The winding opening of The Tale of Genji

The Tale of Genji > The winding opening of The Tale of Genji

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帖	The name	帖	The name
54 quires of The Tale of Genji
1	Paulownia pot	28	For a field
2	Goosefoot	29	Royal visit
3	Cicada	30	Thoroughwort
4	Bottle gourd	31	Pillar made of a podocarp
5	Light purple	32	Plum branch
6	End picking flowers	33	wisteria back leaf
7	I turn red and congratulate it	34	Wakana
8	Flower party	35	Kashiwagi
9	Aoi	36	Flute
10	賢木	37	Bell cricket
11	花散里	38	Evening fog
12	Suma	39	Teachings of Buddhism
13	Akashi	40	Illusion
14	Channel marks	41	雲隠
15	Land overrun by weeds	42	Smell shrine
16	Sekiya	43	Japanese apricot with red blossoms
17	Picture contest	44	Bamboo river
18	Sound of boiling water in a teakettle	45	Bridge-guardian goddess
19	Feathery stratus	46	Shiinomoto
20	Morning glory	47	Boy
21	Girl	48	Fresh bracken
22	Buddhist angel's hair decorations	49	Parasitic plant
23	Hatsune	50	Arbor
24	Butterfly	51	Floating boat
25	Firefly	52	Dragonfly
26	Everlasting summer	53	Calligraphy
27	Bonfire	54	Transience of this world

I describe (arrangement of the scroll) in this clause in the winding opening of The Tale of Genji. Is related; and of the winding of The Tale of Genji distribute it, and explain the one.

Summary

The Tale of Genji is comprised of 54 volumes altogether now. They are displayed according to it with decided winding opening (arrangement), and it is said that I read. However, the current winding opening is not thought about from a point in time when The Tale of Genji was established because various winding opening is considered to have existed a summary book, an old genealogy an Old explanatory note of The Tale of Genji historically by various records including the winding name record to have been the much more same.

In "a dynasty story" made in the Heian era including The Tale of Genji and the "imitation of classical styles story to descend," some long piece stories to be comprised of plural winding exist, but, as for most, each winding merely has only a number in the winding opening such as "winding of one winding "・" two" like a low floor story, Hamamatsu vice-minister of the Cabinet under the ritsuryo system story, awaking fretful at midnight, a dress story, Sumiyoshi story, a princess, the paths of authority of ひ story of the dream to trace it in our body, an image of a pine reflected in the water vice-minister of the Cabinet under the ritsuryo system story, a love refined general. In contrast, the winding name that is inherent to each winding is acquired in The Tale of Genji, and the number in the winding opening is not referred to the biography book in the old times. It is clear what kind of reason such a difference occurred because of, and there is not it. In addition, a number of the winding opening is referred to the biography book in うつほ story with a winding name, but a problem in the winding opening when it is complicated in The Tale of Genji likewise exists because it is not thought that these just reflect a thing at the time of the story establishment because the winding name every biography book and the difference in the winding opening are intense again whether, ugh, one of the Edo era is auspicious decoration for gifts as for the biography book for the whole volume of the pot story. In addition, the power and fortune story is also one of a few stories to have a winding name for each winding, but numbers in the winding opening are usually referred to the biography book of this power and fortune story with a winding name, and the problem in the winding opening does not produce it from contents because the power and fortune story is historical novel again (story-like history book) because context of winding is apparent.

As for the justified winding opening that an author established it or was common to many readers existing, it was thought with a matter of course that did not need to argue once. For example, The Tale of Genji was concluded, and this was in the interval as grounds in there being a description such as "than one winding" in Sarashina diary written at few time. For example, Keiji Inaga states, "the winding name of The Tale of Genji would be touched by an author" as "I judged it based on a winding name which winding the reader at the time should read after which winding, and is there not it?." assuming "the right winding opening" when an author established it in a discussion whether a winding name was added to by an author existing [¹].

On the other hand, only a winding name of the winding was written in the manuscript from Kamakura era to the Muromachi era, and it was a normal figure that the title of the whole story "The Tale of Genji" was not written down in the winding opening whether was the winding that the winding should read when either. As for the concept called "the right winding opening" that you should read which winding after which winding that was common to a reader in original The Tale of Genji that in the first place such a fact was written for the cause (or including an author), the viewpoint that might not exist is started [²].

Current winding opening

Be arranged in a straight line as follows, and, as for The Tale of Genji, 54 tatami is generally assumed a thing to read according to the winding opening (I appreciate) now. The publication of a biography book and the living language reason is made by this order, too.

General winding opening before modern times

I refer to "the winding of winding, the row of the book"

When I set winding in commentary, summary book, winding name records of The Tale of Genji before modern times, all winding was connected by the expression "that winding and the different winding that there was often not what could be arranged in a straight line simply, and waved a number loaded "・" "・" depths to put together to line up" with like the present and "it was two-dimensional" for the whole or were located in "a double track mark" and the form that I could call. In addition, I do not agree with the overall reel number and the number in the biggest winding opening to take the form "not to wave a number to the winding of the row" when I number winding names. In addition, some winding may be called by a name (as for this name, the technical term "nickname" may be used, but this is a name meaning, "it is the name that is different when I compared it with the name that is generally used now" to the last and exists when it is past, and a current "nickname" is considered to have been a more general name like "the smell head of an office in charge of military affairs" for "a smell shrine".) different from the present.

I show below the general winding opening before modern times. The parenthesis is a nickname of the winding name, but is not simple. Specifically, I refer to an article of each winding.

	Winding of the book	Winding of the row	Remarks
11	Paulownia pot (the judgment, shrine of the day to shine in front of a pot)		There are the winding that is different from the paulownia pot and the document to do about the judgment in front of a pot and the shrine of the day to shine.
22	Goosefoot	Cicada, bottle gourd
33	Light purple	End picking flowers
44	I turn red and congratulate it
55	Flower party
66	Aoi
77	賢木 (a pine Urashima)
88	花散里
99	Suma
10	Akashi (going along the seashore)
11	Channel marks	Land overrun by weeds, Sekiya
12	Picture contest
13	Sound of boiling water in a teakettle
14	Feathery stratus
15	Morning glory
16	Girl (light ^[3])
17	Buddhist angel's hair decorations	Hatsune、Butterfly、Firefly、Everlasting summer、Bonfire、For a field、Royal visit、Thoroughwort、Pillar made of a podocarp
18	Plum branch
19	wisteria back leaf
20	In Wakana (box bird)	Wakana bottom (wigs)	Wakana does not divide it into two top and bottom with the winding name record of the old times, and there are more in total one and counted things
21	Kashiwagi
22	Flute	Bell cricket
23	Evening fog
24	Teachings of Buddhism
25	Illusion
26	雲隠		The text does not perform existing in a legend, but only a winding name may be often mentioned
27	Smell shrine (smell head of an office in charge of military affairs, 薫大将, 薫中将)	Japanese apricot with red blossoms, bamboo river
28	Bridge-guardian goddess (layman)
29	Shiinomoto
30	Boy
31	Fresh bracken
32	Parasitic plant (貌鳥)		There are the winding that is different from the parasitic plant and the document to do about 貌鳥.
33	Arbor (narrow straw mat)		There are the winding that is different from the arbor and the document to do about the narrow straw mat.
34	Floating boat
35	Dragonfly
36	Calligraphy
37	Transience of this world (teacher of the law)		There are the winding that is different from the transience of this world and the document to do about the teacher of the law.

While, about so-called "Uji 10 tatami from a bridge-guardian goddess to transience of this world," there is the document of the form that arrangement similar to other winding is listed in,

I write 9 tatami less than Shiinomoto like the winding on the same side of the bridge-guardian goddess.
I give up a number to begin some other time from "1, Uji" in ten quires of Uji (白造紙).
I write the whole ten quires of Uji as if it is "Uji" and 1 tatami and write a winding name of each ten quires of Uji winding in the bottom (original Kamoto The Tale of Genji genealogies).

The document adding an explanatory note, "there is the few thing" in these ten quires of Uji to exists unless といった example is seen.

Furthermore, there is often the thing which "a skylark child" writes down the winding name that "cherry blossom viewing" is not seen in to current 54 tatami such as "the dew of Yamaji" "cherry blossom viewing" "a difference comb" "an unhatched egg left in the nest" "a narrow straw mat" "a cherry tree person" "a teacher of the law" in after transience of this world "Sagano" "Yabase" "the shrine of the day to shine".

Existence of the current winding opening and the different winding opening

A description considered to be based on the winding opening unlike the current winding opening is often seen in a commentary or the winding name record of the old times.

Winding opening of the The Tale of Genji picture scroll

With the theory of Terukazu Akiyama who "the The Tale of Genji picture scroll" considered to have been produced in last years of Heian era was separated every Kazuha now and was dispersed to Tokugawa Art Museum of Nagoya-shi, Goto art museum of Setagaya -ku, Tokyo, several places including the Tokyo National Museum and was possessed, but did the way of connecting of called bamboo river → bridge-guardian goddess who originally was different from the current winding opening [⁴].

Winding opening of 源氏釈

Establishment time is the oldest as a commentary of The Tale of Genji, and the winding opening by "beginning 源氏釈 (former Tamoto) turned on of the explanatory note" has the following characteristics [⁵].

I give a winding name of the winding not to exist named "a cherry tree person" after last "槇柱" on the same side of Buddhist angel's hair decorations and add an explanatory note saying "there should be it next to a firefly".
The back of "廿五幻" becomes "廿七匂兵部卿" immediately and becomes "the missing number" without "廿六" where there should be 雲隠 existing.
I make "a boy" winding on the same side of "Shiinomoto".
"37" appears, and, as winding to continue after "36 transience of this world", "it includes only a winding name winding named auspicious decoration for gifts".

Winding opening of the appendix

With descriptions following to an appendix about the winding opening [⁶].

There is a nickname called "pot Senzai" for winding called a paulownia pot, and a thing equivalent to a current "paulownia pot" records that there was "或本" divided into "pot Senzai" and two winding called "a paulownia pot" now.
"There is no this firewood" (第一次奧入) or "there is no this firewood from the start" and adds (第二次奧入) and an explanatory note after having written down the name named "the shrine of the day to shine" between a paulownia pot and a goosefoot.

Winding opening of 河海抄

In 河海抄 which is a commentary written early in the Muromachi era by Yoshinari Yotsutsuji, a possession book of Koreyuki Fujiwara is so form, but conveys that "Sekiya → land overrun by weeds" where is reverse to now general "land overrun by weeds → Sekiya" and form to say existed about context with land overrun by weeds winding and the Sekiya winding.

Winding opening of 耕雲本

It is the combination book including a Blue Picture Book for children book and the other book to while being based on Kawachi book, and, in "耕雲本 which is the text of The Tale of Genji fixed in the middle of Muromachi era by Nagachika Kazannin," as for text in itself, there is not the thing that it is different from the normal winding opening of the act at all in the winding opening. However, 跋歌 by 耕雲 is written down in the end of a volume of each winding as the characteristic, and 耕雲本 indicates the original winding opening there; following; is characteristic.

"A goosefoot" does not have 跋歌.
"Wakana bottom" does not have 跋歌.
跋歌 of "雲隠" is written down in the end of a volume of the "illusion" winding after 跋歌 of the illusion winding.
跋歌 of "貌鳥" is written down in the end of a volume of the "parasitic plant" winding after 跋歌 of the parasitic plant.
跋歌 of "the teacher of the law" is written down in the end of a volume of the "transience of this world" winding after 跋歌 of the transience of this world.

Of these, I often appear about handling of Wakana second volume and 雲隠 in the winding opening of the old times, but it is in one of the grounds of the opinion "that the part is winding called 貌鳥 where is different from the parasitic plant once in the latter half of the parasitic plant winding, and the part was winding called the teachers of the law that is different from the transience of this world in the latter half of the transience of this world winding" by Naohiko Teramoto although there are not many examples about a teacher of 貌鳥 and the law [⁷].

Winding opening of the Hikaru Genji winding excellent poem

室町時代の連歌師であり尼僧である祐倫によって1449年に著された「山頂湖面抄」など幾つかの注釈書に収められている藤原定家作と伝えられる（但し定家の真作ではなく後世の誰かが定家に仮託したものであろうと考えられている）源氏物語巻名歌の一つ「光源氏巻名歌」では、蓬生巻と関屋巻との前後関係が、現在一般的な「蓬生→関屋」とは逆の、「関屋→蓬生」になっている^[8]。

『源氏六十三首之歌』の巻序

源氏物語の巻名を歌に詠み込んでいった源氏物語巻名歌の一つである『源氏六十三首之歌』では、

現存する写本では本文中に並べられている巻名を読み込んだ歌は題名より一つ少ない六十二首であるものの、題名による限り源氏物語が63の巻から構成されていることを前提にしていると見られる。
桐壺から夢浮橋までの巻の並べ方については竹河と紅梅の並べ方が逆になっていることを除けば特に現在一般的な巻序と変わりはないものの、夢浮橋以降に狭筵・巣守・八橋・花見・嵯峨野といった外伝的な巻名を数多く含んでいる。
外伝的な巻名の並びの最後に山路の露と見られる名称を源氏物語の中の巻名として含んでいる。

といった他の文献に例を見ない特徴をいくつも持っている^[9]。

その他

源氏物語の本文自体（それぞれの巻で初めて登場する人物の表記など）や源氏物語古系図の人物表記などの分析から、源氏物語の第三部について以下のような巻序を前提とした記述が見られるとする長谷川佳男の説がある^[10]^[11]。

Smell shrine
大姫物語（宇治十帖の前半・橋姫から早蕨まで）
Japanese apricot with red blossoms
Bamboo river
浮舟物語（宇治十帖の後半・宿木から夢浮橋まで）

参考文献

今西祐一郎・室伏信助監修加藤昌嘉・中川照将編集『テーマで読む源氏物語論第4巻紫上系と玉鬘系－成立論のゆくえ－』勉誠出版、2010年（平成22年）6月。 ISBN 978-4-5852-9006-3
三谷邦明「巻名」『源氏物語事典』林田孝和・竹内正彦・針本正行ほか編、大和書房、2002年（平成14年）、p. 138 ISBN 4-4798-4060-5

脚注

^ 稲賀敬二「源氏目録の誕生と固定化」『源氏物語の研究 -成立と伝流-』笠間書院、1967年（昭和42年）9月、pp. 23-26。
^ 加藤昌嘉・中川照将「"『源氏物語』はどのように出来たのか?"を考えるために」今西祐一郎・室伏信助監修加藤昌嘉・中川照将編集『テーマで読む源氏物語論第4巻紫上系と玉鬘系－成立論のゆくえ－』勉誠出版、2010年（平成22年）6月、pp. 1-24。 ISBN 978-4-5852-9006-3
^ 源氏物語願文など
^ 秋山光和「源氏物語の構成と技法　画面相互の比較」『平安時代世俗画の研究』吉川弘文館、1964年（昭和39年）3月、pp. 245-248。 ISBN 4-642-07903-3
^ 池田亀鑑『源氏物語大成第十三冊資料篇』中央公論社、1985年（昭和60年）10月、pp. 1-59。
^ 池田亀鑑『源氏物語大成第十三冊資料篇』中央公論社、1985年（昭和60年）10月、pp. 61-133。
^ 寺本直彦「源氏物語目録をめぐって－異名と并び－」『文学・語学』通号第82号、1978年（昭和53年）6月、pp. 12-25。のち『源氏物語受容史論考続編』風間書房、1984年（昭和59年）1月、pp. 645-681。 ISBN 978-4-7599-0598-4
^ 寺本直彦「光源氏巻名歌について」『源氏物語受容史論考正編』風間書房、1970年（昭和45年）5月、pp. 419ｰ449。 ISBN 978-4-7599-0346-1
^ 今井源衛「『源氏のゆふだすき』と『源氏六十三首之歌』」『語文研究』第25号、九州大学国語国文学会、1973年（昭和48年）3月号。　のち『王朝文学の研究』（角川書店、1970年（昭和45年）および『今井源衛著作集 4 源氏物語文献考』2003年（平成15年）9月、pp. 302-313。 ISBN 4-305-60083-8
^ 長谷川佳男「源氏物語本文考 -続編巻序について-」伊井春樹監修加藤昌嘉編集『講座源氏物語研究第8巻源氏物語のことばと表現』おうふう、2007年（平成19年）4月、pp. 171-230。 ISBN 978-4-273-03458-0
^ 長谷川佳男「源氏物語本文考 -続編巻序について 2-」森一郎・岩佐美代子・坂本共展編『源氏物語の展望第7輯』三弥井書店、2010年（平成22年）3月、pp. 142-205。 ISBN 978-4-8382-3193-5

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2016년 7월 6일 수요일