Daiei Motion Picture Kyoto studio
| Kind | Business ground |
|---|---|
| Market information | Extinction |
| Abbreviated designation | Daiei Motion Picture Kyoto |
| The head office location |  Japan〒616-8167 KyotoKazurano countyUzumasa-muraMany thickets-cho (current prefecture Uzumasatayabucho, Ukyo-ku, Kyoto-shi) [1] |
| The establishment | 1927 Nikkatsu Uzumasa studio 1942 Daiei Motion Picture Kyoto studio |
| Type of industry | Service industry |
| Business contents | Production of the movie |
| Main stockholder | Daiei Motion Picture |
| Person to be related to | Masakazu Nagata Akira Kurosawa Kenji Mizoguchi Teinosuke Kinugasa Daisuke Ito Kenji Misumi Raizo Ichikawa |
The Daiei Motion Picture Kyoto studio (だいえいきょうとうさつえいじょ) is the movie studio that ever existed of Japan. A Japanese moving picture performed open as "Nikkatsu Uzumasa studio" in (1927) in 1927 [1]. It was the cause of Japan filmmaking Co., Ltd. established by unification in the wartime of (1942) in 1942 (のちの Daiei Motion Picture, current Tsunogawa movie), a same name designation [1].
Because the company became the subsidiary of Tokuma Shoten after bankruptcy of the company of December (1971) in (1974) in [1], 1974 in 1971, the rebuilding, the studio were made a branch shrine and it was in Daiei Motion Picture movie Kyoto studio Co., Ltd. (- だいえいえいがきょうとさつえいじょ) and was completely closed (1986) in April in [1], 1986 [1].
Table of contents
Data
- Location Kazurano, Kyoto county Uzumasa-mura many thickets-cho (current prefecture Uzumasatayabucho, Ukyo-ku, Kyoto-shi)
Change of the name
| The name of an era | Name | Management company | Remarks |
|---|---|---|---|
| 1927 | Nikkatsu Uzumasa studio | Japanese moving picture Co., Ltd. | Open |
| 1942 | Daiei Motion Picture Kyoto studio | Japan filmmaking Co., Ltd. | Wartime unification |
| 1945 | Daiei Motion Picture Kyoto studio | Daiei Motion Picture Co., Ltd. | Company name change |
| 1974 | Daiei Motion Picture movie Kyoto studio | Daiei Motion Picture movie Kyoto studio Co., Ltd. | After bankruptcy of 1971 a branch shrine |
| 1986 | - | Daiei Motion Picture movie Co., Ltd. | Closedown, sale |
Brief career history, summary
A Japanese moving picture started construction of a new studio (1927) in the ground in January in 1927 and historical drama region moved from Nikkatsu generalissimo studio in December of the year and opened it as Nikkatsu Uzumasa studio. The modern drama department moved to the studio from a generalissimo (1928) in April in 1928, the following day, too, and the opening ceremony was held.
Makino Masahiro (のちの Masahiro) who dissolved (1932), Makino production in 1932 entered the studio as supervision, but Einosuke Yokota discharged you in the fate from charges of father soon. Yokota is replaced before long, and Makino Masahiro who dissolved Makino Torquay Seisakujo in (1937) in 1937 enters the company again [2].
A production section of Nikkatsu, Xinxing cinema, a big city movie integrated it with the wartime with the movie method and the World War II outbreak of war established (1942) in January in 1942 by flows such as the Japan-China War that broke out in (1939) in 1939 three years before it by unification, and duties were started in start, April of the year, and Japan filmmaking Co., Ltd. (のちの Daiei Motion Picture, current Tsunogawa movie) was renamed to "Daiei Motion Picture Kyoto studio", and Nikkatsu which contributed a studio and the whole production region including the employee retained it as a movie performance company. "The new cinema Uzumasa, Kyoto studio" which a new cinema owned became "the Daiei Motion Picture second studio" by this merger [3]. The second one was loaned out after the war in (1947) in 1947 by Toyoko Eiga Co., Ltd. and became "Toyoko Eiga Co., Ltd. studio" (current Toei Kyoto studio) [3].
Daiei Motion Picture went bankrupt (1971) in December in 1971 [1] and began the rebuilding. (1974), Daiei Motion Picture became the subsidiary of Tokuma Shoten in 1974 and became rebuilding, "Daiei Motion Picture movie Co., Ltd.". The studio was made a branch shrine by the main body, and "Daiei Motion Picture movie Kyoto studio Co., Ltd." was established and changed the name of the studio to the Daiei Motion Picture movie Kyoto studio [1]. I maintained only two stages for last years and operated exclusively as a rental studio.
It was completely closed down (1986) in April in 1986, and the ruins became the residential area [1]. The history of the studio for 59 years ended.
Characteristic
Craftsman spirit was strong for the staff mainly on the historical drama, and there was the intention of President Masakazu Nagata again, too, and nepotism was adopted, and all the employees were the systems like the relative relative (this applies to Tokyo studio). It became the influence or the considerably exclusive constitution, and the spirit of rivalry to the staff of not only the repulsion to the supervision of other companies invited in five agreements but also the Tokyo studio position was considerably strong. Only for three days [4] last as for what Noriaki Yuasa who was director employee of the Tokyo studio position receives a cold treatment to be thrown by location bus together with the staff when "I took 5 years old" (1970) in Kyoto studio, and came by studio photography.
When I saw a technical aspect, I excelled in the illumination technology that I made use of shadow in, and the cunning as I did not remind you of outdoor location and set photography was a traditional characteristic of Daiei Motion Picture Kyoto. As for the method that I used backed by lawn cloth as technique of "the light haze", this studio was unique. Kohei Sugiyama began this. As technique of "the para-night view", I painted the small tools such as Japanese pampas grasses black with India ink down and thought out technique to express "the darkness of the moonlit night" [5].
With Daiei Motion Picture Tokyo studio, I dedicated to a film of Agfa Corporation [6]. Because I had the developing of Agfa only in Tokyo Genzosho, therefore, it is said that I suffered by coming and going on 3rd until you must send it, and a rush film goes up the film after the photography to Tokyo Genzosho every time. I characterized a color different from Eastman Kodak color and Fuji Film of other companies again, and the film of Agfa became the unique taste of the Daiei Motion Picture movie. Both Kyoto and Tokyo installed a direct current strange electric equipment in the studio in Daiei Motion Picture while other companies used it in alternating current, and the machine parts of projection, recording and others of the movie operated direct current. The operation of the machine has few irregularities, and an advantage of the direct current operation is that a noise is suppressed [7].
Main filmography
- Daiei Motion Picture Kyoto studio
- 『Rashomon』 : Supervision Akira Kurosawa, 1950
- 『Tales of Moonlight and Rain』 : Supervision Kenji Mizoguchi, 1953
- 『The hell gate』 : Supervision Teinosuke Kinugasa, 1954
- 『Hell flower』 : Supervision Daisuke Ito, 1957
- 『Destruction by fire』 : Supervision Kon Ichikawa, 1958
- 『Buddha』 : Supervision Kenji Misumi, 1961
- 『Great malevolent deity』 : Supervision Kimiyoshi Yasuda, 1966
- 『Gambler Kazuyo making the first kill firmness』 : Supervision Kimiyoshi Yasuda, 1969
Gallery
-
『Rashomon』 (1950)
-
"Tales of Moonlight and Rain" (1953)
-
『The hell gate』 (1954)
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"New The Heike Monogatari" (1955)
-
"Sisters of Gion" (1956)
Note
- It is read ^ a b c d e f g h i "Daiei Motion Picture Kyoto studio" on Ritsumeikan University official site (# outside link column), October 8, 2009. I omit a double link.
- I refer to a description of "the history of in the "Makino project" site of the ^ Ritsumeikan University Kinugasa campus Makino movie activity".
- ^ a b Toei Kyoto studio, Ritsumeikan University, October 8, 2009 reading.
- ^ "steal it man critical biography movie director, Noriaki Yuasa who made lah" (aspect)
- ^ "Daiei Motion Picture special effects collection malevolent deity very much" (Tokuma Shoten)
- I use Agfa and a film of Fuji in half-and-half among works in the ^ year
- ^ "large malevolent deity counterattack DVD" Fujio Morita, talk of Yoshiyuki Kuroda
Outside link
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