2016년 7월 10일 일요일

Yuriko Hanabusa

Yuriko Hanabusa

Hanabusa Yuriko
Yuriko Hanabusa
Yuriko Hanabusa
The real name Hemi / Nakamoto shoulder-worn robe child (do not pass see it, and come this morning) [1]
The date of birth 1900March 7
Date of death February 7, 1970 (69 years old death)
Birthplace Japanese flag Japan・HiroshimaKure-shiYoshiura-cho
Occupation Actress
Genre Opera、Film drama（Historical drama・Modern drama、Silent film・Torquay）、Telecine
Activity period From 1920 to 1970
Spouse Eijiro Yanagi
Eiji Nakano
Well-known family Yuriko Nagai
Takeshi Hasebe
Indication

Yuriko Hanabusa (Hanabusa Yuriko, from March 7, 1900 to February 7, 1970) is a Japanese actress. Yoshiuracho, Kure-shi, Hiroshima native place [1] [2]. I am said to be a first Japanese full-scale screen actress [3]. Yuriko Nagai of the same actress daughter with Eijiro Yanagi, Takeshi Hasebe of the actor a son [4] with Eiji Nakano.

Table of contents

Career

I follow the itinerant entertainer who came to the drama ground in Yoshiura-cho (Yoshiura seat) and, in 1915, run away at the age of a Kure City girls' high school (existing Hiroshima Prefectural Kure three Tsuda Senior High School) third grader. I quit のち girls' school [1]. I participate in "the Tokyo girl opera company" which Yasuyoshi Suzuki started in Asakusa in 1917 with Hisako Ichijo and others [5]. I enter 1920 年国際活映, but when Kaoru Osanai established Shochiku cinema research institute in October of the year, I am invited and participate afterwards [6]. Osanai started upbringing of the first Japanese full-scale actress [3], but played the leading part in the part of daughter of the villa in "the soul of the street" who produced it as the first product [3]; [6]. Performed the visual imitation of the Hollywood actress represented by British は Mary Pickford at the time consciously [7]; [8]. Even if "butter is stinking in those days," the performance was made fun of, but it is said to be it when the performance of the Japanese movie star finally escapes from a tradition with the thing which an expression is rich in like an American actress to here, and a performance of the U.K. changes from the performance of "the model" to the performance of the natural "expression" [8]. Enter Shochiku Kamata studio afterwards; in 1922 to "do it to be scattered flower" the lead [6]. In one of the modern girls who went the with-it-ness, I was good at the part of daughter and the part of seductive woman who ensnares men in those days [1]. I married Nikkatsu star Eiji Nakano who was 4 years old that was the same town younger in 1927 and got a boy in 1928 [4]. In 1927, I am invited to the association of 阪妻, Tachibana, universal movie, and "a blue moth" plays the leading part in "a beautiful conjurer" [1]. "The trifle" of 1929 when I acted earnestly became the cinema ten-day report best ten second place and assumed madness a masterpiece in the part of mother of Nakano [4]. Same year Eiji Nakano and a divorce. I wander Nikkatsu, the companies including Teikoku Kinema Engei Co., Ltd. from place to place, and it is entered the company afterwards in 1933 by PCL. Of "a wife rose のやうに" of 1934 the mistress role of mother was chosen as the cinema ten-day report best ten first place, too, and did this with a masterpiece [4]. Because it was impossible for the star who already became a heroine in terms of age in the silent film heyday, I played an active part as a good supporting actor until postwar period [9]. I often acted as the part of mother of Setsuko Hara who should say the actress second generation by a blunder [3] from "music of mother" of 1937 to "sky of the decisive battle" of 1943 [3]. Was said to be first Japanese "tear-jerking story dealing with maternal affection" actress, "role of an old man" actress [4], and appeared for the movie of the companies in the part of mother and the role of an old man after the war [1]; [10]. Well-known Aiko Mimasu has the viewpoint that I made British を role model by a tear-jerking story dealing with maternal affection movie [4].

Only as for two or three times of lives, it is told Yoshiuracho, Kure-shi that is a hometown not to return home [11].

Appearance work

Footnote

  1. ^ a b c d e f # size all sorts of subjectPage 294
  2. ^ Hiroshima excellent hearsay (public information magazine "very Hiroshima" October, 1995 issue) - Hiroshima (July 30, 2009 reading)
  3. ^ a b c d e # Shihoden24, page 347
  4. ^ a b c d e f 126-127 pages of movie consideration (movie drama and motherly VI) Teikyo University Kiseko Minaguchi of mother
  5. For ^ Kaoru Furukawa "longing for home legend" Bungeishunju Ltd., 2,006 years, it is page 138
  6. ^ a b c # actress edition522-523 pages
  7. For ^ Mitsuyo Wada マルシアーノ "Japan modern Japanese movie 1920.30s" Nagoya University publication society, 2,009 years, it is 125-126 pages
  8. ^ a b It is 183 pages of - Waseda University theater museum Tadashi Taniguchi branches from the performance of change - model that is in a performance form in the Japanese movie of the initial times to the performance of the expression
  9. For ^ Tadao Sato, Chieo Yoshida "history of Japanese screen actress" (film art theater), Haga Bookstore, 1,975 years, it is page 261
  10. 138 pages of ^ # actress edition
  11. ^ Shintaku Shunzo "a chronological table oldness and now and the bygone days of Yoshiura to read" (quote it than page 120)
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References

Outside link

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