Imasuke Kokontei (the fifth generation)
| Fifth generation Imasuke Kokontei () | |
 1949 | |
| The real name | Goro Suzuki |
|---|---|
| Another name | "今輔 of the old woman" |
| The date of birth | 1898June 12 |
| Date of death | December 10, 1976 (78 years old death) |
| Hometown |  Japan, Sakai-machi, Sawa-gun, Gunma (existing: Isesaki-shi) |
| Teacher | First Sanyutei Enu First Umesuke Sannyuutei (later fourth generation Imasuke Kokontei) Third generation Kosan Yanagiya Second generation Kobunji Katsura |
| Assumption of the family name | 1. First Ukyo Sannyuutei (from 1914 to 1917) 2. Sanyutei peach tree assistant (from 1917 to 1919) 3. Fourth generation Yanagiya 3, Oyama (from 1919 to 1925) 4. Kosan Yanagiya three (from 1925 to 1926) 5. Yanagiya 3, Oyama (from 1926 to 1931) 6. Third generation Yonemaru Katsura (from 1931 to 1941) 7. Fifth generation Imasuke Kokontei (from 1941 to 1976) |
| Musical accompaniment on a stage | Mt. Noge |
| Activity period | From 1914 to 1976 |
| Activity contents | Newly-composed oral comic story |
| Family | Kenjiro Kagami (son) |
| Position | The rakugo reformists (from 1925 to 1926) Association of entertainment in Japan (from 1926 to 1933) Japanese Arts Council (from 1933 to 1976) |
| Receiving a prize career | |
| Prize for association of Japanese broadcast writer public entertainment (1964) The 24th NHK broadcast culture prize (1973) 勲四等Order of the Sacred Treasure(1973) | |
| Remarks | |
| Japanese Arts Council's vice-chairperson (from 1967 to 1974) Japanese Arts Council second generation chairperson (from 1974 to 1976) | |
The comic story teller that Imasuke Kokontei (ここんていいますけ, 1898 (1898) from June 12 to 1976 (1976) December 10) is from Sakai-machi, Sawa-gun, Gunma (existing: Isesaki-shi) for the fifth generation. The real name Goro Suzuki (sea bass Goro) (a maiden name: Saito). Japanese Arts Council (existing: rakugo Arts Council) belongs during the lifetime. The musical accompaniment on a stage "Mt. Noge." I was called bargain sale, "今輔 of the old woman" by "old woman rakugo" to say commonly. The child is Kenjiro Kagami of the acrobat.
Table of contents
Brief career history
- The third son of the Sakai-machi, Gunma meisen silk cloth weaver "wisteria bookstore."
- It was the same as - disappearance from home and went to Tokyo in 1913 and worked in Ueno Matsuzakaya, but I quarrelled with the boss and left the office on only 20th. I wander 11 shops from place to place afterward.
- I become a disciple of - first generation Sanyutei Enu in May, 1914 and give first Ukyo Sannyuutei.
- I transfer to the senior fellow disciple first generation Umesuke Sannyuutei (later fourth generation Imasuke Kokontei) school later without being able to tolerate selfishness of Sanyutei Koenu (later second generation Sanyutei Enu) for the son second generation of - 師匠圓右 in July, 1916.
- I am promoted to eyes in -2 1917, and peach assistant に changes its name.
- I transfer to the Kosan Yanagiya school by an introduction of - first generation Ryutei Ichiba for the teacher third generation of the city horse in March, 1919 and change my name at Yanagiya 3, Oyama for the fourth generation. I am taught much classical storytelling by Iccho Sannyuutei of the most elder in comic story tellers of Tokyo at the time.
- March, 1923 - qualification given to comic storyteller promotion.
- I form the rakugo reformists with Sanyutei Enraku (later Hikoroku Hayashiya) and others for - senior fellow disciple first generation Kohan Yanagiya, the third generation in September, 1925.
- I change my name to Kosan Yanagiya three - again in November, 1925.
- I dissolve - rakugo reformist in January, 1926, and is it the same year? Transfer to the Kobunji Katsura school for the second generation; Yanagiya 3, Oyama and the double names.
- I assume Master's name of Yonemaru Katsura as a successor for the third generation that is the previous name of - teacher small Bunji in December, 1931.
- I assume Master's name of eyes Imasuke Kokontei as a successor for -5 generations in April, 1941.
- Winning 1964 - Japan broadcast writer association public entertainment prize.
- I take office as Japanese Arts Council's vice-chairperson in successors of teacher small Bunji with the death of - teacher small Bunji on November 28, 1967.
- I serve the last chief (so-called bird) in variety hall Ningyocho Suehiro closed at performances for the middle ten days of a month (from 10 to 20) limit in - this month in January, 1970.
- For from 1973 to March, I win NHK broadcast culture prize in the 24th in 1972. April 29、勲四等Order of the Sacred TreasureReceipt of a decoration.
- I take office as a chairperson in successors of eyes Ryukyo Shunpuutei for the Japanese Arts Council second generation for -6 generations on March 1, 1974.
- I die of - gastric ulcer on December 10, 1976. Age at death 78. 叙, 従五位. The cemetery is Shinjuku-ku dominant temple. After death of 今輔, Yonemaru Katsura took office as a chairperson for the fourth generation of the local supervisor pupil for the Arts Council third generation.
Pride material
New works such as "kudzu starch gruel" were often found, but a classic ghost story was the orthodox school, and, "a description of old woman Sandai," "Jack of straw" was "already good at "the god of death" half of" "the Enoshimas ghost story" "a blue sky old woman" "a ramen shop"; and "ねぎまの feudal lord" "a play not to fade away" of a rare article and the telling a kabuki story such as "musical accompaniment tenement houses" the long piece human-nature story "Tasuke Shiobara biographies" of the Sanyutei Encho product.
I was described as the master of the rakugo story not accompanied by background music or apparatus until the 3, Oyama times, but converted to the latest group after I had trouble with a Joshu accent.
I record an SP record from Yonemaru Era, and after the war much recording does not finish.
Episode
- It is inborn sense of justice pass to several degrees, and to have changed a teacher; the firmness in principle yellowtail is the history. It was right a man of the fighting spirit rare in history. I comment on having left 圓右一門, the right woman assistant school with "reverse expulsion" in "all of rakugo (the Hiroshi Otomo supervision, west east company) to want to study once again".
- Former younger disciple Hikoroku Hayashiya who received teaching together in one morning was a quarrel friend once (however, it is said that I was anxious in each other's health in the shadow).
- It was favorite phrase "to be a newly-composed oral comic story when I was able to speak the classical storytelling" and tried for creation and the spread of newly-composed oral comic stories. When I added a lesson to pupils, I touched it to exercising the mouth in a beginning from the material such as "conductresses" suitable for beginners. But I played classics well on stages partly because originally I started the comic story teller life at classical storytelling and was the result of the level that was high as it was taught former teacher Kosan in one morning. Oneself had been born in Joshu, and attachment was strong, and it was consecutive, and "Taisuke Shiobara" played in particular the whole book unusually in the later years.
- It was an opportunity advice of Kingoro Yanagiya that I came to deal with a new work. It is said that there is this, and 今輔 looked up to a gold word tower as the teacher of the life. It might be said, "it is the imitation of the gold word tower" from all around, but did 今輔 rather to be proud of it. "Ramen shop "・" conductress" is a product of Kingoro Yanagiya (有崎勉) again.
- I was good at the telling a kabuki story, but one day was jeered from the seat saying "it is ドサ!". 今輔 where a Joshu accent of oneself was made a fool of and was shocked by was going to never seal it by telling a kabuki story, but played the telling a kabuki story of the Hasegawa product by cooperation of Shin Hasegawa of the dramatist. There was 今輔 as virtue for goodwill of Hasegawa for life. It is said that the figure of "teacher!" and 今輔 to weep bitterly at provoked the impression of people at the funeral service of Hasegawa.
- All the immediate pupils of oneself called it on "さん" and talked by an honorific for the comic storyteller of an immediate pupil and the younger student again. The son who called this "今輔" to the comic storyteller of a certain senior when 今輔 walked the town with a child of oneself, and heard what 捨 てで was invited to in the way that "call my father by name without any honorific title, and is great…It is said that it was with an opportunity that it was awkward that I am asked with so that, person being great.
- In the case of Mikawashima accident happened in May, 1962, it has been made a false report saying "I died in an accident". This really takes the train that the chestnut attendant Ikkyu (three pitches of former companions of Sankyu Kasuga, Teruyo) of the late comedian woke up an accident with a commuter pass of 今之輔 (later Umesuke Sannyuutei) of the pupil of 今輔 in an accident, and this is because part media take the wrong "今之輔" with "今輔" when a commuter pass was discovered in the spot, and it told. The connection with this matter is not sure, but a child (current Utamaru Katsura) will enter the Yonemaru learning under in bower now in the ancient and modern times of the immediate pupil who was an expulsion state at the time of 1961 of the last year, but may be expressed as this reason saying "I keep it and entered the learning under of senior fellow disciple Yonemaru as a pupil with the death of 今輔".
- Based on experience of oneself, it was stock argument "to do the succession to a person's name of the big assumption of the family name by 40 generations". Therefore, fourth generation Yonemaru Katsura who gave the name before oneself in local supervisor pupils of 今輔 was about to have a succession to a person's name talk of "6 代目今輔" at the age of 49 years old. But Yonemaru thinks which "the donation will not be possible during the lifetime" "to be too big for oneself" and declines it.
- I took office as a chairperson for the second generation of rakugo Arts Council in (1974) in 1974, and qualification given to comic storyteller made an effort for the establishment of the system to get promotion automatically in reform of the remuneration for labor system of the qualification given to comic storyteller, the second promotion 15 years. But 今輔 after the chairperson assumption of office seemed to let you consume mind and body intensely partly because I say the chairperson assumption of office at the advanced age of 75 years old, and Yonemaru of the local supervisor pupil looks back toward the state of 今輔 at the time saying "I seemed to finish being emaciated when I go down from the stage". 今輔 will die from the chairperson assumption of office in less than three years after all.
- I advised a younger student for self-administration and the living guidance strictly saying "you must not pass 12:00 because you must not drink when it was past 12:00 and it was already the next day and would drink 12:00 for two days when over".
School pupil
It is small Bunji school about brothers pupil, the disciple of the second generation child
- Bush warbler spring bower plum bridge（Mystery writerMichio Tsuzukiの true older brother)
- Fourth generation Yonemaru Katsura
- Third generation Sanyutei Enu (in 今輔 equal to the father-in-law)…Jusuke Kokontei is to a pupil, and the pupil assumes Master's name of 6 代目今輔 as a successor.
- Muraku Sanshotei (Karaku Sanshotei is of the same discipline and transfers for the eighth generation)
- Third generation Umesuke Sannyuutei (I discontinue my business later)
- Third generation Kinza Yanagiya
- There is Utamaru Katsura (I gave child with the both persons in 今輔門下 in bower now in the ancient and modern times, and Yonemaru still gave first) that Ryushi Shunpuutei is of the same discipline, and it is in the Shunputei branches and leaves which I transferred to, an expulsion state after Sanyutei Enyu learning under elsewhere for the eighth generation for the fourth generation and keeps it later, and it was a local supervisor pupil of Yonemaru as a pupil.
Related story
This article is taken from the Japanese Wikipedia Imasuke Kokontei (the fifth generation)
This article is distributed by cc-by-sa or GFDL license in accordance with the provisions of Wikipedia.
In addition, Tranpedia is simply not responsible for any show is only by translating the writings of foreign licenses that are compatible with CC-BY-SA license information.
0 개의 댓글:
댓글 쓰기