Kaiho through シャプルジ ソラブジ
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| Kaiho through シャプルジ ソラブジ Kaikhosru Shapurji Sorabji | |
|---|---|
| The birth | 1892August 14 England、EssexJapanese spaniel Ford (現Greater London） |
| Death | October 15, 1988 (96 years old death) |
| Genre | Modern music |
| Occupation | Composer、Pianist、Commentator |
Kaiho through シャプルジ ソラブジ (Kaikhosru Shapurji Sorabji, from August 14, 1892 to October 15, 1988) is British composer, pianist, commentator.
Table of contents
A brief career history and style
I am born in Essex Japanese spaniel Ford () (existing Greater London). I have the Indian pearl sea and ethnicity of Spain Italy (Sicily). When I was born, it was named Leon Dudley ソラブジ (Leon Dudley Sorabji), but changes my name to state that it is pearl she clearly later.
In ソラブジ which learned composition and a piano by self-education, talent is found by Busoni and starts performance activity (the piano sonata first and the second are presented to Busoni). I indulged in the style that concentrated Godowsky, メトネル, Szymanowski, the sound world of the latter term Romantic school such as Delius afterwards. In addition, I was active as a music critic by cooperation of Peter Warlock of the friend.
Performance time becomes grandiosity after having forbidden one's own public performance and publication by others for a trouble in the 1930s, and the work to suffer from for four or five hours after most famous "Ops クラビチェンバリスティクム" (1930) is not rare. As for tallest and stoutest "交響変奏曲" (piano reduction version) (KSS-59, from 1935 to 1937), performance time amounts near nine hours. A hugeness of such performance time will show him to the world. The works are often enumerated with Meyerbeer, Wagner, Bruckner, Mahler, Brian, Messiaen, cage, Feldman, Stockhausen.
Technique of the variation to be able to tolerate several hundred times of repetition in a passacaglia hears the form that ソラブジ shows power most and is a thing. It was famous, but the ソラブジ person did not seem to expect the daring performance that I left to volume by a manner to challenge the technical limit of the pianist. The pianist that ソラブジ admitted one's own performance first is Egon Petri, but he was not concerned with ソラブジ performance positively. When "it is courteous because a performance technology of oneself is careless", and ギュナー Johansson declined a proposal although a performance of "Ops クラビチェンバリスティクム" was asked for for several times by enthusiastic ソラブジ believer, I am informed it [1].
By recording (CD) of Geoffrey Douglas マッジ and John Ogdon, the name of ソラブジ came to be known widely when it had difficulty with a performance of "Ops クラビチェンバリスティクム". However, this work is the work which belongs to the first last arrival point if I say in all works, and the invention to a player is made to devote himself/herself to the music step, and it is easy to see it, and the cult color is not so relatively high. I enter the work of the applicable 1940s to the second and am after it finished writing "transcendence art 100th etude" (from 1940 to 1944), "セクエンツァ シクリカ" (from 1948 to 1949) by "Dies Irae" that personality of ソラブジ is strongly shown. It assigns a music step according to the subject from this time, and it becomes common usage to need length as a repetition period is not thought about. The "para-tone cluster" effect which is created by letting a hand adhere to a keyboard is seen conspicuously from this time.
I left mass recording by playing of own work (cf.Sorabji — After A Critical Celebration), I lift the ban on a public performance from the 1970s and admit one's own performance to ヨンティ Solomon with Michael Herr Burman. At this time, a reevaluation of ソラブジ advanced with stagnation of the vanguard all over the world, and Solomon performed world premiere of the piano sonata third and "the concerto ペル スオナーレ メ solo" in 1977. The harbor man did not have the performance of the large-scale work, but I recorded the short piece in the range that I could play, and becoming it realized an LP. The fictionization of ソラブジ continues even if I enter this time, and enormousness like the 1940s retreated, but, "交響的 nocturne," the work of the scale for nearly two hours such as the piano symphony sixth is written.
Folded ソラブジ into マッジ and enthusiasm of Ogdon at last in the 1980s, and マッジ performed the public performance of "Ops クラビチェンバリスティクム" all songs in Utrecht in 1982. 50 years or more have already passed from the first public performance. マッジ recollects it saying "ソラブジ was close in 90 years old in those days, but the talking does not let you feel old age by fast talking unexpectedly". Although becoming it realized a group LP, a recording state is inferior, and these four pieces of public performances are not made a CD at present (by the performance of マッジ, a public performance in Chicago of April 24, 1983 is made a CD by Swedish BIS label). Ogdon would be in charge of the London premiere, but ソラブジ and Ogdon have left the world after this premiere in succession.
Performance
The spread is pushed forward after ソラブジ death by Alexander ray Burk Ron B, Donna Amato, マルカンドレ アムラン, Jonathan Powell, rye Niel station wagon ホウト, Frederick Woo Ren, テレフ Johnson, ダーン ファンデウァレ other pianists. Because fingerwork does not have contradiction as for the piano work of ソラブジ, the pianists with the opinion that I can play if I do not spare labor increase, and the performance of pianists having a high technique of the statement above supports this. However, it is a fact that 2 and fingerwork to push the black key with a joint part of the finger peculiar to ソラブジ such as the octaves with 5 fingers annoy many pianists.
The ソラブジ archive which continued providing a copy of the handwriting music enters in late years, and a fair copy using ノーテーションソフト works by the hand of the volunteer.
Big work of the scale
Musical performance musical piece
- Symphony first KSS-30, page 300. 5 pipe formation, one hour 40 minutes.
- It is more than 300 pages, five hours 20 minutes with symphony second KSS-51, orchestration incompletion, 6 pipe formation, a piano reduction version.
- Symphony third KSS-72 "Jermy," it is page 824. 7 pipe formation, four hours 40 minutes.
- It is more than 400 pages, nine hours with 交響変奏曲 KSS-59, orchestration incompletion, a piano solo version.
- Old 交響的 mass KSS-84, page 1001. 6 pipe formation, five hours 20 minutes.
Piano concertos
- Piano concerto fourth, page 100. 5 pipe formation, 25 minutes.
- Piano concerto eighth, page 344, 6 pipe formation, 50 minutes.
- 交響変奏曲, page 540 for a piano and an orchestral music, 6 pipe formation, three hours 20 minutes.
Solo piano music
- Transcendence art 100th etude, more than 400 pages. Eight hours.
- セクェンツァ シクリカ by Dies Irae, more than 300 pages. Five hours 50 minutes.
- Piano sonata fifth, more than 300 pages. Five hours.
- Piano symphony first, more than 200 pages. Four hours 30 minutes.
- Piano symphony second, more than 200 pages. Four hours 30 minutes.
- Piano symphony fourth, more than 200 pages. Four hours two minutes.
- Piano symphony sixth, more than 200 pages. Four hours.
- Variation and fugue by Dies Irae, more than 200 pages. Three hours 40 minutes
- Ops クラビチェンバリスティクム, more than 200 pages. Four hours 45 minutes
- The pastiche (first edition) with "the waltz of the puppy." The music reading is very difficult.
Solo organ symphony
- Organ symphony second, page 350, six hours 40 minutes.
- Organ symphony third, page 305, six hours 40 minutes.
Outside link
This article is taken from the Japanese Wikipedia Kaiho through シャプルジ ソラブジ
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