BLEEZE - G4, III ...
| "BLEEZE - G4, III ~" | ||||
|---|---|---|---|---|
| Single of GLAY | ||||
| First to go out album "MUSIC LIFE" | ||||
| Release | ||||
| Standard | Maxisingle | |||
| Genre | Lock J-POP | |||
| Time | ||||
| Label | loversoul music & associates | |||
| Words, composition | TERU (#1) TAKURO (#2) HISASHI (#3) JIRO (#4) | |||
| Produce | GLAY & SEIJI KAMEDA | |||
| Chart best order | ||||
| GLAY single chronological table | ||||
| ||||
"BLEEZE - G4, III ..." (ブリーズジーフォー three) is a single of 50 items of GLAY of the release in total from loversoul music & associates on July 9, 2014.
Table of contents
Summary
The 20th Anniversary Year three months continuation release third. Is of the 20th anniversary of the debut and single the 50th piece; is commemorative and is driven GLAY 20th Anniversary 50th SINGLE and a nail [5].
The musical piece that each four members wrote a new is recorded, and I am released for the third of the G4 series to follow 43rd single "G4, II -THE RED MOON-" [5], and, 33rd single "G4," Seiji Kameda is in charge of produce with all musical pieces [5]. I assumed "BLEEZE" and entering of one piece of coupling two pieces, but will release it as the G4 series third triggered by what Kameda suggested "it is an of the 20th anniversary single person of GLAY, and why don't you put music of each member?" as before at first with four pieces of A sides [6].
In addition, as for songwriting of TERU having become the first piece as an A side of title music and the CD, a product becomes naive now [7]. It was not positive that TERU makes one's single music at first, but will undertake it by having been persuaded with "dramatic じゃん by TAKURO when music of TERU is single by in a single at the 50th piece and the debut 20th anniversary at this time!" [8]. For the reason why TERU was not in charge of single music, I state, "I am all alone and will carry it on my back when I write verse and music alone and it becomes single and sings, and it was not proud." until now [8].
Mika Ninagawa is in charge of a jacket and the music video of "BLEEZE" by a suggestion of TERU [9]. After making arrangements since calendar photography of 2004 directly in a recording studio in the beginning of March after an interval of ten years, as for crossing a tag, the meeting was finished in around 30 minutes because an image led by a musical piece was the same, and directionality hardened [9]. In addition, I add the DVD to a music video of "BLEEZE", and a document of the northeastern six holding a ceremony for the dead by IVAN of the fashion model and a live image are recorded.
As for the release form, charity edition "BLEEZE - Loppi, HMV X GLAY EXPO2014 TOHOKU support charity edition ..." is released in addition to CD+DVD board, CD Only board only in LAWSON, MINISTOP, HMV [5].
Collecting music
CD
- BLEEZE
- Words, composition: TERU / arrangement: GLAY & SEIJI KAMEDA
- "GLAY EXPO 2014 TOHOKU 20th Anniversary" theme song [5], store specializing in contacts eye city "summer and I make an eye campaign!" CM song [5].
- It is official and is introduced with "the musical piece to let the new constant seller song of the live feel a start of the new history that it will be with the refreshing lock number that is good to a keyword "in the summer" appropriate for the theme song of the GLAY EXPO." [5].
- About Oriental fiddle music, I state, "I wanted to do it in the music that what, anyway, collect summer-like words, and all sing by a festival together happily, and waves a hand can imagine", and, in TERU, the jacket tells a thoroughly brilliant style that I finished it including a music video, too [10].
- Outside rough sea SAPPHIRE
- Words, composition: TAKURO / arrangement: GLAY & SEIJI KAMEDA
- I read with Y tongue sapphire and it is official and introduces the title with "the bewitching middle lock tune that there is an oriental atmosphere." [5]. Masayuki Muraishi participates in a drum [5].
- In the musical piece that imaged Shanghai per 1920s, TAKURO leaves title music to TERU about Oriental fiddle music and makes much of a guitar riff this time and states that I made it being conscious of jumping out of "model" of the pop music of GLAY and tells that, as a result, I might jump out of there [11].
- Paint it black!
- Words, composition: HISASHI / arrangement: GLAY & SEIJI KAMEDA
- It is official and introduces me with "the scamper number that a solid guitar of the HISASHI clause explosion is impressive." [5]. I make it dignified, and Pierre Nakano of the autumn shower participates in a drum [5].
- HISASHI about a theme of the Oriental fiddle music "is born, but when is black once, and want to paint over such a thing, all forget until now, and the world that is new again from tomorrow begins a そういうことはまあ size or the small in living human relations, economical relations, and all that, usual times…I tell, you may think of ぐらいに [12].
- In addition, in the lyrics, paint it black "of the title! Word "sorrow" which has become dirty which phrase and Chuya Nakahara whom the rolling stone including together" used in "and "Paint It Black", "Let's spend the night thought out is included [12].
- YOU
- Words, composition: JIRO / arrangement: GLAY & SEIJI KAMEDA
- BS TV station, Dlife "resurrection ... レザレクション ..." ending theme [13].
- It is official and introduces me with "the ballad that the warm lyrics and acoustic sound are impressive." [5]. I make it dignified, and Pierre Nakano of the autumn shower participates in a drum [5].
- JIRO comments on Oriental fiddle music saying "the thought that it is said to be skillful with life, and to value time carefully on each day is loaded each day with in the world where various cases and accidents are taking place." [13].
- It becomes approximately ten years since JIRO having been in charge of words last since "BUGS IN MY HEAD" which was a coproduct with TAKURO (as single Germany, it is approximately 12 and a half years since then since "mister popcorn"). I was going to ask TAKURO for words, but tell that it is after a long absence and dealt with words as before at first because the view of the world of the temporary lyrics that I wrote by oneself is in favor with Kameda [6] and was advised saying "you should write it this time" [14].
DVD
- "BLEEZE" MUSIC VIDEO
- "BLEEZE" MUSIC VIDEO MAKING
- Northeastern six holding a ceremony for the dead in Yamagata DOCUMENT & LIVE by IVAN
- Six soul fes! X GLAY
BLEEZE - Loppi, HMV X GLAY EXPO2014 TOHOKU support charity edition -
| "BLEEZE - Loppi, HMV X GLAY EXPO2014 TOHOKU support charity edition ~" | ||||||||
|---|---|---|---|---|---|---|---|---|
| Single of GLAY | ||||||||
| A side | BLEEZE | |||||||
| B side | BLEEZE KARAOKE VER. | |||||||
| Release | ||||||||
| Standard | DVD+CD | |||||||
| Genre | Lock J-POP | |||||||
| Time | ||||||||
| Label | loversoul music & associates | |||||||
| Words, composition | TERU | |||||||
| Produce | GLAY & SEIJI KAMEDA | |||||||
| ||||||||
I am released only in LAWSON, MINISTOP, HMV, and the release form releases DVD+CD and the price by inexpensive status of 1,000 yen [5]. A part of the sales is contributed to Tohoku as charity [5].
Live images of "BLEEZE" shown for the first time in MUSIC VIDEO (Loppi, HMV ver.) of "BLEEZE" for this limited board and "six soul Fes! X GLAY Special Live powered by Benefit one" held at the municipal management baseball field in the Yamagata-shi haze castle park on May 25, 2014 record 3 the past titles (I perform 3 meeting place 4 publicly in 2001) in DVD by for each one piece of precious picture from held GLAY EXPO titled "ALL ABOUT GLAY EXPO" [5]. Karaoke VER. of "BLEEZE" and "BLEEZE" is recorded in a CD [5].
DVD ALL ABOUT GLAY EXPO
- Temptation - from GLAY EXPO '99 SURVIVAL
- Glorious - from GLAY EXPO 2001 "GLOBAL COMMUNICATION" in TOKYO STADIUM
- Lips - from GLAY EXPO 2001 "GLOBAL COMMUNICATION" in HOKKAIDO
- HOWEVER - from GLAY EXPO 2001 "GLOBAL COMMUNICATION" in KITAKYUSHU
- Person - from GLAY EXPO 2004 "THE FRUSTRATED" which loves spring
- BLEEZE MUSIC VIDEO (Loppi, HMV VER.)
- BLEEZE LIVE VER. FROM six holding a ceremony for the dead
CD
- BLEEZE
- BLEEZE KARAOKE VER.
- Composition: TERU / arrangement: GLAY & SEIJI KAMEDA
Participation musician
- TOSHI NAGAI (both M1, charity board M2, drums)
- MASAYUKI MURAISHI (G4, III board M2, drums)
- PIERRE NAKANO (G4, III board M3, M4, drums)
- JUN ☆ MURAYAMA (both M1, charity board M2, piano)
- CHIEKO KINBARA STRINGS (both M1, charity board M2, strings)
- YASUTAKA TOYODA (makotoya) (manipulator)
Footnote
- ^ a b "BLEEZE - G4, III ..." GLAY (Oricon entertainer encyclopedia) November 4, 2014 reading.
- ^ [Oricon] a July, 2014 degree monthly ranking
- ^ COUNT falling TV single ranking July 19, 2014 broadcast
- ^ JAPAN COUNTDOWN CD single ranking July 19, 2014 broadcast
- ^ a b c d e f g h i j k l m n o p q "50th SINGLE "BLEEZE" July 9 release decision an audition start (NEWS & INFO 2014.05.25)!". GLAY official site. June 1, 2014 reading.
- ^ a b "GLAY "BLEEZE - G4, III ..." interview (2/5)". Natalie. August 3, 2014 reading.
- ^ "BLEEZE - G4, III ... (GLAY DISCOGRAPHY)". GLAY official site. June 1, 2014 reading.
- ^ a b "Vol.35 TERU WEB interview". GLAY official site. August 1, 2014 reading.
- ^ a b "Mika Ninagawa supervises GLAY, glitter MV of "BLEEZE"". BARKS. June 8, 2014 reading.
- From ^ "music and person August, 2014 issue" "GLAY interview" (P6 - 27)
- ^ "Vol.37 TAKURO WEB interview". GLAY official site. August 1, 2014 reading.
- ^ a b "Vol.38 HISASHI WEB interview". GLAY official site. August 1, 2014 reading.
- ^ a b "new song "YOU" of GLAY drama "resurrection ... レザレクション ..." ED decision." Musicman-NET. August 31, 2014 reading.
- Challenge "to ^ "BLEEZE - G4, III ..." and "" now to give glory to GLAY, the 20th anniversary" [interview]. BARKS. August 3, 2014 reading.
Allied item
- G4 (33rd single)
- G4, II -THE RED MOON- (43rd single)
- G4, IV (53rd single)
- GLAY EXPO
- Tohoku six holding a ceremony for the dead
Outside link
This article is taken from the Japanese Wikipedia BLEEZE - G4, III ...
This article is distributed by cc-by-sa or GFDL license in accordance with the provisions of Wikipedia.
In addition, Tranpedia is simply not responsible for any show is only by translating the writings of foreign licenses that are compatible with CC-BY-SA license information.
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