Henry Strachey (painter)
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Henry Strachey (Henry Strachey, from 1863 to 1940) is an English painter, an art commentator, a writer.
Known Strachey acts as a cousin of Lytton Strachey in sons of Sir Edward Strachey (Sir Edward Strachey) by a popular name of Harry (Harry). Strachey learned from スレイド Beaux-Arts (Slade School of Fine Art) of London and announced the work at royal association of artist (Royal Society of Artists) (four times) of Birmingham, グロスヴナー gallery (Grosvenor Gallery), Walker art gallery (twice) of Liverpool, London salon (London Salon) (eight times), a nu English art club (New English Art Club), new gallery (New Gallery) (three times), the many art galleries and exhibitions including Royal Academy of arts (ten times) widely from 1888 through 1923.
Strachey has the results as a portrait painter, and, in the work, there is the thing which I described Brenda キャプロン (Brenda Capron) which was 7 years old in those days which comes to be known for the Brenda pie (Brenda Pye) of the marriage family name as a painter later in 1914 in.
Strachey produces a series of pictures on a board in the dining room of the state legislature (London County Council) Government building of London of the block well (Brockwell Park) in southern London, and "a scene of the representative rural life is expressed, and the figure of a farmer going out, children of the two who wore the pinafore which is besides a dog rose blooming in the field at noon, old players working on the meadows which hay piled up in the evening, a worker spending a teatime again in a riverside in the afternoon are described, and are wider on a lot of length of the room, big panel approximately 20 feet (approximately 6 meters) is described in a field for cutting down in the morning" there [1].
Strachey was in charge of art criticism of "The Spectator" from 1896 through 1922. In 1911, it is G. of London As one of the "The Great Masters in Painting and Sculpture" series published from Bell & Sons, Ltd. by G C Williamson (G. C. Williamson) edition, I wrote "Raphael".
The fresco which Strachey produced in the early 20th century is drawn on the inside of the cent Nicholas and the Brest virgin Mary church (Church of St Nicholas and the Blessed Virgin Mary) in Somerset Stowe way (Stowey) [2]. Life-sized St. Nicholas and Virgin Mary are drawn on both sides of the altar there. In addition, there is the picture which I drew pupils of two of (road to Emmaus) on in a scene and a road to Emma Usu of the miracle (Feeding the multitude) to give food to a crowd in an inner sanctum. On the arch of the inner sanctum, a scene of "the Judgment" that the same number described light and angels of the darkness in is drawn [3].
Footnote
- ^ "Mural painting." Spectator: 11. (March 30, 1912)g June 12, 2013 reading. ""...the dining-room of the County Council's building in Brockwell Park... some sixteen years ago was decorated by Mr. Henry Strachey with five panels of different sizes, representing typical scenes of country life: Dawn, with mowers going to work in the field; Noon, two pinafored children by a spray of dog-roses in a field; Evening, the hay in the stack; Afternoon, labourers at tea by the side of a stream; and a large panel of twenty feet or so, the length of the room, showing labourers at work in a wide hayfield... To the present writer, looking at the paintings for the first time, the paint appears as fresh and clean as if they had been finished only a few months ago. ""
- ^ Pevsner, Nikolaus (2000). The Buildings of England: North Somerset and Bristol. Penguin Books. ISBN 0-14-071013-2.
- ^ Shellar, P.J.B., Stowey Parish Church. A Brief History, Stowey Parish Church
References
- Jane Johnson and A. Greutzner, Dictionary of British Artists 1880–1940, 1976.
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