2016년 7월 8일 금요일

だぶるじぇい

だぶるじぇい

だぶるじぇい
Genre Gag strip, school comics
Comics
The original, original bill Eiji Nonaka
Drawing Sub-cherry tree まる
Publishing company Kodansha
Publication magazine Weekly boy magazine
Label Kodansha comics
Announcement period 2009 34 issue -2011 48 a year
The reel number All six volumes
Animated cartoon
The original Eiji Nonaka, sub-cherry tree まる
Supervision The valley east
Script The valley east
Character design Sub-cherry tree まる
Music SIF!!
Production "Yul older brother" production Committee
Broadcasting station Nippon Television、Yomiuri TV、Fukuoka Broadcasting
Broadcast period From June 28, 2011 to September 13, 2011
The number of the stories All 11 episodes
Others I broadcast it among "Yul older brothers"
Template - notebook

"だぶるじぇい" (double-J[dʒei]) is the original: Eiji Nonaka, comics: Comics work of sub-cherry tree まるによる Japan. It was published "a weekly boy magazine" serially to 48 issue (Kodansha) in 2011 in 2009 by 34 issue.

Table of contents

Summary

Eiji Nonaka and sub-cherry tree まるの collaboration comics. The catch copy "nonchalantly pleasant girls (one + boy) comics" "union accident comics."

Contents are pro-loss of strength that a style of author Nonaka was strongly over gag strips, but, as for the character of this product, most of are described in the pretty pattern of the sub-cherry tree in high school girls whereas comics of Nonaka are approximately only man characters. Two people do not meet directly (I have not yet met at the time of the serialization start either), and charge editing intercedes for an interval. Several people of the character clearly vary in a style of painting, and a character described in a Nonaka style may appear in the bit part.

A story unusually concludes for a work of Nonaka properly.

It is said that Nonaka takes title "だぶるじぇい" out of "WJ" of the favorite professional wrestling group.

It is to the thing which the subtitle parodies name lines, an idiomatic phrase, a brand name, and accepted the words of "the tradition" (e.g., as for Episode 1, "traditional from "new serialization congratulations" new serialization おめ"). The number of the stories count "a 第 X talk." 1 batch becomes the two episodes constitution once in a while; "the ① story of the 第 X" "it is 1.2) in ② talk "(○ of the 第 X.

I was announced with an obi of Vol. 4 and was become a TV animated cartoon among "Yul older brothers" from June 28, 2011.

Outline

The Usami beginning of the chief character enters "the Nagashima high school" which was the heart's desire. I find the part of the name to get a lot of looks conspicuously when looking for Sayo Arima and the return moiety of the friend in this high school because club activities were required. The name of the part "a traditional art succession department." They did not understand a meaning, but they somewhat went so that they were breathed in. And I lost a meaning more and more.

Character

I often take the name of the character out of a historical person.

Traditional art succession department

Main character

The Usami beginning (the Usami beginning)
Voice - Ayumu Ohashi evening
The chief character of this product. In the girls who had character that it is obedient and is forward, the hair is a short cut of the hair dyed brown. 15 years old.
After being looking for Sayo and the return moiety of the friend, I knew the existence of the traditional art succession department and joined the club afterwards.
Traditional art of the transmission from father to son that begins to reduce the curved surface of the kamaboko board will be handed down to Ecchu teacher.
In fact, in baseball geeks, I know a lot about a player of the 80s in particular.
In a family of mother and child, mother does side-job at home, and the family is poor.
It is ignorance that I began the byte of the drawing card design with Director Toba, but still continue. Even a mover works part-time later. It is often assumed that I sit in the ground for bandy-legs.
Sayo Arima (Masayo whom there is)
Voice - Hidemi Kato village
The girl of the friend of the beginning. The type that it says clearly to want to say with active character brightly. The hair settles one side with ribbon by pink long hair. I am in charge of a feed during the drama mainly.
After being looking for a return department with the beginning, I know the existence of the traditional art succession department in the same way.
In Nagashima Senior High School, club activities should be required, but they are independent for some reason and do not join it formally so that later description includes it.
I do not join the club, but am completely familiar because I always spend all my time in the clubroom.
It is a glutton and often eats something.
I like professional wrestling.
長宗我部彩 (ちょうそかべあや)
Voice - 佐藤奏美
A deputy director. In girls of the character graceful kindly, it features long hair of the raven-black hair tinged with the green and an adult-like figure. The neck has a beauty spot.
I succeed to tradition art to write the fortune of the sacred lot.
In the people who called out to beginning first, I have a business card for self-introduction.
Originally I was going to join comics Research Department with Toba, but gave it up. I seem to aim at the comic artist in the future and like comics, but there is not the artistic taste.
Saza Maria (さっさ Maria)
Voice - Chiaki Omigawa
It is small and, in reticent girls, adds ribbon to light brown long hair. The eyes are half-open.
The house may be called "a toothpick" from members from generation to generation in the family of the craftsman carving the groove of the toothpick.
Hojo votive tablet (ほうじょうえま)
Voice - bamboo Ayana
A girl for judgment. The hairstyle soaks a headband by long hair of the raven-black hair and comes to see a forehead. I am very earnest, and it is a character reason or the slightly severe feed position who does not work of the flexibility, but thinks about maintenance and the development of the part for her. I am strict with the collection of club dues.
It is the daughter of the eaves trough craftsman, and the ability is reliable, but is troubled with the significance of being of the eaves trough not streaming down it to members a little either.
Ichiro Toba (double let's be scattered)
Voice - Nobuyuki Hiyama
A director. A boy student.
It is the descendant of the Toba bishop and succeeds to birds and beasts caricature. "テヅカ prize" aims for being selected by the birds and beasts caricature which increased arrangement in contemporary style. In addition, I listen to the music of the wide genre from classical music to hip-hop relatively when I draw birds and beasts caricature. I seem to like the radio, too, but do not do the Internet at all.
Ancestors value a style of painting that has been inherited from generation to generation and they flatter the fashion and have らないこだわりを. Thus, the beginning of entrance to school was going to join comics Research Department with a long sect me part, but gave it up because I felt anger in a manner to push "the decided way of writing of comics" to. On the other hand, there was the slightly nervous aspect and has run away when I did visiting a company to submit a manuscript.
The human tolerance is big, and the forthcoming thing is a posture not to refuse. I am popular with it reason or girls plenty. In addition, it is opened too much whether it is avoided whether you are liked to a bird too much.
Originally I played soccer and had ability of the prospective ace from the circumference. On the other hand, the baseball is ignorant.
It is described in a Mitsuteru Yokoyama-like style of painting unlike the neighborhood (according to the character introduction, it seems to be the fault of the worrier).
The home is seen in the hut where the appearance has only one room, but can confirm that there are plural rooms.

The member that was late, and came up

Shizuka Sanada horse (さなだしずま)
Voice - Ryo Hirohashi
Short hair and the sharp eyes that stretched out only one bunch in the girls of the atmosphere that is some mystery ass are characteristics.
I succeed to the animal art called "a varied tit sacred lot" (it is the art that existed, but almost really dies out). I have the special ability that even the wild bird which is not trained can be accompanied by whether it is the talent that has as a successor of the tradition art to treat a bird, and was born.
According to six volumes, there is it saying "a deputy director seems to be a good friend in classmates.", and it is recognized that it is a third grader, but I turn up to the last top of the last story in a clubroom and am active.
It is come up by Episode 8 (one).
K child (Kay comes)
A mask craftsman.
Always like the mask wrestler wear a mask, but it is a mask for the hygiene not a masked mask to make. I do an outstandingly glamour figure.
Real nature is a long sect I part, and, as for the reason wearing a mask, it is thought that I get liberation of a time by severe lineage.
It is come up by Episode 10 (one).
Tokugawa firefly (とくがわほたる)
The girl who always wears 忍装束. The hairstyle is a ponytail of the raven-black hair.
The ninja craftsman who makes a ninja tool. However, the person does not know the destination of the article which I made, too.
It is come up by two episodes (two) of Episode 32.
Tsugaru Airi (Tsugaru Airi)
A paper cutting craftsman. It is said that the ostensibility makes the teens and succeeded to all of the paper cutting art, but there is essence of the art to thickness to overcome with the same material forcibly because I do not actually have a technique so as to be good at all, and it is in this year to cut only a trapezoid, or it is not possible.
It is come up by Episode 41 (three).
Motoko Hiraga (ひらがもとこ)
The member who succeeds to a technique of the welding. However, I belong to other departments because it is Fumitake literary and military arts (therefore I become treated like a parttimer in the department). Because I wear a shielding gas since I was young, I am ashamed and cannot take it off in public. In addition, the far thing tends to want to join anything in an inborn technique. From the reason "why a shocking word was said" to, I have goodwill towards Toba.
Appearing as "the person who did something though did not somewhat understand it" in Episode 1, and having appeared for the margin introductions, but the name having become clear Episode 42 (three).
Kobayakawa cherry tree (こばやかわさくら)
A girl in the uniform such as the kimono. Ancestors succeed to the work of the cherry tree from generation to generation. I usually delete signs from a reason "not to have to be outstanding very much other than time of the work". Therefore, as for existence in itself, it is not noticed from the circumference.
I appear as a nameless cherry tree in Episode 41 (three) and appear in Episode 46 (three) in earnest.
Natsume icicle (jujube icicle)
An air-conditioner installation craftsman. I always wear bikinis based on a filler.
It is come up by Episode 51 (three).
Hashiba (はしば)
A monkey trainer craftsman. Intelligence is high in the monkey which she trains and has difficulty dealing with it because that is why mischief is over a degree.
It is come up by Episode 54 (four).
I realize an Echizen shop (えちぜんやさとり)
The girl who attached nine masks to the head. I succeed to work of イタコ.
It is come up by Episode 62 (four).
Miyamoto pole (みやもときわめ)
A pillow craftsman. The craftsman who beats a pillow with a stick, and unties it, and makes feeling in bed better. The stick for exclusive use of the pillow-bashing is made of natural cedars growing in the top of the rich mountain climbing, and it is said that it is said other than this, and it is not in feeling in bed.
It is come up by Episode 83 (five).
Reed name inkstone (あしなすずり)
A time machine craftsman. It is said that I make only the part of the steering wheel. Because time machine in itself is not a practical use level, I do not announce it.
It is come up by Episode 85 (five).
Worth Reika (worth Reika)
A curry craftsman. Eyes are sharp. I only cook curry commonly, but, according to the person, it is said that it is difficult very deeply because the preference of the person is multifarious.
It is come up by Episode 87 (five).
Worth
A stew craftsman. Eyes are sharp. I only make stew commonly, but, according to the person, it is said that it is difficult very deeply because the preference of the person is multifarious. I look same as worth Reika visually, but when it is another person, Saza insists obstinately, and the relationship is unclear, too.
It is come up by Episode 88 (five).
Homare Momotake (ひゃくたけほまれ)
I give counseling craftsman. Only 30% conclude with "imagination" for grounds called "imagination" among the conclusions of the consultation contents of the case more than 70 cases and, during a drama, overcome it as well as other craftsmen (the expression such as a counselor or the counselor is done closely, but it is possible regardless of a type of industry and the type of job to call a therapist and a consultant to say because I am used in many fields.). It is written to a counseling kiang seller by the character introduction, but I invoke universal gravitation, and the aspect to let you lecture on it and admit, "you should admit whether it is helpful more because you only obstruct progress of science and the civilization" shows spoon bending. The grandmother cannot tell the difference between son Yasuo who is father of Homare Momotake and another person and ambushs you in a park.
It is come up by Episode 94 (six).
Nishizono temple まりく (さいおんじまりく)
A supernatural power craftsman. I make onomatopoeia called "きょん" before use of supernatural power. When I use spoon bending and the teleportation (a telekinesis power of the object movement not moment movement closely.), I put on a glass. In addition, as for the weight of the object movement, until "I am lifted by hand" is a limit.
It is come up by Episode 96 (six).
Jo Shishido (ししとじょう)
A lock craftsman. I attach the world's strongest key to a clubroom for crime prevention. However, it was the key which I attached outside a clubroom, but it was the strange key which was shut in with entering inside for some reason, and the person who would set a password did not tell it for some reason.
It is come up by Episode 97 (six).

Person to appear in the district well

Storehouse husband (うたまくらお) between Uda
The junior high school boy of glasses apprenticed to Ichiro Toba. There is a slightly insensitive place in the manner to other members as much as I have a pure character, and the adoration to Toba is deep. I do terrible misunderstanding to be considerable nature second banana, and to mistake an Egyptian fresco for birds and beasts caricature.
It is come up by 44 episodes (three).
Gorilla
I am lost in the tradition region since I appeared as if it is the costume which somebody of the member entered in costume from Episode 63 (four) inside, but, as for the real nature, it is unknown.
The genuine possibility is pointed out saying it is "the mind of just the gorilla" by the character introduction.
Two gorillas are drawn on four covers under the cover whereas a cover is 彩 and K child.

Comics Research Department

Katsushika North Europe (I win and pursue Kahoku)
A director. I put on a shortish mantle in boots to the uniform of the stand-up collar. The house is rich.
Because it is a descendant of Hokusai Katsushika, I have a talent for the picture and I make a high school student and publish a gag strip (as for the image, Kenshi Hirokane-like) called "Mitsuhide Akechi IN NY" serially and build the position as the popular writer in the industry. For the next generation instruction that served as securing of assistant, I contribute it to comics Research Department. The handsome man who sprouts to a poor woman.
Older sister alley まこま (あねこうじまこま)
A member. The school girl who wore glasses with a small-sized build. Right arm-like existence of Katsushika.

Comic dialogue meeting for the study

Francoise Sakai (Francoise boundary)
Voice - Kobayashi says
A director. The girl of the half. There are freckles. But it is 50 issue for 2,009 years at the time of the first publication, and, as for the hair, a tone is put on the eyes without freckles existing in the straight hair which permanent does not suffer from, and the uniform is very different from in front of correction in the looks such as the blouse stopping in front of with a big button to the jacket of the sailor collar. I make much of quality of the material without permitting compromise and face it to laugh for an old-fashioned posture strictly, but the sense is considerably delicate. ネタの間は相方の隈部と同じ触覚風のカチューシャをつけている。 ピンの時のとっておきのネタは「石灯籠」。 鳥羽部長に惚れている。
ハガキ職人でもあり、部活以外でも地道に活動している。
伝統芸継承部には度々顔を出しているが、2011年10号のキャラクター紹介によれば「元・漫才研究会部長だが、何だかんだと伝統部に。」とあり漫才研究会は辞めてしまった模様[1]。
本城（ほんじょう）
A deputy director. 頭にハチマキを巻いている。
隈部 チカ（くまべ チカ）
坂井と共に「フランソワーズ」というコンビを組んでいる、眼鏡をかけた少女。華が無いと感じ、ネタの間は触覚風のカチューシャを付けている。
三刀屋 みなと（みとや みなと）
A member. 鳥羽一郎の父親をTV局のプロデューサーと間違えた人物。
一色 佐奈（いっしき さな）
頭に若葉マークをつけた少女。口調は冷静で物静か。とっておきのネタは「紙芝居式あるあるネタ」。大道寺とコンビを解消したがっている。
大道寺（だいどうじ）
一色の相方。劇団出身のため、高いテンションで声をはる。本人はまだ登場していない。

部員の家族

宇佐美はじめの母親
声 - 松来未祐
本名は不明。妖艶な美貌の女性で、はじめを女手ひとつで育てている。クールで世慣れた性格。
様々な内職をしており、その中には何故か一子相伝のはずの伝統芸もある。
鳥羽一郎の父親
声 - 銀河万丈
本名は不明。豊かな鬚髯と体躯が古代中国の武将関羽を想起させる風貌の人物で、常にベレー帽を被っている。
息子と共に、周りのキャラとは違う本宮ひろ志調の画風で描かれている。一族の伝統を背負う厳格な師父として、息子の画業を真摯に見守り続ける一方で、実は現代風の絵も描ける。
見かけによらず天然ボケな性格。
フランソワーズら一部の漫才研究会部員には、テレビプロデューサーのスガちゃんだと思われている。
鳥羽 豊（とば ゆたか）
声 - 石原夏織
鳥羽一郎の妹。小学生。髪をピンで留めている。父や兄に全然似ていない程の美少女。
頼まれたらイヤとは言えない性格。頼んだらイヤとは言わせない性格。
兄の描く鳥獣戯画に疑問を抱きつつ、目指すべき方向性を心配する健気な性格。
家事もこなすしっかり者であり、一家の大黒柱的存在。
佐々 イヴ（さっさ イヴ）
佐々マリアの双子の妹[2]。姿は区別がつかないほどにそっくりだが、性格はしっかり者である。
黒電話のコードをねじる伝統芸を継承している。なお、さらにもう一人妹がいる。

小学校

相良（さがら）
鳥羽ゆたかのクラスメイト。眼鏡をかけた知的な雰囲気の男子。漫画に対しては並外れた知識と観察眼を持ち、漫画家のことを作家と呼ぶ。何千冊もの漫画を所有しており、国内では持っていない漫画は無いと自負するほどだが、その見方はやや屈折しており、的確ながらシニカルな物言いが多い。ゆたかが見せた兄の漫画の評価を定められず困惑している。
黒田 あいん（くろだ あいん）
鳥羽ゆたかの友人。コミックス3巻によれば、とりあえず人の話は最後まで聞く性格であるという。

つまようじ職人

佐竹（さたけ）
つまようじに使われる木材を調達している少女。山奥に住んでいる。佐々と親交がある。
結城（ゆうき）
木材をつまようじの元となる大きさに切り分ける仕事をしている少女。山奥に住んでいる。佐々と親交がある。
宇都宮（うつのみや）
つまようじの先を尖らす仕事をしている少女。山奥に住んでいる。佐々と親交がある。
ただし第1話で佐々ははじめに対し「つまようじの先を尖らすのは機械でやるので（職人は）必要はない」と言っていた。

職人フェスタ出場者

銀 巴里（ぎん ぱり）
シンマ高校の女子高生。職人芸推進部に所属している。何の職人芸を推進しているのは明らかにされていないが、そろばんを所持していることからそろばんに関わる職人芸を推進していると思われる。
なお在籍する高校は、雑誌掲載第72話では「シンマ高校」、第73話では「カツヒコ高校」となっていたが、単行本（5巻）では「シンマ高校」に統一された。
斉藤（さいとう）
職人フェスタに出場していたはた織り職人。フェスタには青いトランクスで出場。
鈴木（すずき）
職人フェスタに出場していたガラス工芸職人。フェスタには赤いトランクスで出場。

その他

石川 小町（いしかわ こまち）
サッカー部の女性顧問。担当している教科は数学。
越中（こしなか）
声 - 後藤ヒロキ（じじい）
カマボコ板の曲面を削り出す、一子相伝の伝統芸の職人。はじめの師匠。副業で表札作りもしている。
占い師
声 - 広橋涼
本名は不明。元OL。「人生でどうしたらいいかわからなくなった人たちを救いたい。」と言う気持ちから占い師になった。お客さんがいないときは大体『相棒』の再放送を見ている。鳥羽一郎やフランソワーズ坂井の相談に乗っている。
南条 うらら（なんじょう うらら）
とある出版社の少年誌編集部で働いている新米の編集者。北欧の担当をしている。過激なファッションをしていて、打ち合わせの時でもへそ出しルックを着ている。駆け出しだけに仕事への向上心は強いが、力が入りすぎて空回り気味。
伊達 ゆうじ（だて ゆうじ）
そば屋で鳥羽部長のバイト面接に同席した人物。中学から野球をやっており、120キロのストレートとフォークボールを投げられる。
ヒラタ
鳥羽部長がアシスタント面接に行った漫画家。付き添いの部員たちの特技をいかし、役立てようとするオープンな性格。
田北 コージ（たきた コージ）
モヒカン頭をしているヒラタのアシスタント。祖父がつまようじ職人でつまようじの先を尖らせるのが得意。

用語

ナガシマ高校
本作の舞台となる高校。生徒は部活動が必須。
本作の登場キャラクター達は同じ高校でありながら、ほぼ全員が異なる制服を着用している。
Traditional art succession department
文化の火を消さぬように、伝統芸を継承するための部活。
なお、第一話では能面職人や宮大工職人、畳職人、溶接機材を用いてなにかをしている人、などの部員が登場していたが、後に彼らはバイト（いる時といない時がある）であることが判明した。
Comics Research Department
葛飾北欧、姉小路まこまが所属する部活。北欧の寄付のおかげで、部員は無条件で美術の単位がもらえる。
Comic dialogue meeting for the study
坂井、本城などが所属する部活。普通に漫才をするだけではなく、関西弁講座などもしている。
職人フェスタ
東京ドームにて行われる職人の祭典であり、職人の技を競い合う戦いの場。いろんな職人が公平に競い合えるように、格闘技やマラソンなど、職人芸とは全く関係ない方法で勝敗を決める。
職人芸推進部
銀巴里が通う、カツヒコ高校にある部活。具体的な内容は不明。

単行本

カバー下の表紙絵は、カバー表紙のキャラ（亜桜まるによる）と同じキャラを野中英次が描いている。

なお、2009年37号第4回の掲載時、前号と同じ第3話と表記ミスがあり、42・43合併号掲載の第9話に「もう話数間違えないぞ」のコメントが記載されていたが、コミックス第3巻で第52話「都伝統司ヶ谷駅」が目次では「都伝統司ヶ谷」と異なった表記があり、（マガジン掲載時は「都伝統司ヶ谷駅」であり目次側が脱字している。）第53話「伝統ハウス」は『第5話』とミスが見られる。

単行本追加ページ

特別寄稿 らぶのな
野中英次作画の、エッセイ風4～5コマ漫画。3巻までに収録。
ムダ絵放出コーナー
「ムダ絵」とは、本編でタイトルバックとなっている、キャラクターの絵。本編ではトリミングされている「ムダ絵」が全身載り、キャラクター解説が添えられる。

テレビアニメ

2011年6月28日放送第12話より日本テレビ系「ユルアニ?」内にて放送。第7話は実写映像で放送。

スタッフ

  • ナレーション - 銀河万丈（第7話）

主題歌

「ワニとシャンプー」（第1-10話）
作詞・作曲・編曲 - 前山田健一 / 歌 - ももいろクローバーZ
挿入歌「今日の日はさようなら」（最終話）
歌 - 宇佐美はじめ（大橋歩夕）、有馬小夜（加藤英美里）、長宗我部彩（佐藤奏美）、佐々マリア（小見川千明）、北条絵馬（竹達彩奈）、真田静馬（広橋涼）、フランソワーズ坂井（小林ゆう）、鳥羽ゆたか（石原夏織）

各話リスト

The number of the stories サブタイトル Script 演出 Drawing
第1話 伝統・オア・アライブ The valley east - 斉藤晃弘、佐藤光夫
森田飛助
第2話 パーマ伝統・バケーション 斉藤晃弘、佐藤光夫
森田飛助、宮本房枝
第3話 伝統デリバティブ
第4話 株式伝統公開 佐藤光夫、大宮一仁
佐藤拳、大山裕之
中村勇介
第5話 ア伝統 プリーズ！ 佐藤光夫、佐藤拳
大山裕之、中村勇介
第6話 うっかり滑って伝統 増本庄一郎、谷東
第7話 暮らしの伝統芸 江戸より伝わるガラス工芸の技 増本庄一郎、藤森俊介
中野守、谷東
 佐藤光夫
第8話 その件は伝統中です 増本庄一郎、熊本浩武
中野守、谷東
 佐藤光夫、佐藤拳
大山裕之、中村勇介
第9話 伝統腺が腫れた 中野守、大橋隆昭
井上勝哉、中村悠
篠原由佳里、萩利恵
The valley east


 博史池畠 佐藤光夫、佐藤拳
大山裕之、中村勇介
第10話 伝統英二 The valley east 佐藤光夫、大宮一仁
国領恵実香
最終話 首相伝統所感 中野守、谷東 - 佐藤光夫、大宮一仁
佐藤拳、大山裕之
中村勇介

脚注

[ヘルプ]
  1. ^ 森田浩幸編「だぶるじぇい 第71話 AKB4伝統」『週刊少年マガジン 2011年10号』講談社、2011年2月16日、雑誌20653-2/16、441頁。
  2. ^ キャラクター紹介による。

外部リンク

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