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Gerard ペソン (Gérard Pesson, January 17, 1958 -) is a composer of the contemporary music of the Cher torr toe Ron birth in France.

Brief career history

I majored in literature and musicology in the Sorbonne and wrote an article about chance music. I study under イヴォ Marek by composition by Analysing in Betsy ジョラス in Paris national high music House and graduate from both subjects for the first prize afterwards. In 1986, I publish a music magazine [Ann torr ton] and am active as a channel specialized in classical music of radio France than the same year, a producer of France ミュジーク. In addition, in the same year, the Toulouse stadium prize first place is got by [Les Chants Faëz]. Concert peace [Beau Soir] written for Avignon drama festival of 1989 is selected for opera オートルモン contest and arranges it for opera in festival ムジカ and announces it. For 1,996 years, it is Principality of Monaco prize. I stay in Rome, Medici Zhuang from 1990 through 1992.

ペソン is active mainly on opera, composition of the drama attendant music with a person of choreographies such as Daniel ドベルス in after 1988. His work is played by ensemble F, 2E2M, ensemble アンテルコンタンポラン, ensemble イティネレール, ensemble モデルン, クラングフォルム Vienna, ensemble ルシェルシュ, ensemble Iku toes, Teru Al ego, lye Roche notebook, エアヴァルトゥング, Lyon Kunitachi orchestra, Ile-de-France Kunitachi orchestra.

Theatre ミュジーク commission, the opera work [forever valley] of the Marie Redonnet script were completed in April, 2 000 and were announced in Nanterre アマンディエ Theater. Opera [パストラール] based on novel "ラストレ" of writer Honore d'Urfe of the 16th century was announced in Stuttgart in 2006 and was staged again at Paris シャトレ seat in 2009. I act as a professor at House of Paris national high music composition course from 2006.

[Beau Soir] 12 instrumentalists, vocal music of four people, opera (1988), 35 minutes for one actor
[Butterfly le nom scène lyrique] soprano, male chorus, (1995), 37 minutes for indoor orchestras
[Ciel d'orage opéra parlé] three vocal music, seven instrumentalists, (1990), 32 minutes for tape
[Cinq chansons] (1999), nine minutes for instrumentalists of メッツォソプラノ and five
[Cinq poèmes de Sandro Penna] (1991-1992), seven minutes for baritone, a bass clarinet, a horn, a violin and a cello
[Cinq poèmes de Sandro Penna] (1991-1992), seven minutes for baritone and a piano
[Contra me (Miserere)] (2002), ten minutes for instrumental music and vocal music ensemble
[Deux mélodies carthaginoises] (1992), two minutes for baritone and a piano
[Forever Valley] seven vocal music, actors, opera (1999-2000), one hour 11 minutes for six instrumentalists
[Le Couchant interlude] (1990), five minutes for three vocalists and five instrumentalists
[Panorama, particolari e licenza] (2006), 32 minutes for alto, a viola and an instrumental music ensemble
[opera (2006), one hour 45 minutes for a soloist, a chorus and an orchestra of plural Pastorale
[Purple programme] (1994), ten minutes for a soprano, a bass clarinet and a percussion instrument
[Sur-le-champ] (1994), 12 minutes for four vocalists and eight instrumentalists
[ÉcritàQinzhou] (1994), ten minutes for reading aloud and a piano

[Branle du Poitou] (1997), seven minutes for instrumentalists of piano solo and eight
[Les Chants Faëz] (1986), 11 minutes for instrumentalists of piano and 11
[Wunderblock (Nebenstück II)] (2005), 21 minutes for an accordion and an orchestra

[Aggravations et final] (2002), 14 minutes for orchestras
[Grand Quinconce] (1987-1988), 20 minutes for large orchestras
[In Nomine] (2001), four minutes for instrumental music ensembles of eight people
[Instant tonne] (2006) for instrumental music ensembles of eight people
[Le Gel, par jeu] (1991), nine minutes for instrumental music ensembles of six people
[Quatre berceusesàbas voltage] (1998), four minutes for large orchestras
[Rescousse] (2004-2005), 14 minutes for instrumental music ensembles
[Un peu de fièvre] (1995), 12 minutes for instrumental music ensembles of 12 people

[Affuts] (2001), nine minutes for percussion instruments of four people
[Bruissant divisé] (1998), five minutes for a violin and a cello
[Cassation] clarinet, string trio, (2003), 16 minutes for pianos
[Dispositions furtives] (1988), 17 minutes for two amplifiers re-Fido piano
[Fureur contre informe pour un tombeau d'Anatole] (1998), nine minutes for string trios
[Gigue] (2001), four minutes for percussion instruments of four people
[La vitaècome l'albero di Natale] (1992), two minutes for a violin and a piano
[Mes Béatitudes] (1994-1995), 15 minutes for trios of string music and the piano
[Nebenstück] (1998), nine minutes for a clarinet and a string quartet
[Neige bagatelle] (2002), three minutes for a guitar, a cello and a piano
[Nocturnes en quatuor] (1987), 11 minutes for a clarinet, a violin, a cello and a piano
[Non sapremo mai di questo mi] (1991), two minutes for a flute, a violin and a piano
[Peigner le vif] (2007) for a viola and an accordion
[Respirez ne respirez plus] string quartet first (1993), ten minutes
[Rebus (Pro rebus Harry Vogti)] flute, clarinet, violin, viola, (1999), two minutes for cellos
[Récréations françaises neuf bagatelles] flute, oboe, clarinet, (1993-1995), 15 minutes for string trios
[Sonate a quatre] (1996), six minutes for two recorders, violins and cellos
[Tout doit disparaître] four oboes, horns, (1985), 13 minutes for vibraphones

[Butterfly's note book] (1995-1998), six minutes for pianos
[Dispositions furtives] (1983), five minutes for pianos
[Folies d'espagne] (1997) for pianos
[La lumière n'a pas de bras pour nous porter] for amplifier re-Fido pianos (1994-1995)
[Trois petitesétudes mélancoliques] (1991), four minutes for pianos
[Troisétudes] (1998), ten minutes for baroque organs
[Vexierbilder] (2003), 12 minutes for II pianos
[(1991-1995) for Vexierbilder, Rom trois pièces pianos, eight minutes