검색어 joruri story에 대한 글을 관련성을 기준으로 정렬하여 표시합니다. 날짜순 정렬 모든 글 표시
검색어 joruri story에 대한 글을 관련성을 기준으로 정렬하여 표시합니다. 날짜순 정렬 모든 글 표시

2017년 3월 14일 화요일

Three pieces

Three pieces

As for three pieces (さんきょく), it is named three kinds of musical instruments of a folk song samisen (samisen), a koto, the Chinese fiddle generally. Or a folk song, the koto music that are those music, a generic name of the Chinese fiddle comfort. A shakuhachi increased later. In addition, it is three pieces of ensembles.

Table of contents

Three pieces of origin

It is not obvious when you were used from, but there are some examples in a meaning to match three kinds of musical instruments with. Originally a folk song samisen, a koto, the Chinese fiddle were the musical instruments which the blind person musician who belonged to the internal medicine seat from the early period of Edo era treated, and a folk song, the koto music that were the music with each musical instrument, Chinese fiddle comfort were established by them sequentially. Similarly it is their specialized music, and, in these musical instruments and music, it is thought that the word "ensemble of three instruments" might begin to be used to much more always distinguish it for performed "biwa accompaniment of the Heike Monogatari" (music of the chanting of Heike-monogatari). But there was the record that called a koto, a Chinese fiddle, the ensemble of the shakuhachi "three pieces" in the middle of Edo era and it was vague and might merely call the combination of musical instruments of three kinds with "an ensemble of three instruments" (a shakuhachi is not a musical instrument of the internal medicine seat). It is from this time that the word "three pieces" looks like documents. Various musical instruments seemed to be played together early in the Edo era, but the record called "three pieces" has not been yet found. A folk song, koto music, the Chinese fiddle comfort came to have an original musical piece as established as art music before long and were established as each independent another music without being played in concert. However, these musical instruments came to be played together mainly on a folk song in particular from the time in the middle of the Edo era. Check that I let all three kinds of three pieces in particular of musical instruments play in concert and call it with an ensemble of three instruments ensemble. "Three pieces" and the context of "three pieces of ensembles" are unclear.

A shakuhachi was an internal medicine musical instrument out of the seat, but there were a Chinese fiddle and interchange for a long time, and a samisen, the ensemble with the koto came to often increase it again from at the middle in the Edo era and entered it after Meiji in earnest. Therefore, three pieces of ensembles include common samisen, koto, Chinese fiddle and a samisen, a koto, two ways of formation called the shakuhachi, but the latter is much more commonly used now. In addition, because the people who can play a Chinese fiddle after the Meiji era decreased, I do not include a Chinese fiddle in "three pieces", and there is the ensemble of three instruments person to ignore. However, what I remove a Chinese fiddle from the ensemble of three instruments and put behind is unfair because the Chinese fiddle is originally three pieces of musical instruments and the Chinese fiddle comfort is handed down now and the ensemble of three instruments ensemble with Chinese fiddle follows it and is performed.

A samisen, a koto, a player of the Chinese fiddle have many additional posts, but the shakuhachi has many musicians specialized in it chisel. The appearance is beautiful, too, or three pieces of ensembles are often described in a color woodblock print, and most are with a Chinese fiddle.

The ratio to share the same music for an ensemble became higher, and, after the middle of Edo era, a folk song, koto music, the Chinese fiddle comfort gradually unified it while leaving the inherent music each and were in an indivisible situation by the late Tokugawa period. In addition, after the Meiji era, the ratio to join an ensemble, and to play ground song, koto music as a repertory grows big, and after all the shakuhachi unifies even music made in the present age while a lot of ensembles with a koto and the folk song samisen have an independent school. Therefore I call four kinds of music of these folk songs, koto music, Chinese fiddle comfort, shakuhachi comfort "three pieces" collectively and am used to distinguish it from other traditional Japanese music items, e.g., a long song and a joruri story, Kiyoharu, biwa comfort, Noh. Three pieces of modern players form a music group of "three pieces society" "federation of three pieces" "association of three pieces" other than a school.

Three pieces of except three pieces

The folk song has the longest history as samisen music, and even other samisen music may occasionally treat "an ensemble of three instruments" probably because there are many parts which became the model of other samisen music. For example, "the koto torture of the pearl oyster" is famous for the joruri story that is accompaniment music of puppet ballad drama and Kabuki, and folk song samisen, koto, all the ensembles of three instruments of the Chinese fiddle are played here. In addition, a samisen, a koto, a Chinese fiddle divide 詠 by the long song music "-like of three pieces of threads" and "three pieces of high, middle and ordinary grades" and express each music with a samisen again (they do not really use three pieces of musical instruments).

Point to keep in mind

  1. Chikushi koto, the Yabase style just convey most of the first-term music in koto music in the early period of Edo era and do not perform the ensemble with other musical instruments.
  2. I use the bright lapis lazuli system middle-sized neck samisen not a folk song samisen in a normal ensemble in the Yamada style koto music.
  3. The Yamada style koto music may perform bright lapis lazuli and ensembles (it is said with negotiations an alternation performance) such as a kind of ballad-drama that is a genre out of three pieces by music.
  4. The samisen music except the folk song is not included in three pieces and does not perform three pieces of ensembles basically either.
  5. A folk song, a samisen, a shakuhachi, the Chinese fiddle of the folk entertainment are not included in three pieces.

Three pieces of genre

Koto music

  1. Chikushi koto
  2. Yabase style
  3. Ikuta style system
  4. Yamada style
  5. In addition, (including the Kyogoku style)

Folk song

  1. Yanagawa style system
  2. Nogawa style system

Chinese fiddle easy

  1. Folk song system (Kyoto system, Osaka system, Nagoya system, Miyagi society system, 政島流 {break})
  2. Yamada style system (藤植流, pine old man style)

Shakuhachi easy

  1. Light underflow system
  2. Koto old manners
  3. Capital mountain stream
  4. In addition, (including an Ueda style, the 竹保流, Nishizono style)

Allied item

It is acquired by "https://ja.wikipedia.org/w/index.php?title= three pieces &oldid=52663750"

This article is taken from the Japanese Wikipedia Three pieces

This article is distributed by cc-by-sa or GFDL license in accordance with the provisions of Wikipedia.

Wikipedia and Tranpedia does not guarantee the accuracy of this document. See our disclaimer for more information.

In addition, Tranpedia is simply not responsible for any show is only by translating the writings of foreign licenses that are compatible with CC-BY-SA license information.

2016년 9월 8일 목요일

Somedayu Takemoto

Somedayu Takemoto

Somedayu Takemoto (cooked it and dyed the material say) is a tayu of the joruri story. I am cut off for a long time since I die for the ninth generation.

Table of contents

The first

(age unknown - Tenmei era August 11, 5 (September 14, 1785)) the real name is Taho shop source seven.

I was born in Osaka Shigeru Shimonishi and become a disciple of Masadayu Takemoto for the second generation in 1754. It is a debut at Takemoto seat. "Mt. husband and wife women parental discipline" of 1771 becomes the successful part.

A father of the interest in the joruri story of Edo period. 染太夫 of common name はは source seven, Dempo shop source seven.

Second generation

（It is unknown on the straight year of a person's death）

I play an active part later from the middle of Edo era.

Mine tayu assumes Master's name as a successor in 1786. I retire in 1788.

Third generation

(age unknown - culture November 30, 3 (January 8, 1807))

The pupil of the second generation Masata husband. I say Oguro-ya Italy soldier of the Imperial Guard of the Osaka straight ball.

First Kajidayu Takemoto assumes Master's name as a successor.

Fourth generation

(age of an emperor six years (1756) - civil administration November 17, 6 (December 18, 1823)) Honna is Izumiya grandchild soldier of the Imperial Guard.

4 代目染太夫 is assumed Master's name of as a successor under the gate of the first Shigeta Takemoto husband (later third generation Sakidayu Takemoto) in 1807 for the second generation by Shigeta Takemoto husband.

The common name is called Izumiya grandchild soldier of the Imperial Guard, stonemason Bridge.

Fifth generation

Later Echizennotaijo Takemoto.

A child is 8 代目染太夫.

Sixth generation

(generous politics August 4, 9 (September 23, 1797) - May 1, 1869 (June 10, 1869)) Honna is luxurious golden mansion beauty Yoshiro. The childhood name is beautiful Yoshiro.

I was born in Osaka Settsu Kawachi and I got close to bright lapis lazuli from childhood, but I discontinue a hardware store and assume Master's name of Kajidayu Takemoto as a successor under the gate of Echizennotaijo Takemoto for the fourth generation in Minoru Takemoto tayu, 1838 for the second generation in 1826 and assume Master's name of 6 代目染太夫 as a successor in January, 1851. I become the leading puppet-show man of the Japanese puppet theater seat in 1865.

"染太夫 of the true tayu," the common name is called luxurious golden mansion beauty Yoshiro, a new soldier of the Imperial Guard commonly.

I leave "染太夫日記" where I wrote down bright lapis lazuli world matter at the time.

Seventh generation

(culture nine years (1812) - 1883 (1883) June 11) Honna is Harima new Saburo.

I was born in Osaka-shi and study under learning under of Harimanotaijo Takemoto followed by 5 代目染太夫. A good reputation tayu, a wave tayu, I assume Master's name of 7 代目染太夫 as a successor through fifth generation Kaji tayu in September, 1870 in about 1858.

Eighth generation

(Koka era one year (1844) - 1884 (1884) June 18) Honna is Tsu Jiro Taguma.

Birth of Osaka, a child of 5 代目染太夫. I assume Master's name of Kajidayu Takemoto as a successor under the gate of 6 代目染太夫 for the sixth generation in Someko Takemoto tayu, 1870 in 1867 and assume Master's name of 8 代目染太夫 as a successor in 1879.

Ninth generation

(Kaei era November 15, 6 (December 15, 1853) - 1916 (1916) February 17) the real name is Akiyama waterfall storehouse.

It is the succession to a person's name by Yadayu Takemoto learning under Noboru Takemoto group tayu in 9 代目染太夫 under the gate of Sumidayu Takemoto in 1897 for a valley tayu, the fifth generation in 1877 for the fourth generation in birth, 1875 of the Sanuki country (current Kagawa). I retire in April, 1913.


It is acquired by "https://ja.wikipedia.org/w/index.php?title= Somedayu Takemoto &oldid=60515844"

This article is taken from the Japanese Wikipedia Somedayu Takemoto

This article is distributed by cc-by-sa or GFDL license in accordance with the provisions of Wikipedia.

Wikipedia and Tranpedia does not guarantee the accuracy of this document. See our disclaimer for more information.

In addition, Tranpedia is simply not responsible for any show is only by translating the writings of foreign licenses that are compatible with CC-BY-SA license information.

2017년 4월 8일 토요일

September 10 (the old calendar)

September 10 (the old calendar)

It is an old calendar September 10 eye on September 10 in the old calendar. The six kinds of day is an unlucky day.

Table of contents

Event

Birthday

Black-letter day

Memorial day, annual function

Allied item

It is acquired by "https://ja.wikipedia.org/w/index.php?title=9 ten days a month _ (the old calendar) &oldid=46622884"

This article is taken from the Japanese Wikipedia September 10 (the old calendar)

This article is distributed by cc-by-sa or GFDL license in accordance with the provisions of Wikipedia.

Wikipedia and Tranpedia does not guarantee the accuracy of this document. See our disclaimer for more information.

In addition, Tranpedia is simply not responsible for any show is only by translating the writings of foreign licenses that are compatible with CC-BY-SA license information.

2016년 8월 10일 수요일

1651

1651

Millennium: 2,000 ages
Century: The 16th century - The 17th century - The 18th century
10 ages: The 1630s The 1640s The 1650s The 1660s The 1670s
Year: 1648 1649 1650 1651 1652 1653 1654

The average year when (1651 does not lie down) begins on Sunday by (the Gregorian calendar) in the Christian era in 1651.

Table of contents

Other round of the twelve horary years law

This gnarl is described based on guidelines on law in Wiki project round of the twelve horary years. When you make a big change to this gnarl, you suggest it with the notebook of the project mentioned above beforehand, and please form an agreement.
Explanatory notes
  • "Japan" "China" "around China" "Korea" "Vietnam" in the classification was a local concept, and, not the thing which let you do a specific nation, the again broadening established it conveniently. A classification of the dynasties referred to of "*" is temporary placement and is examining in particular correspondence with the notebook of "guidelines" now.
  • "The Chinese outskirts" point to "some areas (equivalent to approximately central Eurasia) adjacent to north Asia, Central Asia of the wide sense and this of China".
  • The name of an era that I advocated to the item of one step of right hotchpotch is the private name of an era against the dynasty which built the name of an era of the upper section.
  • Akimoto and the Jewish calendar display the number that I counted backward from the first year and Christian era age to support currently on an unlucky day, and it should be noted the use because I do not confirm the certain source with the description on calendar days such as in the old calendar.
  • It was taken effect with solar calendar adoption of 1873 in Japan in the Imperial reign.
  • I was used formally from 1948 through 1961 in the Republic of Korea for the platform period.
  • The main constituent calendar is used formally in the Democratic People's Republic of Korea from 1997.
  • Akimoto is based on the Thai French calendar which assumes B.C. 543 the first year on an unlucky day. Because I do B.C. 544 in Sri Lanka with the first year, 1 wants to be added.


Event

Birth

Category: The 1651 student refers, too.

Death

Category: I refer to the d.1651.

It is acquired by "https://ja.wikipedia.org/w/index.php?title=1651 age &oldid=46555639"

This article is taken from the Japanese Wikipedia 1651

This article is distributed by cc-by-sa or GFDL license in accordance with the provisions of Wikipedia.

Wikipedia and Tranpedia does not guarantee the accuracy of this document. See our disclaimer for more information.

In addition, Tranpedia is simply not responsible for any show is only by translating the writings of foreign licenses that are compatible with CC-BY-SA license information.

2016년 8월 24일 수요일

Ise leading

Ise leading

Vagueness evasion In this item, I explain "Ise leading" of the folk song. Please see "Ise leading love blunt blade" about the program of Kabuki known as the popular name of "Ise leading".
A total dance of specialty of Bizen shop "Ise leading" of "いせおんど cherry tree sliding paper-door" Furuichi, Ise. 1847–52 age, Sadahide Utagawa image.

Ise dance song (いせおんど) is the folk song which it is sung in Ise country of the Edo era, and spread out in the whole country. But it was old and named sound music to use that a harlot sang in a red light district of Furuichi, Ise and danced it.

Table of contents

Commentary

There are two kinds of things called "Ise leading" that happened in Ise of the Edo era. It is the folk song that sound music and the other which let a harlot sing as for it in one, the red light district of Furuichi, Ise of the famous place in visit to Ise are known for the lyrics of [1] that "Owari Nagoya that Tsu that Ise is Tsu and has is Ise and has is a castle and has" now and are sung.

Ise leading of Furuichi

According to "by God boundary secret" (度会貞多), thought, Ito of Kawasakicho asked the person called the city (fame as a haiku poet plum road) for words again in the Kyoho era so that the person called the Okuyama peach cloud which lived in Fukiage-cho of Ise made leading based on Bon festival dance from before and let a person called blacksmith's head gate-guard office and 草司 make music and named this "Kawasaki leading". I would open the branch in Nagoya from (1732), red light district several of Furuichi for Kyoho 17 years, but after starting this "Kawasaki leading" as an attraction then in the room, this became the reputation. Because the red light district of this Nagoya became the stop in (1738) for Genbun three years, the branch of Furuichi came back to the hometown, but even Furuichi comes to start "Kawasaki leading" that took the reputation in Nagoya, and it is said that it became finally famous. In Furuichi of the Edo era, a lot of red light districts that counted on the traveler of visit to Ise stood, and, by travelers of visit to these Ise, the name of "Kawasaki leading" (Ise leading) in Furuichi, Ise was widely known. As for visit to Ise at the time, not only the faith purpose but also the sightseeing to say in now became the purpose of the trip.

From "pilgrimage to the Ise Shrine pictorial description of noted places" 巻之四 "Furuichi." In front of visitors drinking liquor, women dance it to a samisen in a ring.

Generous politics nine years (1797) in the figure of "Furuichi" of "the pilgrimage to the Ise Shrine pictorial description of noted places" of the publication "is prevalent, and it is with the sinter public のうたひ thing together, and sauce,-like of this ground go over the town and country under the pretense of Ise leading Kawasaki leading commonly in 是 and…There is an explanation with ", and the state that harlots dance to a samisen in a ring is described. In addition, to three eyes "oilmans of "the Ise leading love blunt blade" given the first public performance of in Osaka in generous politics July, 8," there is it with "a room dance of Ise leading". The red light district of Furuichi was known to "Ise leading" by letting harlots dance it in a room.

However, contents changed when "Ise leading" of this Furuichi rose for the several decades from the Kyoho era. Low-class novelist Bakin Kyokutei of Edo takes a trip to Kyoto and the Kinki district including Osaka via (1802), Tokaido for Kyowa era two years and gathers up what I saw and heard then in the writing called "a journey-poem desultory essay". According to "the journey-poem desultory essay," the horse koto visits it in the middle of a trip in Ise Grand Shrine and I stop at Furuichi and I got nervous, but write it down in the red light district about "Ise leading" of Furuichi as follows.

"I pass through fatty tuna to an Ise おんど size now, and I pat Osaka or Edo のめりやす, Itako and resemble it, and non-なるものをうたふ tells you quality timber てふをとこ voice たへに, おんどをうたひ, and Furuichi is 妓 はかへりてこれにおよばず, too…"

According to this, the music that a horse koto heard in a red light district of Furuichi becomes "Osaka or Edo のめりやす", and the person who can sing in harlots who learn "Ise leading", and should tell directly is that I was not. It can call in people called the Yamahara seven Court Security Office which is the friend of the horse koto of this ground with "quality timber" that original "Ise leading" (Kawasaki leading) was a state that connoisseurs have already conveyed music in the days of the Kyowa era in Furuichi. Harlots put it together to a samisen in the red light district that a horse koto went up and sang all at once and seemed to still less dance it.

Several kinds of collections of sound music called "Futami Masago" who collected the lyrics of "Ise leading" of this Furuichi are published and it is all unidentified in the publication year, but I put it together and convey more than 80 music. It is said that I use the knob of the various sound music that there was already at the time of a kind of ballad-drama and joruri story, Noh song for the gnarl. It is called "Ise leading" in substitution for original "Ise leading" (Kawasaki leading), and harlots sing in Furuichi, and the sound music that "I am similar, and a horse koto called the thing named the fault" as the times change is considered to put it together, and to have danced it again by it.

Ise leading in the red light district of "Ise famous place complete works Ise leading" Furuichi, Ise. Before a photograph picture postcard, World War II. Because stage curtains behind have the crest of the wheel, I am thought to be the total dance in the Bizen shop.

The dance of "Ise leading" by harlots of Furuichi in Mikata of the room the thin stage such as the corridor of コ it-shaped, established it, and a lot of harlots lined up on the top, and danced it all at once (as placed above, cf. ukiyoe print of 貞秀). The Bizen person that was the big red light district of the scale (alias cow carriage tower) publishes Sanba Shikitei product, the illustrated storybook called "the authority of specialty of Ise divine wind" with the Kuninao Utagawa image (1818) in Furuichi in March culture 15 years; in that about "Ise leading" of the Bizen shop,

"It is beating time with hands そろへてをどるなり while surrounding it in large をどりといふは between the cherry tree which is famous in the world, six of nine ken of large seat しきをぐるりとおやま (harlot), and putting いせおんどに together, and a great number of beautiful women, Mikata and others floating, and rotating in (corridor)…"

I write down と. I danced "Ise leading" between a cherry tree in a large room called (with "between a car") in the Bizen shop, and a device of 迫 which rose when a harlot danced it was put for the stage. As for what devised this stage direction, a Bizen shop is said to be a beginning, and it is said that a Bizen person began the elevator of the stage for generous politics six years. A total dance of such "Ise leading" was carried out flourishingly in many brothels of Furuichi [2]. Until the early period of at least Showa, it is likely that I stayed in a Bizen shop and the Sugimoto-ya [3]. Naoya Shiga takes it up about a total dance of "Ise leading" to be thought to be the thing of the Bizen shop in the novel "A Dark Night's Passing" latter part. In addition, it reaches it when Haruko Katayama (Sansei Yachiyo Inoue) in charge of capital をどりは of Gion, Kyoto, the choreography made it in reference to "Ise leading" of this Furuichi [4].

Leading of Ise Highway

Separately from "Ise leading of Furuichi," a thing on the pretence of "Ise leading" appears in the Edo era. I put the following sentences on the scroll (Kaei era three years <1,850 age 〉 establishment) on the "city where an emperor lives afternoon nap" first volume of Ippo Nishizawa titled "Ise leading".

If "it is 買 with Tamatsukuri, a shade already after I appear, Fukae is a famous place leading といへば, Osaka of Ise Highway…There are no hotels stations leading those, person from 委 く 諷 ふ and is 豊久野銭懸松 of よふよふ Ise (the rest omitted), and, in slope はてるてる Suzuka, 唱 decreases to population including (the rest omitted) to be clouded to Otsu from 青越, Yamada, Matsusaka, Tsu, Mukumoto, Kubota, Seki from Nara"

In addition, after, in a clause of "Ise leading" of "守貞謾稿", having commented on "Ise dance song" of Furuichi,…In addition, there are more journey of 参宮, song ひ short ballad to go in Keihan district, and there is it saying leading and 云 should do 是歟非歟, Future generations might think that in 是, and "Fukae gives a song of "I have Ise in Tsu" to "Kumano three times seven times to Ise" other than famous place, ヤアトコセーヨウイヤナ, アリャリャ, コリャリャ, ソリャナンデモセー if Osaka can become you and buys jewelry, a shade as an example of the "short ballad" already".

"Leading of Ise Highway" to come out to this "city where an emperor lives afternoon nap" first volume and "守貞謾稿" and "a short ballad" are seen with the source of "Ise leading" sung as a folk song now, and "go, and it is good, uh-oh, I shirr this, and an interlude called よいとこいせ" enters folk song "Ise leading" in the form of similar lyrics [5]. It is the thing which "leading of Ise Highway" happened from what time of time or is not apparent, but "it escapes Osaka, and Fukae puts a song called famous place ヤアトコセイヨイヤナアリヤ ヽ Kono なんでもせへ in the collection of folk songs "samisen music rhythm grass" with the preface of (1822) with a jewelry shade calling himself "Ise Province Setsu Kawasaki" in "countries country song" already in 買" for civil administration five years, and it is reliable that I am at least known to the world before this and was sung.

"Leading of Ise Highway" is used for the Sumiyoshi dance that was the street performance of the petitioner Buddhist priest. "A lot of it songs are 用 ひ in the chapter and verse of the song ふ place of the person from Keihan district about Sumiyoshi dance in 参宮道中 in "守貞謾稿"…There is it with ", and there is Sumiyoshi dance for one act "vain glories height of prosperity play" of kyogen with all-star cast "Shigetoshi flower Genji face mirror" (かわらぬはなげんじのかおみせ) staged (1828) again at Edo Ichimura seat in November for civil administration 11 years,

「高いなァ山から谷底見れば、ヤトセイヤトセイ、瓜や茄子の、やんれ花盛り。ヤアトコセ、ヨンヤナ、アリャリャ、コレワイナ、このなんでもせ」

という歌詞で踊る[6]。これにより文政の頃までには、住吉踊りに「伊勢街道の音頭」を使うようになっていたことが知られる。現在も上演される天保2年（1831年）3月江戸中村座初演の『六歌仙容彩』の「喜撰」にも、以下の歌詞で住吉踊りを踊るところがある。

「難波江の片葉の芦の結ぼれかかりアレハサ、コレハサ、とけてほぐれて逢ふ事もまつにかひあるヤンレ夏の雨、ヤアとこせ、よいやな、ありゃりゃ、これわいな、このなんでもせ」

伊勢音頭は「荷物にならない伊勢土産」ともいわれ、各地で伝わり作り替えられ普及した唄や踊りがある。主に祝い歌として祭などの伝統行事、通過儀礼の席で唄われる事が多い。なお伊勢にはほかに「伊勢道中唄」という唄がある。「明日はお立ちか、お名残惜しや…」と始まるもので、「伊勢街道の音頭」より歌詞は長く形式が異なる。歌詞の中の「六軒茶屋」とは松坂にあった茶屋のことである。

派生した各地の歌

  • 津軽願人節 - 青森県
  • 南部俵積み唄 - 岩手県
  • 秋田大黒舞 - 秋田県
  • 三吉節 - 秋田県
  • 山形大黒舞 - 山形県
  • 花笠踊り唄 - 山形県
  • 帆柱起し音頭 - 富山県
  • まだら節 - 石川県
  • 郡上節 - 岐阜県
  • 三河万歳 - 愛知県
  • 桑名の殿様 - 三重県
  • 尾鷲節 - 三重県
  • 広島木遣り音頭 - 広島県
  • 香川の伊勢道中唄 - 香川県
  • 伊予万歳 - 愛媛県
  • 今治大黒舞 - 愛媛県
  • 博多祝い歌 - 福岡県

脚注

[ヘルプ]
  1. ^ 津は安濃津を含む伊勢の国の港、伊勢とは伊勢国を指すとされる。
  2. ^ 伊勢音頭と古市　全国伊勢音頭連絡協議会
  3. ^ 伊勢音頭　『伊勢参宮案内』　日本旅行協会、昭和5年
  4. ^ 井上流に関する文献などでは、片山春子が古市の「亀の子踊り」を参考にしたといわれており、また田中緑紅も『京の舞踊』（『緑紅叢書』第四十四輯）で古市の「伊勢音頭」の総踊りを、「又おやま踊、亀ノ子踊などと云います」と述べているが、これら以外に古市の「伊勢音頭」について「亀の子踊り」と称した例は見当たらず、「亀の子踊り」という言葉がどこから出てきたのか明らかではない。岡田万里子「京舞井上流と近代日本舞踊の夜明け　―第一回都をどりの舞台とその作用―」（『楽劇学』第十九号　楽劇学会、2012年）参照。
  5. ^ ちなみに伊勢木遣の囃子にも同様の合の手が入る。
  6. ^ 『舞踊劇集』（『日本戯曲全集』第二十七巻　春陽堂、1928年）より。ほかに「信濃なァ信濃の新蕎麦よりも、ヨイヨイ、わたしゃお前の、やんれ側がよい…」ともある。

参考文献

  • 『浮れ草』　※文政5年閏正月序。国立国会図書館デジタルコレクションに本文あり。「勢州川崎節」は79コマ目に見える。
  • 喜多川守貞　『類聚近世風俗志』（原名守貞漫稿）　更生閣書店、1934年　※国立国会図書館デジタルコレクションに本文あり。119コマ目（住吉踊り）、425コマ目（伊勢音頭）。
  • 高野辰之編　『日本歌謡集成』（巻七）　東京堂、1942年　※『二見真砂』所収。国立国会図書館デジタルコレクションに本文あり。
  • 西沢一鳳　『皇都午睡』〈『新群書類従』第一・演劇其一〉　国書刊行会、1976年（復刻版）
  • 中川竫梵　『伊勢古市の文学と歴史』　古川書店、1981年
  • 町田嘉章・浅野健二編　『日本民謡集』〈『ワイド版岩波文庫』245〉　岩波書店、2004年　

関連項目

外部リンク

「https://ja.wikipedia.org/w/index.php?title=伊勢音頭&oldid=60841761」から取得

This article is taken from the Japanese Wikipedia Ise leading

This article is distributed by cc-by-sa or GFDL license in accordance with the provisions of Wikipedia.

Wikipedia and Tranpedia does not guarantee the accuracy of this document. See our disclaimer for more information.

In addition, Tranpedia is simply not responsible for any show is only by translating the writings of foreign licenses that are compatible with CC-BY-SA license information.

피드 구독하기: 덧글 (Atom)