2016년 7월 13일 수요일

Haruo Nakajima

Haruo Nakajima

Nakajima spring
Haruo Nakajima
Haruo Nakajima
The date of birth 1929January 1(87 years old)
Birthplace Japanese flag Japan YamagataSakata-shi
Race Japanese
Height 168cm
Occupation Actor, suit actor
Genre Special effects
Activity period From 1950 to 1973
Main work
Godzilla (1954) others
Indication

Haruo Nakajima (Nakajima spring January 1, 1929 -) is a Japanese former actor, a suit actor, a stunt man. The nickname is spring. A hobby, the special ability is swimming, diving, scuba diving, judo.

Table of contents

Origin

YamagataSakata-shiA native place. The parents' house was the third son of five brothers at a butcher shop. I was good at swimming, diving without diving equipment, and this was helpful in the part of のちの Godzilla very much [1]. I cannot inherit the business in third son Bo and move to Yokosuka after elementary school graduation.

I enter the training school of the navy aerodromics depot of Yokosuka at (1943), 14 years old in 1943 [2]. I become a member of training (予科錬) and become the departure and arrival machine part (catapult charge) assignment. As well as Eiji Tsuburaya and Sadamasa Arikawa, it was pilot choice.

1945 (1945), 16 years old. It becomes the defeat and comes back to the parents' house. An older brother in succession to business has not yet returned home and helps with a butcher shop for one year.

1946 (1946), 17 years old. Because an older brother returned home, by the introduction of the co-worker of 予科錬, I become the driver of the supplies transportation truck of the Operation Army in Misawa airport [3].

1947 (1947), 18 years old. The work of the Operation Army moves to Yokohama, but is discharged from the occupation army after excessive speed drives a truck, and I was detained by a prison. I apply for the actor training school called "a movie star school" to see a newspaper ad and come to go in and out of movie studios such as Toho or new Toho.

1949 (1949), 20 years old. I appeared for a movie in Manager Akira Kurosawa work "wild dogs" for the first time, but became the initial work of the illusion because all the appearance scenes had been cut by editing.

1950 (1950), 21 years old. It is entered the company by the invitation from the lecturer of the actor school by Toho. A classmate has Shoichi Hirose, Tetsuro Tanba, Miyuki Takakura and others. I become so-called "large room actor" who is not accompanied by the position. In Toho at the time, wage nonpayment becomes common, and it is said that it was an unstable situation while I level the savings of the driver era. From such situation, I join the association and join the labor dispute of the movie world.

I play a fire stunt that I set fire to a body with the air raider aviation military service in "eagles of the Pacific" for the first time in Japan in (1953), a 24-year-old occasion in 1953 [4]. Japan did not yet have the occupation called the stunt man and was called "dubbing" in those days. At this time, I handle many dubbing.

1954 (1954), 25 years old. In first Japanese special effects monster movie "Godzilla," I act as Nakajima reason "stuffed toy actor" (suit actor) of the large monster Godzilla of the leading role ([5] that Nakajima recollects when it is with an opportunity about this appointment to have been praised by Ishiro Honda of the supervision to see the above-mentioned fire stunt). For 18 years, it becomes famous for the Godzilla series as "the Godzilla actor" who played Godzilla afterward. In addition, even a monster movie except the Godzilla plays the part of monster of the leading role.

1956 (1956), 27 years old. I play the part of radon with "empty large monster radon" and play a first Japanese full-scale wire action [4].

1965 (1965), 36 years old. With Matsuya department store as a start, a campaign provincial tour that they wear the Godzilla of "the genuine article" for the photography begins, and, after a "three biggest monster earth's greatest decisive battle" exhibition, Osaka or Nagoya demonstrate the Godzilla in each city.

Direct, it is called out to by Manager Eiji Tsuburaya saying "help me a little because you do Bo, TV program in spring" and, in the same year, plays monster "Gomez" position in Tsuburaya production's first TV special effects work "ultra Q" [6]. "An ultra man" was a monster position in "ultra seven" and I appeared and performed the fight instruction of the monster show afterward [6].

1971 (1971), 42 years old. Contracted contract cancellation is announced by Toho and works for bowling alley [7] [note 1] of the Toho management of the Toho studio side afterwards.

1972 (1972), 43 years old. I receive an earnest wish from the special effects staff and play Godzilla for "the earth attack order Godzilla vs. a fellow cancer". I retire myself from the actor including the sewing of the Godzilla with this work last. I acted as bowling alley closedown ののちは, the manager of the mahjong shop of the Toho management. Other than a mahjong shop, there was the time when I worked in Toho Kyoei Kigyo and Toho Sunday carpentry center.

I win an honor prize citizen's than (2011), United States of America Los Angeles City in 2011 [8].

I win "the first Sakata oldness and honor prize" (2012) from Sakata-shi that is hometown in November in 2012 [9].

I it as a Godzilla actor

Tell that is that 10 meters were able to walk Nakajima (Tezuka tripped on the set of the Diet building after around 3 meters walked, and fell down) when walk in a Godzilla suit with Katsumi Tezuka of the senior actor, and the process that would play Godzilla tests it [10]; [note 2]. In addition, I tell that this will be because Eiji Tsuburaya kept the fire stunt in "eagles of the Pacific" in a heart. That, as for nearly 150 kilos, there is a finished stuffed toy first, and the Godzilla of 1 item of 1954 was not able to virtually stand up by oneself if fall down once, but to be "鍛 えられてますからね, that there was not the thing how particularly in the armed forces"; the dialect of the person.

I was worried about whether it showed it realistically on playing first Japanese large monster Godzilla if I made what kind of move. I was shown in reference to a film of "the King cong" from Manager Tsuburaya, but I could not yet get an image clearly and stayed overnight to the relative who ran the public bath for approximately ten days and I visited Ueno Zoo daily and studied animal movement. "The monkey did not serve as a reference, but the elephant and the bear seemed to serve as a reference very much". It is said that movement of the Nakajima-like Godzilla is "to walk to kick up a tiptoe without opening the side, and not to show a sole". In addition, it was usual that I bound a head with the headband of the spotted pattern of the stopping up the flow of sweat by all means when I entered the monster.

It was a stuffed toy of Eizo Kaimai of the molding engineer and the above-mentioned Tezuka and others and the Godzilla included alternately at first, but it was the custom tailoring specifications that I completely put together in a build of Nakajima by a demand of Nakajima which thought about a fight from "the counterattack of the Godzilla" with the fight scene with the enemy monster. Therefore, Nakajima plays the the rasas which appeared to Gomez and "the ultra man" who remodel the Godzilla, and appeared in "ultra Q".

I went in and out of 特美課 where there were staff who made a monster all the time and changed an opinion each other. I bought liquor and horseflesh 3 kilos of the sho bottle well and treated you to roasted meat to thank Teizo Toshimitsu and the molding staff who worked overtime for the service after daytime photography was over. It seemed to be the secret of the physical condition maintenance to exchange liquor with them.

When new Godzilla was made, I tried this on and rolled over and tore the part of the side and the crotch, and I let you sew "a gusset" (patch cloth) there, and Nakajima was easy to move by all means. In addition, it is invention of Nakajima to have let you put a wooden heel part in a heel. It is said that I came to cut a dragonfly by putting this heel part. I think out the skill to move a tail of the Godzilla by the twist of the waist and comment saying it is saying it "is only me that can move the tail of the monster from the inside". I sat on this battery part with entering the stuffed toy when it had the automotive battery for the head gimmick built-in and was getting used to the root of the tail of the Godzilla and was able to doze off during waiting time [11].

Was called "spring Bo" from Manager Tsuburaya [10] and was loved [note 3]. The fight between monsters made arrangements with a co-star, and Nakajima thought about a fight, but Tsuburaya put trust of the overall width in Nakajima and left all it in silence and did not seem to interfere at all. There was the daring scene that I carried Godzilla on my back and threw it, and cong did in "the King Kong vs. Godzilla", but this made arrangements with Shoichi Hirose of the part of cong and performed it in improvising.

There were not many [2], height for the judo with two steps of skill, but was the prosperous build of the inverse triangle. There was a training room in Toho at the time and always trained bodies with barbells with Hirose and others here and comprised it for the photography [13]. It is said that the monster left in the impression other than Godzilla is ガイラ of "monster Sanda of Frankenstein vs. ガイラ". The model of the face of Nakajima is taken for the first time, and the face of the monster is made with this monster.

To the TV monsters which overflowed later, it presented frank advice saying "it was said that movement was like a gang, or it could not be said with the movement of the monster, and that is merely only light after a light car". "The stuffed toy" of the monster must be heavy and is a claim that it is an original monster performance it seems to be light, and to play a heavy monster.

While I photographed one of them, the stuffed toy of the Godzilla crumbled in an intense fight of Nakajima and remade it every new work. I tell, it "is evidence lacking a fight that Godzilla of the Heisei is recycled many times".

I intended to play Godzilla until 50 years old, but am shocked by death of Eiji Tsuburaya "is the Godzilla an end?" [7]. After being persuaded [the source required], and having played Godzilla with "the Godzilla vs. ヘドラ" and 2 products of "the earth attack order Godzilla vs. fellow cancer" produced after death of Tsuburaya saying "there is not a person from 演 れる in Godzilla other than spring" to the special effects staff, I get out of the work as the suit actor. Did not intend to already play a monster at all partly because lost interest in the part of monster, and got laid off in Toho [14]; [the source required].

Episode

As stated above, there are many bit parts without the name such as "a member of search party" or "windshield-washer" because I handled work as an actor (as for the official name of the contract B2) of the large room in Toho when I appear with the real face.

After the head which mechanic was trained to do being the heaviest as for the stuffed toy of the Godzilla, and having jumped by the photography of the scene that jumped into the sea, it seemed to be in the posture that stood on hand in water, and Nakajima stopped breath with this posture until the staff came to the help with the signal of the cut without moving still and seemed to be waiting for help [15]. In the scene that fell into the sea with grappling with cong at the last of "the King Kong vs. the Godzilla", I fainted by the force of the fall and a little more was going to be drowned. In addition, while waited in the scene that broke off Saikai Bridge of "empty large monster radon", every stuffed toy seems to have dropped the pulley to use to hang it of the stuffed toy in a loser, the pool under several meters (it is said that there was not the injury miraculously); [16].

The diving without diving equipment of the special ability grew and acquired a license of the scuba diving. It was the same in spare time and, with licensed Manager Yoshimitsu Sakano and others, drew the Sadamasa Arikawa and 富岡素敬 and others photography staff and told the scuba.

The popularity as the Godzilla actor is global and is got close by a nickname with "Mr. Godzilla" abroad [4]. In late years the lecture request by fan events of the United States seemed to build a house for the stage money that I saved incessantly mainly.

After "counterattack of the King Kong," the part of King Kong included an offer in unprecedented guarantee from Hollywood. Nakajima was positive very much, but "any said, a product was turned down flatly with reserve えてんだぞ on the next time" and gave it up to Manager Tsuburaya when I could perform at the home [17].

I was invited to Yokosuka base screening party of all rice released "GODZILLA Godzilla" (I release it on July 25 in Japan) on May 16, 2014 and performed a fan and taking a ceremonial photograph [18].

Appearance work

Movie

テレビ

DVD

中島春雄を演じた俳優

  • 毒蝮三太夫 - 「ジュニア文化シリーズ ゴジラ誕生 〜人間の記録・円谷英二〜」（NHK教育、1980年）

著書

  • 『怪獣人生 元祖ゴジラ俳優・中島春雄』（洋泉社、2010年） ISBN 9784862485892
    • 『怪獣人生 元祖ゴジラ俳優・中島春雄』（洋泉社〈新書y〉、2014年） ISBN 9784800304612 ※上記の加筆修正版

脚注

注釈

  1. ^ ゴジラやミニチュアなど造形物を作ってきた特殊美術課の建物を取り壊した跡に建てられた。
  2. ^ 手塚は『キングコング対ゴジラ』ではゴジラを部分的に演じ、またその後も中島の補助役として現場に参加している。
  3. ^ 自著の中では「春ちゃん」と呼ばれていたと語っている[12]。

出典

  1. ^ 中島春雄 2010, p. 54.
  2. ^ a b 中島春雄 2010, p. 72.
  3. ^ 中島春雄 2010, p. 83.
  4. ^ a b c 壬生智裕 (2009年10月18日). "今年で80歳、初代ゴジラの中島氏に独占インタビュー！日本初のワイヤーアクションを経験した生きる伝説". シネマトゥデイ. 2014年1月21日閲覧。
  5. ^ "中島春雄：ゴジラ着ぐるみ俳優". MY J:COM. 2016年2月21日閲覧。
  6. ^ a b c d e f ウルトラセブン研究読本 2012 pp.305 - 306 「ウルトラセブンコメント集」。
  7. ^ a b 朝日新聞 土曜版 2014年1月11日 映画の旅人 ゴジラ - 朝日新聞社
  8. ^ 昭和史再訪セレクション Vol.120 ゴジラ誕生 - 朝日新聞 2011年10月29日夕刊（朝日新聞社）
  9. ^ 「平成24年度の各表彰が決まりました (PDF) 」 、『酒田市広報「私の街さかた」』2012年11月1日、 7頁、2015年11月1日閲覧。
  10. ^ a b 中山治美 (2009年10月13日). "日本初の特撮怪獣映画『ゴジラ』でゴジラだった俳優登場！抜擢の理由は10メートル歩けたから". シネマトゥデイ. 2014年1月21日閲覧。
  11. ^ 中島春雄 2010, p. 146.
  12. ^ 中島春雄 2010, p. 102.
  13. ^ 中島春雄 2010, p. 119.
  14. ^ 俳優そのものは続けたかったそうである。
  15. ^ 中島春雄 2010, p. 125.
  16. ^ 中島春雄 2010, p. 200.
  17. ^ 中島春雄 2010, pp. 241 - 242.
  18. ^ "Godzilla versus Yokosuka Naval Base" (英語). AFN Yokosuka (2014年5月20日). 2014年5月20日閲覧。
  19. ^ 中島春雄 2010, p. 21.
  20. ^ 中島春雄 2010, p. 295.
  21. ^ 中島春雄 2010, p. 216.
  22. ^ a b 中島春雄 2010, p. 312.
  23. ^ 中島春雄 2010, p. 246.
  24. ^ 中島春雄 2010, p. 258.
  25. ^ 中島春雄 2010, pp. 260 - 261.
  26. ^ 中島春雄 2010, p. 262.
  27. ^ 中島春雄 2010, p. 263.
  28. ^ 中島春雄 2010, p. 267.
  29. ^ 中島春雄 2010, p. 268.
  30. ^ 中島春雄 2010, p. 270.
  31. ^ 『ウルトラマン大全集』 講談社、1987年、[要ページ番号]。ISBN 4061784048。中島のコメントより
  32. ^ a b 中島春雄 2010, p. 272.
  33. ^ 中島春雄 2010, p. 276.
  34. ^ キャラクター大全 ウルトラセブン 2012 p.67 「EPISODE - 17」。
  35. ^ ウルトラセブン研究読本 2012 pp.78 - 79 「エピソードガイド第17話」。
  36. ^ 中島春雄 2010, p. 274.
  37. ^ a b 中島春雄 2010, p. 275.

出典

  • 『東宝特撮映画全史』（東宝）
  • 『大ゴジラ図鑑1・2』（ホビージャパン）
  • 中島春雄 『怪獣人生 元祖ゴジラ俳優・中島春雄』 洋泉社、2010年。ISBN 978-4-86248-589-2。
  • 『特撮円谷組 ゴジラと、東宝特撮にかけた青春』（洋泉社、2010年）
  • 『ウルトラセブン』 講談社 編、講談社〈キャラクター大全〉、2012年。ISBN 978-4-06-217833-4。
  • 『ウルトラセブン研究読本』 洋泉社〈別冊映画秘宝 洋泉社MOOK〉、2012年。ISBN 978-4-8003-0027-0。
  • DVD
    • 『三大怪獣 地球最大の決戦』特典映像「ゴジラ道」
    • 『ゴジラ・エビラ・モスラ 南海の大決闘』（中島のコメンタリー）
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