937 the Berlin Philharmonic Orchestra) about "The Magic Flute" although going without lines. Handel commands some musical pieces by the arrangement of oneself other than "the Messiah".
- Romantic school music and French music
"Italian Harold" (a viola: William Primrose), symphony fifth, music (Schumann) of "Manfred", "Carmen" took up "Faust" from the measure including "Hoffman story" to the program which was not recorded very much now either widely. I often take up the symphony C major found Bizet. In addition, a picture of (1959) is left in the most later years commanding a ballet of "Faust".
- Delius
Beecham concluded friendship with Delius since 1907 and appreciated music full of the poetic sentiment of Delius and I played it much and fixed it to a British concert bill. In addition, among works of Delius, the result adjusted the work which was not good enough and showed so-called "Beecham revision version" to widely. Delius extremely avoided that a hand of another person entered the work of oneself, but did only Beecham with an exception because advice of Beecham was the thing which shot the mark. In addition, Beecham recollects an impression of Delius saying "it is like the cardinal". In addition, Walter leg reason was "the composer that Delius could completely assimilate Beecham by oneself".
- Russian music, Richard Strauss, Puccini, Sibelius
The main work all cuts a record about the Russian thing. Strauss was a main repertory from youth, too, and the friendship was ardent at the same time, too. Beecham prefers Puccini to Verdi, and "ボエーム" where ユッシ ビョルリング sang Rodolfo in in Mimi Victoria デ loss Ann Jeres de la Frontera is done with representative recording except "Delius" of Beecham. Sibelius is an ardent composer of the friendship, too, and Sibelius performance is said to another view in the U.K. that it is Beecham to have become the beginning to get popular.
Three major boring man
I have called so-called "three major B" (Bach, Beethoven, Brahms) of the German great composer with "the three major boring men" of the music history for maliciousness a little. However, I did not refuse it from a flower, and Beethoven often plays all symphonies and concertos and performs the recording. The second and the seventh seemed to be the 18th about the symphony, and it was 2007 again, and the ninth live recording was released by BBC (by the way, as for there not being a recording record, the fifth commands only the first and the fifth by a professional debut in this). Besides, the live recording of "mass ソレムニス" is left, and it records the drama incidental music "ruins all songs that there is not approximately of Athens" now that only "a Turkish march" and an overture are recorded. Brahms records the symphony second and a tragic overture in prewar days, too.
It was Bruckner and Mahler that Beecham had an antipathy in a true meaning [the source required].
In addition, I got into trouble with Elgar over a performance of the symphony first and after that became on very bad terms. It is said to be a cause to have trimmed a part of the work. However, Beecham was later years of oneself after Elgar death and added a work of Elgar to a repertory again.
Person
Beecham was famous for the personality full of quick wits. In addition, even the rehearsal scenery of the most later years had left to a picture exchanges a joke with a musical bandman. I never behaved to the musical bandman high-handedly. The friendship since 1910 with Richard Strauss showed an effect unexpectedly. I exerted every means and got the news and, after World War II, let a British podium stand in Strauss who was not sure whether you lived. (and as for Strauss everywhere with "the Blue Danube (composition the Johann Strauss II world Richard "that you a question is a person of composition of total stranger)"?" will be posed.)
In addition, it was Beecham to have made the opportunity when Bruno Walter made London debut and bound friendship together with the famous artist, musician of Russia such as asafoetida lev and the フョードル Shari'a pin again on Sergey day.
It is said that in a sense it was a sense of duty called "a pioneer of the music" that moved Beecham who developed large-scale activity for proud financial power and the sense that I have and prepared for from youth. I am familiar according to the said article, and, as a result, deficit, but it may be said only by the light first bill even if I make opera presentation of the 1910s if the area that still does "a performance said to that I do not generally hit it" lightly for whole year is ordinary even if it is a result ruled over in a colander sense of duty (financial power of the approximately also whole families without the bottom) [the source required]. As for Beecham, it seemed to be often considered "a branch" "heretical" from other music people concerned in fact by the British music circles although I did great contribution [the source required].
It worked with the concerto loudly and was going to attract attention, and it was known with the soloist 泣 かせの leader. It was the Tchaikovsky piano concerto first by the costarring with Vladimir Horowitz at the time of the debut in the United States of 1928, but a tempo did not fit Horowitz and I put it together in a tempo of Horowitz by the rehearsal, but commanded it by one's tempo in the public performance. In contrast, it is said that Horowitz ignores Beecham in a finale and led an orchestra by one's tempo. (Beecham commanded it by ear then, but it is said that I did not remember it very well.) [1]
The Walter leg of the music producer did Beecham and described it as "the last great eccentric whom probably the U.K. produced".
Evaluation in Japan
Beecham does not visit Japan, and his evaluation in Japan is accomplished only with a record and a picture.
Koichi Nomura close against a performance of Beecham really gives you (Koichi Nomura "record music handbook") which, "actually, is readily good at conduct 想 ふ when I differ from Wood and Ronald a little" and a good evaluation about Beecham in the U.K. However, the absolute popularity was not provided because there was marketable goods artist Walter and Weingartner and others more in Nippon Columbia which sold a record of Beecham.
The evaluation at the time of the active play was not high at all, but I enter after death for the CD period, and the performance of Beecham is reevaluated like Sir Adrian vault, Sir Malcolm Sargent, the British leader of the Sir John Barbirolli and others younger student.
References
- Kozo Asari "British last great eccentric "great masters Ongaku no tomo sha corp. whom I gave birth to who was too much endowed with talent and the property of the Thomas Beecham rest" of the classical music immortality sequel to", 1994
- Kazuhiko Utazaki "history of testimony - Japan Western music record" (prewar days edition) Ongaku no tomo sha corp., 1998
- Lucas, John "THOMAS BEECHAM: AN OBSESSION WITH MUSIC" Boydell Press, 2008 ISBN 9781843834021
Footnote
- ^ "10 size pianist Yusuke Nakagawa ISBN 9784344982284 of the 20th century"
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This article is taken from the Japanese Wikipedia Thomas Beecham
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