Tayo Nakahara

Tayo Nakahara (なかはらたよ, 1911 (1911) May -) [¹] is a Japanese vocalist, singer, a researcher of the vocalization. I practice it, and the activity is described as "a vocalist valuing the lyrics" the study for the song of both European music, traditional Japanese music [²]. In addition, I study vocalization to make use of a characteristic to have of Japanese people in scientifically and perform the voice training that kept it alive.

Table of contents

Brief career history

I am born in Yokohama in May, 1911.

There was large-scale organ upright piano, 電蓄 in the house while I worked hard at a lesson of the traditional Japanese music after childhood. In addition, mother came under an influence of both koto, samisen and traditional Japanese music, European music while an uncle played the violin, and an aunt sang a hymn.

In the case of the Great Kanto Earthquake of 1923, I am a graduate from the school after transfer in Institute of culture from the first Kanagawa Prefectural girls' high school (current Kanagawa Prefectural Yokohama Hiranuma Senior High School). I quit Japan Women's University domestic science in one year. The leaving school in midcourse of the thing which enters this music school in these days for 1930 through 1931, and receives the instruction of the bel canto singing method in アッテリオ ベレッティ of the Italy カーピ opera company [³]. During attendance at school, I joined "the vocalist forehand" that became the base of the Fujiwara opera company and was to be objected to by the principal for making a group called "Tokyo セレネーダーズ", and having done the work of the stage radio.

I receive training for ballet jazz tap, Japanese dance, the drama in the vocal music specialized course of the Shochiku opera company where 谷田部勁吉 was the chief and transfer to the Toho theatrical company afterwards. I appear in Kabuki, the new school of drama, a musical (the word musical has not been yet used in Japan.) to say now. I sing light music (not Locke.) and the enka ballad. It "seems to remain for some kind of records" that own expense performed an operetta "showboat" publicly in 1939 [⁴].

In May, 1943, I marry pianist Nakahara high level in matchmakings of Kosaku Yamada.

With Seiho Kineya, I continue studying the overall traditional Japanese music after the war. From 1951, held at "Japanese のうた" recital at a pace of ... every second year every year (12 times); [⁵]. I announced a Japanese song by the piano accompaniment and the work of the person of traditional Japanese music by the traditional Japanese music device accompaniment. I establish the gate music dancing school of the tiger and, in 1957, perform musical "cat (I write the script) in boots" publicly with Japanese young man building. From about 1958, I am in charge of scripts such as an NHK radio "woman "uncle "time of the tea" "to talk, and to come out" of the song" of the song".

About 1975 reaches it including a study of physiological anatomy, the anthropology with Seiichiro Inoguchi of the Showa University medical department in earnest at the present.

It is studied under soldier of the Imperial Guard, Nobuko Hara with vocal music アッテリオ ベレッティ, Keisuke Shimoyakawa, Shirota again. I study under Seiho Kineya in traditional Japanese music. A Japanese vocal music utterance society, a member of Japanese race Musicological Society.

In about 2011, I die

Main activity

I hold the disciple concerts called "a meeting of the new traditional Japanese music music". "A structure meeting for the study of the utterance" or the related symposium opened, too. In addition, as "the consultant of the voice," I continue the utterance instruction of people working using a voice as well as utterance of the vocal music.

Book

• "Hmm, "it is N" self-publishing, 1985 the culture of the voice Tayo Nakahara
• "Hmm, "it is N" Yamaha music media, 1996 the Tayo Nakahara culture of a voice and the body voice

Footnote

1. Even if there is little ^, I live at (88 years old) in 1999. It depends on reading on March 4, 2010 when "a .com voice to be cured does not have power".
2. ^ Ikuko Daimatsu, Yuzuru Kikunaga "culture Tayo Nakahara Ikuko Daimatsu edition "talk reading aloud culture" corner wound bunch ,p40 of the voice"
3. "Hmm, "it is N" Yamaha music media ,p29 a voice and the culture of body - voice ^ Tayo Nakahara
4. "Hmm, "it is N" Yamaha music media ,p86 a voice and the culture of body - voice ^ Tayo Nakahara
5. "There is deep thought carefully, and, for ^ this, Ikuko Daimatsu who is a reading aloud leader, researcher describes Japanese as it saying it is saying it is important.". Ikuko Daimatsu, Yuzuru Kikunaga "culture Tayo Nakahara Ikuko Daimatsu edition "talk reading aloud culture" corner wound bunch ,p49 of the voice" more.

References, URL

• Ikuko Daimatsu, Yuzuru Kikunaga "culture Tayo Nakahara Ikuko Daimatsu edition "talk reading aloud culture" corner wound bunch of the voice", 1996
• "Hmm, "it is N" Yamaha music media, 1996 the Tayo Nakahara culture of voice and body - voice

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