交響三章 (Akira Miyoshi)
交響三章 (I do not offer it in this way occur) (Buddha: Trois Mouvements Symphoniques) is the musical performance musical piece that Akira Miyoshi composed as a commission series fourth product for the Japanese work of the Japanese Philharmonic orchestra symphony orchestra. Performance time is approximately 25 minutes.
Table of contents
Premiere
It was performed by the periodical concert of the Akira Watanabe male conduct Japan Philharmonic orchestra symphony orchestra on October 14, 1960.
Formation
Piccolo (flute carrier substitute), flute 2 (piccolo carrier substitute), oboe 2, Koran Gres, clarinet 2, bass clarinet, bassoon 2, contrafagotto, horn 4, trumpet 4, trombone 3, tuba, timpani, tam-tam (the large small), snare drum, tambourine, bass drum, wood block, laying upon cymbals, carrying an opponent out of the ring cymbals, wooden fish, triangle, vibraphone, glockenspiel, チューブラーベル, xylophone, castanets, celesta, piano, harp, string five copies
Constitution
The whole is comprised of three movements of 緩 - immediate - 緩.
Three good nominates において, seven fragmentary motifs (motive) for "nothing from a distant place", but state that these are not "the subjects". Seven motives constitute the melodious harmony-like side of the work by being transformed in various form [1].
Seven motive
- Motive 1 appears in the first movement beginning [2]. I consist of the chords of the vertical axis called "C-Es-Ges" shown by a cello, a note row called "H-C-F" shown by a viola and a cello, a contrabass, a piano.
- Motive 2 appears to first movement, exercise number 3 [3]. It is the melody consisting of note rows called "Des-B-A-As-C-D-Cis-Es-C-H" shown by a flute.
- Motive 3 appears to first movement, exercise number 8 [4]. It is rhythmical sound form called "A-C-Gis-A-B" shown by a violin, a viola.
- Motive 4 appears in the second movement beginning [5]. It is a melody called "H-C-F-Fis-E-G-Gis-Dis-A-D-Fis" shown by the first violin and the second violin.
- Motive 5 appears to second movement, exercise number 1 [6]. It is the melody of 2 voices to begin by rhythmical repetition of the equivalence sound form called "F-E, F-E" shown by two flutes.
- Motive 6 appears to second movement, exercise number 8 [7]. It is the melody consisting of note rows called "D-Es-A-B-Fis-G-Des-C-H-F-Ges-Des-C" shown by a cello and a viola.
- Motive 7 appears in the third movement beginning [8]. It is the melody consisting of combinations of flute, horn, "tone melody" and counterpoint by the bassoon delivered by a trumpet (the subject of the variation).
The first movement
A ternary form of ABA. The A part makes a gloomy atmosphere mainly on a stringed instrument and I use many percussion instruments and form a climax of the B part. A woodwind instrument talks with a stringed instrument in the recurring A part and terminates on the ti which a cello and a vibraphone play calmly.
The second movement
The rapid movement which does not come under a specific form. I use many strange time and have a scherzo-like property. Different motive four or five of the character, 6 are transformed variously.
The third movement
Variation。 Minute variation is developed in the first half part and I quicken speed in the part in the latter half and become exalted. I reduce volume and the number of musical instruments rapidly when I form the climax of the atmosphere like the second movement, and ディヴィジ leaves for the quiet end mainly on a done stringed instrument and flute finely. This movement is played by wind music well.
Source
- [交響三章] a full score (Ongaku no tomo sha corp.)
- A musical piece commentary by Seiji Choki who is attached to a full score.
Footnote
This article is taken from the Japanese Wikipedia 交響三章 (Akira Miyoshi)
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