イグナーツ Friedman
イグナーツ Friedman (Ignaz Friedman, February 13, 1882 – ) is a composer in Polish Jewish pianists from it on January 26, 1948. I was appreciated equally as Leopold Godowsky and Moritz Rosenthal, Josef Hoffmann, ヴィルトゥオーゾ of the highest point along with Josef Lhevinne and others at the time by a pianist companion of music commentator like Harold Schonberg and Sergey Rakhmaninov and others. About the name, I may use Polish イグナツィ (Ignacy) and English イグナス (Ignace). In addition, Honna was a ザロモン (or Zorro mon), Isaac Freud man (by Solomon (Salomon) Isaac Freudman(n), Yiddish シュロイメ イツホク フレイドマン שְׁלֹמֹהיִצְחָקפֿרײדמאַן).
Table of contents
Brief career history
I am born in the home of the musician in ポドグジェ (Podgórze). I study, and a piano is accepted as a child prodigy in Krakow in boyhood by Flora グジヴィンスカ (Flora Grzywinska). After having studied under Theo Dole レシェティツキー of Hugo Riemann and the famous piano teacher, I acquired study in a master class of Ferruccio Busoni. The assistant of レシェティツキー serves, too. I mastered philosophy in Krakow University and learned composition and musicology from finish of the education [1]. I make my debut (play three piano concertos) in Vienna in 1904 and begin global activity. According to a certain count, Friedman performs concerts more than 2,800 times in total [2], and ブロニスワフ フーベルマン of the violinist and the concert of the often opened duet are included in that, too [3].
When World War II broke out, Friedman stayed in Europe, but performed a concert tour in Australia in 1940 when I escaped somehow. I settled down in Sydney and stayed in Australia to age at death afterwards without coming back in Europe. In 1943, I was forced to a retirement from performance activity because of the neuritis of the left hand. I die on "a day of 1948 in Australia".
Performance style
The performance style that is calm and composed, and does not have the settlement of Friedman is full of the senses of rhythm and the tone and overflows and is based on overwhelming art. The interpretation of Friedman was accepted by the prominent authority, and most have been discussed about the perfect interpretation of the Chopin work in particular. The ability of the performance art was impressive like Moritz Rosenthal and Leopold Godowsky, Joseph Levine. I am endowed even with variety of dynamics and アゴーギク, and there was not a thing spoiling the balance that therefore is musical. The handling of structure such as the duet of the bus often takes in the times. By a keen rhythm sense and flexible constitution power, even a short piece of music such as [Lied ohne Worte] of Mendelssohn and [mazurka] of Chopin makes, for example, it a really great one [4]. The interpretation of the mazurka of Chopin was accepted as well as a case of countryman Rosenthal of the same period among other things by many people if matchless.
In the United States of America, I might receive a lukewarm evaluation by the young commentator whom habit got close to for the modern interpretation that removed romantic interpretation of dynamics and アゴーギク later. ([5] that Sergey Rakhmaninov praised a performance of Friedman, but seemed to think, "I too play it too much towards a gallery".)
I appeared for a broadcast as well as many great pianists of the same period, but most of the sound sources are scattered and lost including collecting of the radio program of several hours in Australia and New Zealand. Still the viewpoint called the great great master pianist of the 20th century is immovable.
Inheritance
I announced 90 pieces or more along the tradition of "the pianist to compose" [3], but the short piece for pianos is important. The work of Friedman is superior to the work of other ヴィルトゥオーゾ pianists at the time, but does not colonize as a repertory in particular. For example, [music box (French: Tabatièreàmusique)] the elegant short piece for pianos such as work 33-3 is a model of the salon music in the best meaning. Furthermore, [passacaglia] add it to work 44 and an etude, a piano concerto; and as for the indoor musical piece such as a work and the piano quintet music for cellos a catch figure [6]. In addition, Friedman leaves トランスクリプション of the work of Johan ゼバスティアン Bach and Domenico Scarlatti. I revised the most of "the complete series of of ブライトコプフ ウント Teru Hel Corporation Chopin piano music" and published the work of Roberto Schumann and Franz List. It produces several important pianists, and there are イグナツ tea German and blues hanger Ford in that.
Supplementary explanation
- ^ Die Musik in Geschichte und Gegenwart. 2. Ausgabe (Personenteil).
- ^ http://www.arbiterrecords.com/musicresourcecenter/friedman.html. 24. Dezember 2006.
- ^ a b The New Grove Dictionary of Music and Musicians. London 1980.
- ^ Harold C. Schonberg: Die großen Pianisten. Bern/München/Wien 1965.
- Though "Horowitz respected Friedman Horowitz and the evening that I spent, ^ David Dubal, might make such a remark out of jealousy."
- ^ Die Musik in Geschichte und Gegenwart. 1. Ausgabe (Supplement).
References
- Allan Evans. Ignaz Friedman: Romantic Master Pianist. Bloomington, Indiana University Press, 2009.
Outside link
- Score of Ignaz Friedman - International score library project。 I can obtain it as PDF free.
- At the Piano with Ignaz Friedman
- Friedman's concert programs
- BosendorferImperial.com - site about the Imperial piano with complete audio files including "Viennese Waltz, #2" from a set of six waltzes written by Friedman, played by Victor Borge
Sound source
- Ignaz Friedman plays Beethoven Sonata No. 14, op.27. no.2 (II)
- Ignaz Friedman plays Hummel Rondo favori in E Flat, Op. 11
- Weber's Invitation to the Dance (Ignaz Friedman)
- Ignaz Friedman plays Mendelssohn 3 Songs without Words
- Chopin Etude Op.25 No. 9 Butterfly Friedman Rec.1928
- Ignaz Friedman plays Chopin Mazurka & Berceuse
- Paganini/Liszt/Busoni/Friedman La Campanella
- Ignaz Friedman - Gärtner Waltz (Duo-Art) (audio of the self-replication piano)
This article is taken from the Japanese Wikipedia イグナーツ Friedman
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