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2017년 2월 20일 월요일

Condense score

Condense score

The condense score (British: condensed score) is the score which is simple, and expressed a musical piece (mainly a musical performance musical piece and a blowing musical piece). I am called a condense toss core, the simple score.

Table of contents

Summary

It is condense score, and the movement of the voice part is gathered by how many steps and is written whereas a musical instrument (part) having one full score is written in one step (as for the number of the steps, various by music) and comes to be able to catch the whole of the music.

Including a transposition musical instrument, I am usually transcribed in real sound. But, with the condense score of the wind music, there is the thing which I wrote the whole long 2 degrees highly. This is to command the whole while a top cornetist plays a cornet as a thing and bandmaster with many musical instruments of the B flat by the wind music [1].

Schoenberg writes an orchestra of 4 pipe formation with condense score in handwriting music of "four songs" work 22. In addition, the score of "Moses and the alone" was published in form of the condense score in the former edition, too.

In addition, I say the thing which I arrange it as piano music in a form of the piano music to split open with a piano in particular and wrote it down with piano score (British: piano score). In addition, I say the thing which did the part of the orchestral music like piano score that a singer and a leader practice in the vocal music music with opera and the orchestral music including the oratorio and use it with vocalist score (British: vocal score).

Use

Not only score is written in real sound and becomes easy to read, but also it is easy to play even the piano easily and is often devised and is used for the cases that a music leader teaches an ensemble to today well. In addition, "the score" of the simple march is almost this form. However, the connection of the horizontal melody is uncertain in the complicated music such as the polyphony music.

For the leader who can read a full score, I rarely use it toward the condense score that is hard to understand each part-time individual sounds daringly. But there is the opinion that condense is easy to command in the case of simple pop music.

Footnote

  1. The example which I write other voice parts jointly on the part music of the solo cornet without assuming ^ score independent score, and there is in substitution for score: The John Philip Sousa composition "loyalty" (American Star Journal / Carl Fischer version) a music example (page in the international score library project).

Allied item

  • Music eight (most of the published music have been ever settled with condense score, but the current new book becomes a full score, and full scoring is pushed forward to the former score again.)
  • Piano reduction

This article is taken from the Japanese Wikipedia Condense score

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2016년 9월 2일 금요일

J, the W pepper & sun

J, the W pepper & sun

J, the W pepper & sun
J.W. Pepper & Son, Inc.
Company form Closed company
Type of industry Retail
The establishment Philadelphia, 1876
The headquarters Flag of the United States of America The United States of America
Pennsylvania essence ton
Base number 11
Product Score, accessories about music
Music software
Slogan Delivering music since 1876.
Website jwpepper.com

A closed company of the United States of America which is the score distributor that J, the W pepper & sun (J.W. Pepper & Son, Inc.) bases on the Pennsylvania essence ton (English version). They are considered to be a retail company of the world's largest score, and the handling scores put on a catalogue become more than 750,000. It amounts to a community organization or the professional orchestra as well as personal musicians to buy score from pepper, and the greatest customer is music leaders of a school and the church.

Table of contents

History

The founder James Welsh pepper (James Welsh Pepper) was born in Philadelphia in 1853 and died in the ground on July 28, 1919. He was a music publisher of the United States of America and was a musical instrument manufacturer [1].

In 1876, the pepper published music manual and magazine "Musical Times" including publishing in a hometown, but this business stopped business in 1912. The pepper performed the musical instrument production such as drums again until 1910, but founded the J W pepper & sun to this age. The pepper in about 1893 of the Sousa phone is often mentioned saying that invented it, but this opinion is controversial.

Company

J, the W pepper makes two places of physical distribution bases to take each local sale base 11 places, inventory control and shipment on [2]. In the spring of 2009, the pepper increased two places of warehouse bases more in the distribution network. In the head office, re-from 1984 through 2013 the Pennsylvania pao which is located the west of Philadelphia approximately approximately 20 miles (approximately 30km) (English version); looked good. In October, 2013, the head office moved to essence ton in the west more.

Footnote

  1. ^ "Since 1876." J.W. Pepper & Son, Inc. December 21, 2015 reading.
  2. ^ "Pepper Winston-Salem Branch Moves to New Location." J.W. Pepper & Son, Inc. December 21, 2015 reading.

Outside link

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2017년 4월 21일 금요일

Charles マレーブ

Charles マレーブ

Charles マレーブ
Charles Malherbe
Charles Malherbe - Gallica 2010 (adjusted). jpg
Basic information
The birth 1853April 21
French flag Paris, France
Death (1911-10-05) October 5, 1911 (58 years old death)
French flag フランスコルメイユ
Genre Classical music
Occupation ViolinistMusicologistComposer

Charles Theo Dole マレーブ (Charles Théodore Malherbe from April 21, 1853 to October 5, 1911) is French violinist, musicologist, composer, school teacher.

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Life

マレーブ was born in Paris. While it is allowed for him who learned a law to enter the legal circles, I decide that I advance to the way of the music. I acquired study under Adolf Dan Hauser, Joule Massenet, Andre ヴォルムゼル and went together on a trip to investigate the Netherlands, Belgium, the music education system in the Swiss public school building as a secretary of Dan Hauser. It was an assistant of Charles ニュイッテル which was アーキビスト of the opera house library and a librarian in 1896, and マレーブ which set up the residence in Paris took a job this as his successor afterwards when it was in 1899. "Guide musical," "Monde artistique" wrote many publications "Revue internationale de musique" "Progrès artistique" at the same time as マレーブ was engaged in editing of music magazine "Le Ménestrel" [1]; [2].

マレーブ started Jean-Philippe lah work to refer moo an explanatory note to all の "complete series of work Oeuvres complètes" 16 volumes (from 1895 to 1913); [3]. As for him, the history of a performance custom and the genre and lah listed moo information about oneself in richness here. In addition, perform the editing of the complete series of Hector Berlioz work which come to try for the first time in cooperation with Felix Weingartner (from 1900 to 1907); [4]. Their complete works had many errors [note 1], but were the document which I could not lack in for those days [2].

マレーブ which was a document collector owned a handwriting letter of enormous quantity, the important manuscript of most. Draft collection of the largest Beethoven who existed and "a fantasy symphony of Berlioz," two pieces of の cantatas, written copy music of several pieces of cantatas of Bach were included moo lah among them [2]. Furthermore, he discovers original musical performance score of opera "William Tell" of Rossini in a secondhand bookstore [5]. I incorporated the opera which Mozart finished writing at 14 years old in 1901 in the work list which "the elegy F major" for two soprani whom "King ミトリダーテ of ポント" composed at 11 years old was not placed in till then [6]. In addition, he owned a lot of drafts on the list [7]. マレーブ with cooperation of Albert Sioux bi(French version) of the music historiographer published "Précis de l'histoire de l'Opéra-Comique" in 1887 [8]. He closes a life of 58 in コルメイユ (Cormeilles) of Eure. The collection that he collected was donated to the House of Paris music. Those most are stored now by the French national library.

The pupil of the violin of マレーブ needs Eugenie = Emily Juliet フォルヴィーユ of the composer.

Work

マレーブ composed an indoor musical piece, a musical performance musical piece other than several pieces of comics opera (English version). In addition, he leaves arrangement and the revision music of the work of many well-known composers. I write down a part below.

  • Duo concertant
  • Entr'acte-Sérénade
  • Menuet de Lucette
  • En Route, quickstep for orchestra

Footnote

The source

Explanatory note

  1. It is replaced the new complete works (Hector Berlioz: New Edition of the Complete Works) of the Hugh McDonald's (English version) in ^ that purpose, the present.

References

Outside link

This article is taken from the Japanese Wikipedia Charles マレーブ

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2016년 5월 27일 금요일

Fugue of the cat

Fugue of the cat

G minor fugue
Catfuguemotif.png
Domenico Scarlatti
Another name Fugue of the cat
Form FugueHarpsichordSolo
調, time G minor, six-eighths beat
Tempo In moderate time ♩=84
The publication year 1739
Opus Kk. 30, L. 499
A project: Classical music
Portal: Classical music
I display a template

The fugue (ねこのふーが, Italy: La Fuga del Gatto British: Cat fugue) of the cat is a popular name known widely of single movement sonata "G minor fugue" (Kk. 30, L. 499) for the harpsichord solo by Domenico Scarlatti.

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Origin

This popular name has begun to be used not the thing which the person of composition named it from the time in the early 19th century by the legend about the odd motif which constituted fugue. According to the legend, love cat プルチネッラ of Scarlatti was interested so that there was a sound, and there was a custom to cross it over the keyboard of the harpsichord. Scarlatti began to write one phrase from these "improvisation", and used it as a main motif of the fugue (cf. score of the top right corner); [1].

This popular name is used for a concert program of the 19th century and employs the publishers such as Muzio Clementi [2] of the godparent, curl Zell knee, Alessandro Longo (English version) [3].

Influence

The score was published in London in 1739. George Friedrich Handel known as the reuse of the former work of oneself and "a loan" from music of another person hangs it in the end of October from the end of September, 1739 and finished writing "collection of 12 concerto grosso work 6", but the strange pitch going down it of the third music second movement reminds you of a motif of this music of Scarlatti [4]. "36 fugue ninth for pianos" of 1803 by アントニーン レイハ of the composer is based on the subject same as the fugue of the cat in music theorists [5].

The Hans phone bureau arranges this music for piano concert performances [6].

Performance

It becomes the popular music in the 19th century. Franz List brought score incorporated it in a program in Berlin from written copy collector of Rome, Abbe サンティーニ in the early 1840s [7]. イグナーツ Moscheles played this music, too. I incorporate both in a program with a title of "the fugue of the cat" [3].

Footnote

  1. ^ Martyn, Elizabeth (2007). Everything Your Cat Expects You to Know. New Holland Publishers. p. 25. ISBN 978-1-845-37953-7. 
  2. On ^ "explanatory note" "collection of Scarlatti sonatas 1" Yasuko Nakayama, Ongaku no tomo sha corp., May 31, 2015, it is 35th impression, page 109. ISBN 978-4-276-90627-3
  3. ^ a b Booklet accompanying CD box set Scarlatti: The Keyboard Sonatas performed by Scott Ross; Page 143
  4. ^ Simon P. Keefe, The Cambridge Companion to the Concerto, page 63. Cambridge University Press, 2005. ISBN 0-521-83483-X.
  5. ^ "musical piece sleeve notes" "レイハ (ライヒャ) "36 fugue work 36 Hiroyuki Tanaka for pianos", Yamaha music media, page 07. ISBN 978-4-636-87511-9
  6. ^ "Katzenfuge = Cat's fugue". WorldCat. March 26, 2016 reading.
  7. ^ Dana Gooley, The Virtuoso Liszt, page 179. Cambridge University Press, 2004. ISBN 0-521-83443-0.

Outside link

This article is taken from the Japanese Wikipedia Fugue of the cat

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2017년 6월 25일 일요일

Coronation mass

Coronation mass

Music for mass C major "coronation mass" is the music for mass 14th that Wolfgang Amadeus Mozart composed K.317 (たいかん mass, German: Missa in C "Krönungs-Messe"[1]). I am called "coronation mass".

Music, sound outside link
I have all songs played before buying
Mozart: Misa de la Coronación - Juan Luis Martínez conduct Orquesta Sinfónica de Albacete, the performance by Schola Cantorum et al. Orquesta Sinfónica de Albacete formula YouTube (virtually).
A performance by W.A.Mozart/Coronation Mass in C major K.317 - ensemble フロット. Ensemble フロット formula YouTube.
A Mozart music for mass C major (coronation mass) - 伊賀美哲指揮 Theophilus room ensemble group, the performance by the Chiba mixed voices chorus. Chiba mixed voices chorus formula YouTube.

Table of contents

Summary

It was Mozart who went for trip to Mannheim Paris with mother Anna Maria for a job in September, 1777, but I failed in the job after all without being found and lost mother in Paris and returned home on emaciation in January, 1779. I spent two years before going to Munich for a trip for the premiere of opera "イドメネオ" in November, 1780 in Salzburg and composed music for mass and ヴェスペレ (vespers) during this period, but "the coronation mass" was the first work and came to be known for 18 pieces of music for mass to "mass ソレムニスハ major key K.337" most widely.

This work was finished writing on March 23, 1779 and was given the first public performance on (April 4) on a holiday of the Easter of the same year. There is the description that a name of "the coronation mass" was touched because I was composed for the Holy Mother coronation image of the church built on the hill of the north side of Salzburg once, but, as for the ceremony of the coronation having been really performed, a description to be in June is done. Salieri commanded the name "coronation mass" in the coronation of the Leopold second performed in Prague in 1791 and was settled afterwards in afterward.

In addition, the soprano solo on "アニュス day" of the sixth music is the third opera "marriage curtain of Figaro", and "the fun memory is known even to によく resembling where" the aria that a countess sings.

Instrumentation

Four copies of soli (soprano, alto, tenor, bus), chorus four copies, oboe 2, horn 2, trumpet 2, trombone 3, timpani, violin two copies, cello, contrabass, bassoon, organ

Constitution

I obeyed the order of so-called "authority of mass conventional way sentence" of "the アニュス day", but I put "Benedictus" during "Sanctus" and "アニュス day", and, "Kyrie," Mozart constituted this work with six pieces "a Sanctus" "a creed" basically "the glow rear".

  • The first music Kyrie (hymn of the pity)
  • The second music glow rear (hymn of the glory)
  • The third music creed (I declare faith)
  • The fourth music Sanctus (hymn of thanks)
  • The fifth music Benedictus (ほむべきかな)
  • The sixth music アニュス day (hymn of the peace)

The overall performance time is approximately 24 minutes.

Footnote

[Help]
  1. It depends on the notation with the complete works of ^ new Mozart

Outside link

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2016년 11월 28일 월요일

The string quintet music second (Brahms)

The string quintet music second (Brahms)

String quintet music second G major work 111 (Streichquintett fur 2 Violinen, 2 Bratchen und Violoncell Nr.2 G-Dur op.111) is the string quintet music that Johannes Brahms composed in about the summer of 1890.

  • The completion in about the summer of 1890 in Austrian health resort baht イシュル.
  • Brahms does a wink when I turn water when Cal Beck is labelled as "Brahms (Brahms im Prater) of the puller terpark" after the rehearsal of this quintet, and "it is said it, and it is one of a lot of pretty daughters of an upper class family, and it is said that I answered it with" (Nicht wahr? Und die vielen hubschen Maedchen drin.) if it depends on max Cal Beck.
  • It is a gem clogged up with the charm of the 擱筆 person of composition that I did, and the subjects of the waltz are studded with by the whole work, and the music of self medicine basket Roma is developed in a postlude.

Constitution

All four movements, performance time approximately 20-30 shares.

1. Allegro non troppo, ma con brio G major
2. Adagio D minor
3. Un poco Allegretto G minor
4. Vivace ma non troppo presto G major

Reference materials

Outside link

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2017년 4월 11일 화요일

The piano concerto second (Brahms)

The piano concerto second (Brahms)

The piano concerto that piano concerto second strange ロ major key work 83 (German notation: Konzert für Klavier und Orchester Nr. 2 B-dur op. 83) of Johannes Brahms was written than the piano concerto first which was an early work after the blank of 22 years. It is the symphony second and a masterpiece of opportune time, the heyday of Brahms along with the violin concerto and is one of the most famous works.

I was presented to teacher Eduard Marx then of the composition of Brahms.

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Process and premiere

Composition was started with inspiration in 1878 by the first trip to Italy and was completed in 1881 staying in press Baum in the suburbs of Vienna. During this time, I finished writing it after returning home from the second trip to Italy at a stretch because I concentrated on the composition of the violin concerto. Because it is written based on the impression that I received in Italy, I am gone with a bright basic tone for Brahms. If there is not the cadenza-like part that piano solo works freely alone, the musical piece constitution top say and is the work which took the distance from outlook on conventional concerto called the concerto as the flaunt of the transcendence art of the soloist intentionally, but nevertheless lets the extraordinary difficulty art that this work requires practically does many piano players and teachers and call it with "one of the most difficult piano music" (by the way, according to the record, Brahms gives the first public performance of this music in own solo, and the technical high piano performance of Brahms is indicated).

The general premiere of the piano concerto second was carried out by a solo of Brahms, conduct of Alexander L KEL in Budapest on November 9, 1881. Unlike the unpopular piano concerto first, this work gained a great success immediately in each place. They held the concert of this work repeatedly in Germany, Austria, the Netherlands, and, as for Brahms, some of those were commanded afterwards by Hans phone bureau.

Constitution

The concerto is comprised of three movements, but this work is usually comprised of four movements of the next like a symphony:

  1. Allegro non troppo, strange ロ major key, sonata form
  2. Allegro appassionato (scherzo), D minor, compound ternary form
  3. Andante, strange ロ major key, compound ternary form
  4. Allegretto grazioso, strange ロ major key, rondo form

It is famous as a difficult piece of music of the piano concerto along with the third of Rakhmaninov.

The second movement passionate existence is exceptional. In addition, a concerto of the entering scherzo includes a precedent called the piano concerto first of Franz List five pieces of "交響的協奏曲" of Henri リトルフ.

I was called "the symphony with the piano solo" and, from four movements with the scherzo movement, entered the class that had a long it for a concerto written in those days most at the character.

In addition, with the third movement, it is a point unlike the normal piano concerto that a cello solo performs the subject presentation not a piano (like an oboe of the violin concerto second movement).

Instrumentation

Solo piano, flute 2 (piccolo carrier substitute 1), oboe 2, clarinet 2, bassoon 2, horn 4, trumpet 2 (to the second movement), timpani one pair (to the second movement), string five copies.

I it at performance time

Approximately 50 minutes (for for each 18 minutes for nine minutes for 14 minutes nine minutes).

Episode

Friend whom Brahms sent the copy of the completion article to, Theo Dole building Rohto of the surgeon and the violin player expressed this work with "a collection of piano short pieces" in spite of the size of the scale (building Rohto is presented the string quartet first, the second to before this by Brahms). In fact, Brahms seemed to use such a paradoxical expression on purpose, too. It was the pupil of the piano, and, in the letter which I addressed to Elizaveta phone ヘルツォーゲンベルク which was an adviser, Brahms called the tall and stout, dramatic second movement with "a small scherzo". Similarly, at the age of cheerful "symphony second" (1877), I tell the publishing company saying "it is the work which is sorrowful so as to be unbearable", and it is said that, besides, I reported saying "I want that the score puts the black frame of the funeral and to print it".

Outside link

This article is taken from the Japanese Wikipedia The piano concerto second (Brahms)

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