Roch re-Ann Masaoka
Roch re-Ann Masaoka (Roch re-Masao Ann or December 4, 1945 -) was born in Kagoshima. A composer of the Japanese contemporary music. Roch rear mode (Locrian mode that the real name is Yasushi Masaoka Chiyo (I do it whether it is Masao)…I was active by the real name to the front that fixed composition by mode) to assume ti a fundamental tone for a lifework.
Table of contents
Brief career history
The first
I study under Akira Miyoshi, Akio Yashiro, Teizo Matsumura in the Tokyo art university music department composition department. I am graduated after being on the register roll for six years by Berlin university of fine arts composition department of Germany. I study under イサン Yoon. I go to the Open University frequently after returning home in 1985, and I make philosophy meetings for the study, and deepen contemplation and I change composers and recording and the score of the co-worker and deepen interchange. I continue being active as a free-lance composer while working as the piano teacher to an infant. Furthermore, I win an international composition contest. I make trouble for one's own publication.
I host "canvas concerts" and announce the work as the painter with music afterwards. I announced the ballet by the electronic music in the same way as Takehito Shimazu of the young day several times in the Japanese music dancing meeting.
It is the style that intended a perfect work artistically while the style reflecting personality, and lying down, and having insanity like Roberto Schumann and ベルント Aloys Zimmerman, フォルカー ハイン. "The no accompaniment human body sonatas" that "triple mirror II for Mrs. Pythagoras" is self-writing, self-playing, and a lot of things that a performance is extremely difficult gave the first public performance of string music sextet "hommage (I need a leader) to Max Ernst" and nonet are famous. "The no accompaniment human body sonata" draws insanity to be inherent in music mainly on an impromptu performance, but the near relation characteristics with the マウリッシオ car gel are seen, too.
The second
It is time to go the Roch rear mode in the principal objective of the composition. I used conventional Roch rear mode and the black Roch rear mode that I spun off originally skillfully and came to use many unique manners of writing. Three pieces of anthologies of the CD which I gave at own expense hit it. As for this, the methodology is relatively about the same when the big work of the scale writes "time of the grace" when I write a piano solo.
Originally it is from these days that a strange program notebook becomes stranger, and I can understand it with the highly, thus, well-thought gag if I will see it, but a reading is a kind of poeticism ("death, tooth, 思, I ..." when the poor joke-like expression really appears and explains Roch rear mode). There is the person who compares this with how to write note of recent Masahiro Miwa [whom?], It is poetic and reflected unique thought of Masaoka, and it is thought with another kind really.
Activity in the animation site
I contribute an animation in Nico Nico Douga, YOUTUBE, but I do a multiplex contribution in Nico Nico Douga and contribute the animation which association of contemporary music produced without permission in that.
Outside link
This article is taken from the Japanese Wikipedia Roch re-Ann Masaoka
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