ヤーコプ fan Ruysdael
| ヤーコプ fan Ruysdael | |
|---|---|
 | |
| The birth | About 1628 Haarlem |
| Death | 1682March 14 Amsterdam or Haarlem |
| Supporter | Cornelisz デ フラーフ |
ヤーコプ fan Ruysdael (Jacob Izaaksz van Ruisdael, about 1628 - March 14, 1682) is a Netherlands painter of the 17th century. I often transcribe a family name into rice Dahl recently.
Table of contents
General statement
In the 17th century when Rembrandt and Vermeer played an active part, I was said to be the golden age of the Netherlands picture, and, besides, many superior painters produced you. In the golden age of such a Netherlands picture, it is ヤーコプ fan Ruysdael to be considered to be the most important landscape artist.
He is born in Haarlem as a child of the art dealer and the frame craftsman in 1628 through 1629. Salomon fan Ruysdael of the uncle is a landscape artist, too, and ヤーコプ comes under influence, too. ヤーコプ enrolls in the painter association of Haarlem in 1648, and I am considered to finish study at this time, and to have become independent. I wander about through Netherlands each place and Germany from 1650 through 1655 and produce it in each place. I move the headquarters in Amsterdam in 1656.
Ruysdael describes the forest, the shore, various scenery including the backroad, but it is in the element that a country is flat, and the sky and a cloud are important in little Netherlands scenery of ups and downs necessarily. His paysage describes various sky and the expression of the cloud for low on the horizon, and there are many things which pursued light and an atmospheric effect.
メインデルト ホッベマ (1638-1709) where a lot of his pupil and acolytes drew a famous "avenue of ミッデルハルニス" is his pupil.
Background of the 17th century Netherlands paysage establishment
One of the characteristics of the Netherlands picture is that a specialized field was divided by the painter including the painter who described the inside of a genre picture, paysage, a still-life picture or the church exclusively in the 17th century. In the history of Western picture, "the paysage" was put at the position where had low one step traditionally in comparison with "historical painting" and "a portrait". It may be said that the establishment of "the paysage" as the independent genre begins in the Netherlands in the 17th century.
There is a sudden rise of the bourgeoisie in the background where paysage prospered in the Netherlands of the 17th century. I achieved independence from Catholic rule of Spain, and the class of moderate means citizens who were wealthy with wealth by the overseas trading as a background in the Netherlands which was a Protestant republic at the time rose suddenly. The picture which deserves to be you if I decorate the house of the person of the new picture of orderer, enjoyment and the moderate means bourgeoisie that it was on behalf of a church and a grand seigneur is than the big-screen religious painting and historical painting smaller genre picture, still-life picture, paysage.
Masterpiece
- Scenery (about 1,675) of Haarlem with the bleachery (the Hague, マウリッツハイス Museum)
- A windmill (about 1,670) of ワイク by ドゥールステーデ (the Amsterdam National Gallery)
- Belt Haym Castle (1653) (Dublin, the Irish National Gallery)
- A view (about 1,670) of Haarlem (the Amsterdam National Gallery)
Allied item
- Salomon fan Ruysdael Salomon van Ruysdael (1600-70)
This article is taken from the Japanese Wikipedia ヤーコプ fan Ruysdael
This article is distributed by cc-by-sa or GFDL license in accordance with the provisions of Wikipedia.
In addition, Tranpedia is simply not responsible for any show is only by translating the writings of foreign licenses that are compatible with CC-BY-SA license information.
0 개의 댓글:
댓글 쓰기